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论“好电影” 被引量:7
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作者 沈义贞 《艺术百家》 CSSCI 北大核心 2015年第5期115-119,177,共6页
文章从艺术片与类型片等两个角度分别讨论了这两类影片作为"好电影"所必须具备的标准,在此基础上探讨了什么是差电影、坏电影、假电影,并提出三个"吁请":吁请那些思想苍白、艺术素养薄弱的导演,不要再以"艺术... 文章从艺术片与类型片等两个角度分别讨论了这两类影片作为"好电影"所必须具备的标准,在此基础上探讨了什么是差电影、坏电影、假电影,并提出三个"吁请":吁请那些思想苍白、艺术素养薄弱的导演,不要再以"艺术片"这一称号作为遮羞布,掩盖自我的艺术无能与作品的低劣平庸;吁请某些艺术智慧欠缺的类型片导演,不要再以"商业性"作为自己的遮羞布,为自己连篇累牍的烂片作辩解;吁请影视理论研究者,不要再将自己的观点建立在对好电影、差电影、假电影甚至坏电影不加甄别的肯定性分析之上。 展开更多
关键词 电影艺术 作品创作 评判标准 好电影 电影 电影 电影
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真善美:好电影的“家族相似性” 被引量:2
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作者 姚锦云 《山东理工大学学报(社会科学版)》 2016年第4期87-93,共7页
什么是好电影?好电影并非都有相同特征,但彼此之间有相似之处,正如维特根斯坦所说的"家族相似性"。第一,有些好电影具有原型之真。原型即历史上反复发生的经验形式,是在漫长的人类活动中逐渐形成的,它为我们的行为和行动提供... 什么是好电影?好电影并非都有相同特征,但彼此之间有相似之处,正如维特根斯坦所说的"家族相似性"。第一,有些好电影具有原型之真。原型即历史上反复发生的经验形式,是在漫长的人类活动中逐渐形成的,它为我们的行为和行动提供了一定的"形式"。好电影虽然允许虚构,却有着原型的真实,而不是"为虚构而虚构"。第二,有些好电影具有形式之美,包括感官之美和思维之美,前者如视觉效果、音乐等;后者如猜谜式的推理电影,以精巧的叙事吸引观众。第三,有些好电影具有隐喻之善,即电影的言外之意,反映了民族文化的深层意蕴,乃至人类价值的理想世界。这就是好电影的"家族相似性":原型之真、形式之美和隐喻之善。三者可以相通,因为大美即大善,大善即大真。 展开更多
关键词 好电影:真善美 家族相似性 原型 猜谜 隐喻
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什么是一部好电影?
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作者 范冬晓 《戏剧之家》 2017年第13期89-91,共3页
什么是好电影?上品、能品、妙品皆可指好电影。首先,影片的主旨立意明确,能够给观众留下思考,体现其价值性。其次,情节的设计,不论喜怒哀乐都能让观众通过人物形象和情节场面,获得心灵的感染,对人生与社会有一个新的认识。再次,创新是... 什么是好电影?上品、能品、妙品皆可指好电影。首先,影片的主旨立意明确,能够给观众留下思考,体现其价值性。其次,情节的设计,不论喜怒哀乐都能让观众通过人物形象和情节场面,获得心灵的感染,对人生与社会有一个新的认识。再次,创新是一部好电影的重要属性,包含技术上的创新和艺术上的突破。最后作为电影人必须具有的匠人精神,是一部电影成功的基础或者是源泉。 展开更多
关键词 好电影 主旨立意 情节设计 创新 匠人精神
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当下中国电影叙事研究 被引量:2
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作者 童星 《电影文学》 北大核心 2011年第5期19-20,共2页
本文从看电影的观众的视线切入,表述了作者心中故事与电影之间的关系,从十个方面阐述了电影应该如何讲故事,才能讲出好故事,成为好电影。接着谈到目前中国电影存在的三个问题。最后论述了电影要涉及人性才能深刻,从而引起观众注意;同时... 本文从看电影的观众的视线切入,表述了作者心中故事与电影之间的关系,从十个方面阐述了电影应该如何讲故事,才能讲出好故事,成为好电影。接着谈到目前中国电影存在的三个问题。最后论述了电影要涉及人性才能深刻,从而引起观众注意;同时电影叙事要把握好节奏脉搏,给人一种艺术的美的享受。笔者认为这是电影深层次的最高要求,也是中国电影叙事需要突破的瓶颈所在。 展开更多
关键词 好故事 好电影 《阿凡达》 中国电影叙事
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论电影的评判标准
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作者 张琦 《今古文创》 2020年第5期72-73,共2页
自电影诞生以来,就以惊人的速度发展,表达方式的多样化和技术的日新月异使得电影逐渐满足不同人群的不同需求,吸引了大量的受众。近年来,随着经济的发展和人们的文化需求,电影市场呈现蓬勃发展的态势,然而,在受众基数庞大,影片数量剧增... 自电影诞生以来,就以惊人的速度发展,表达方式的多样化和技术的日新月异使得电影逐渐满足不同人群的不同需求,吸引了大量的受众。近年来,随着经济的发展和人们的文化需求,电影市场呈现蓬勃发展的态势,然而,在受众基数庞大,影片数量剧增且类型广泛的现状下,究竟何为真正的“好电影”?在“叫好”和“叫座”中谁才是真正的评判标准?什么样的电影才能被称为“佳作”并被载入史册? 展开更多
关键词 好电影 艺术片 商业片 标准
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浅谈党员教育专题片的拍摄实践
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作者 迟文功 《记者摇篮》 2019年第2期79-80,共2页
当前电视专题片创作上精品层出不穷,在如此形势下,党员教育专题片如何选材,如何展现故事手法,如何挖掘拍摄技巧,如何做艺术化的包装?笔者结合多年的拍摄实践,谈谈党员教育专题片的拍摄实践,抛砖引玉。
关键词 单元教育专题片 拍摄实践 好电影 卖点
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Muted Message: Capital Punishment in the Hollywood Cinema
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作者 David Ray Papke 《Journalism and Mass Communication》 2012年第10期1019-1027,共9页
Contemporary Hollywood films seem at first glance to be opposed to capital punishment. However, this article's consideration of five surprisingly similar films (Dead Man Walking, The Chamber, Last Dance, True Crime,... Contemporary Hollywood films seem at first glance to be opposed to capital punishment. However, this article's consideration of five surprisingly similar films (Dead Man Walking, The Chamber, Last Dance, True Crime, and The Life of David Gale) finds that they do not truly and consistently condemn capital punishment. Instead of suggesting that the practice of capital punishment is fundamentally immoral and should in general be ended, the films champion only worthy individuals on death row and delight primarily in the personal growth of other characters who attempt to aid the condemned. In the end, Hollywood offers only a muted message regarding the on-going use of capital punishment. 展开更多
关键词 capital punishment death penalty death row film Hollywood cinema
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Research on the Developmental Trend of CG Technology in Hollywood and the Influence on Chinese Film and Television Production
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作者 Yuting Cui Wantong Cao 《International Journal of Technology Management》 2016年第1期35-38,共4页
In this paper, we conduct basic research on the developmental trend of CG technology in Hollywood and the influence on Chinese film and the television production. The film' s real, this should not be true of physical... In this paper, we conduct basic research on the developmental trend of CG technology in Hollywood and the influence on Chinese film and the television production. The film' s real, this should not be true of physical reality, and should be a real art. Under the real line of art, is the creation subject, communicators, accepts the main body of the social era, cultural environment and its moral conscience and the humanities. Virtual reality technology in the development of today, no we can' t do, only we believe technology as a means of implementation, not only need theory to guide, also need the discretion of moral criterion. Which is involved in the film wonders of all, need thoughtful, measure the questions very carefully. In the angle of modern CG illustration artistic creation, it is the creation of raw materials, inspiration and the material. It can go, deformation, transplantation, restructuring, and so on, finally achieve the goal of creating a new illustration works. Our research proposes the new paradigm for the Chinese film and the television production that is innovative. 展开更多
关键词 Developmental Trend CG Technology HOLLYWOOD CHINESE Film and Television.
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Never, Ever Break Up a Family
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作者 Steven William Schaufele 《Journal of Literature and Art Studies》 2014年第5期384-395,共12页
Speculative-fiction stories, in print, often depict families being wrenched apart by overwhelming new forces to which the children are better able to adapt then older generations. In making speculative-fiction movies,... Speculative-fiction stories, in print, often depict families being wrenched apart by overwhelming new forces to which the children are better able to adapt then older generations. In making speculative-fiction movies, however, Hollywood typically offers a more hopeful, comforting image of a family, at the beginning somewhat less than perfect, being restored as a result of those same forces. This paper concentrates on The Spiderwick Chronicles (2003-2004) by Tony DiTerlizzi and Holly Black, Susan Cooper's novel The Dark is Rising (1973), and Lewis Padgett's story "Mimsy were the Borogoves" and the recent movies based (more or less loosely) thereon, Mark Waters' The Spiderwick Chronicles (2007), David Cunningham's The Seeker (2007), and Bob Shaye's The Last Mimzy (2007), showing how the differences between the movies and the print-stories they are based on reflect an attempt on the part of the movie-makers to reaffirm and reinforce the family bonds that are to some extent sundered in the original stories 展开更多
关键词 speculative fiction printed matter movies movies based on printed matter damaged families adaptation to screen
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The Embodiment of American Elements In Oriental Story of Kung Fu Panda
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作者 Li Yihui Zhang Chengzhi 《International English Education Research》 2014年第12期56-62,共7页
This thesis aims at the study of the American elements in oriental story Kung Fu Panda which was made by DreamWorks of Hollywood. Firstly, the thesis shows what the basic classic American characteristics are and the d... This thesis aims at the study of the American elements in oriental story Kung Fu Panda which was made by DreamWorks of Hollywood. Firstly, the thesis shows what the basic classic American characteristics are and the definition of American Dream, as well as some basic study on Hollywood's operation of movies. Then, it analyzes the above traits in Kung Fu Panda, the embodiment of American elements in Kung Fu Panda and the recipe for Hollywood's manufacturing success. At last, based on the analyses which have been pointed out, this thesis tries to arrive at the conclusion that although with an oriental-story setting, Kung Fu Panda is still American-styled and at the same time, this thesis gives some suggestive strategies that can help Chinese movie industry step out of the awkward situation. 展开更多
关键词 American character American dream Kung Fu Panda Chinese movie industry
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Why Hollywood Hates Business: Immanuel Kant's Role in Avatar." Movie Reviewed by Adam Smith
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作者 James F. Pontuso 《Journal of Philosophy Study》 2013年第6期470-480,共11页
One of cinematic science fiction's most popular plot lines is to imagine an invasion of earth by an advanced alien species. James Cameron's Avatar turns the tables on that premise. Humans attack a peaceful, less tec... One of cinematic science fiction's most popular plot lines is to imagine an invasion of earth by an advanced alien species. James Cameron's Avatar turns the tables on that premise. Humans attack a peaceful, less technologically sophisticated race in order to exploit their natural resources. Driving the assault is a mining company hell-bent on improving its bottom line. The villain of Avatar is not a person, but those people who seek profit. To put it starkly, business is evil. But why has the entertainment business cast business as a heavy? Hollywood has now made Immanuel Kant as the director of moral sentiment. Not, of course, directly, but rather the ghostwriter of Hollywood's ideas about morality. The works of Kant are not discussed or debated in the public arena, but their principles have influenced the way people think about what is just and good. The ideas of Kant have filtered into the contemporary discourse and are one of the key ingredients in the national dialogue over what it means to be moral. The categorical imperative holds that an action is moral only if it is free from calculation of reward or gain. To be truly, moral people must abandon all practical considerations of need or desire; they must be directed by pure good will alone. Business people can never measure up to Kant's standard. They always make choices based on cost and benefit. Their businesses would quickly go bankrupt, if they made decisions on good will rather than interest. Kant's principles have raised the moral standard so high that even the common inclination to seek one's own benefit is looked on with some mistrust. In Kantian-influenced movies, business people have come to play the evil antagonist; they seek gain instead of the good. How would Adam Smith, the father of economic rationality, respond to popularized Kantian morality? 展开更多
关键词 SMITH Kant HOLLYWOOD
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Comparative Study of Chinese and foreign independent films
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作者 Xiangyang Zheng 《International Journal of Technology Management》 2013年第4期111-113,共3页
The concept of "Independent film" comes from the middle of last century's in Hollywood. Hollywood at that time, because of the monopolization of the so-called "eight movie companies", the shooting and operation o... The concept of "Independent film" comes from the middle of last century's in Hollywood. Hollywood at that time, because of the monopolization of the so-called "eight movie companies", the shooting and operation of a film followed rigorous steps of "producer system." The target of the "producer system" entirely aimed at the market in order to get the maximum profits; therefore, although this system brought a lot of money to the film industry, it also limited the filmmakers' play space. Thus, a group of filmmakers got rid of the eight movie companies' control and made self-financing, or even wrote and direct red by themselves, they shot a lot of strong ideological films which were different with commercial films, known as the" Independent Film ". 展开更多
关键词 comparative study independent films film companies.
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On the Chinese Elements in Hollywood Movies from Kung fu Panda
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作者 Sun Hui 《International Journal of Technology Management》 2013年第7期10-12,共3页
With the development of globalization, movie, as the important media for broadcasting and exchanging cultures, promotes the international cultural communications among countries. Kung fu Panda, a blockbuster by Dream ... With the development of globalization, movie, as the important media for broadcasting and exchanging cultures, promotes the international cultural communications among countries. Kung fu Panda, a blockbuster by Dream works, sets off a new upsurge of the Chinese style. It not only gives a chance for the audiences in western countries to enjoy the traditional Chinese culture, but also for the Chinese to enjoy this visual feast. This article will illustrate the implicit and explicit Chinese elements in Kung fu Panda, in hope of finding out the extensive use of Chinese elements in today's Hollywood movies. According to the collection of media data concluded, the film production team undertook detailed investigation and studies in the traditional Chinese culture so that today's Hollywood movies can successfully interpret Chinese elements. Thus, the international cultural communications are found hiding behind the widely used of Chinese elements. With the analysis of this article, Chinese reader can know further about how important the diffusion of Chinese traditional culture is. Thereby, it can remind Chinese people of the responsibility to carry on and broadcast the splendid traditional Chinese culture. 展开更多
关键词 Chinese elements Hollywood movies traditional Chinese culture
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