Contemporary Hollywood films seem at first glance to be opposed to capital punishment. However, this article＇s consideration of five surprisingly similar films （Dead Man Walking, The Chamber, Last Dance, True Crime,...Contemporary Hollywood films seem at first glance to be opposed to capital punishment. However, this article＇s consideration of five surprisingly similar films （Dead Man Walking, The Chamber, Last Dance, True Crime, and The Life of David Gale） finds that they do not truly and consistently condemn capital punishment. Instead of suggesting that the practice of capital punishment is fundamentally immoral and should in general be ended, the films champion only worthy individuals on death row and delight primarily in the personal growth of other characters who attempt to aid the condemned. In the end, Hollywood offers only a muted message regarding the on-going use of capital punishment.展开更多
In this paper, we conduct basic research on the developmental trend of CG technology in Hollywood and the influence on Chinese film and the television production. The film＇ s real, this should not be true of physical...In this paper, we conduct basic research on the developmental trend of CG technology in Hollywood and the influence on Chinese film and the television production. The film＇ s real, this should not be true of physical reality, and should be a real art. Under the real line of art, is the creation subject, communicators, accepts the main body of the social era, cultural environment and its moral conscience and the humanities. Virtual reality technology in the development of today, no we can＇ t do, only we believe technology as a means of implementation, not only need theory to guide, also need the discretion of moral criterion. Which is involved in the film wonders of all, need thoughtful, measure the questions very carefully. In the angle of modern CG illustration artistic creation, it is the creation of raw materials, inspiration and the material. It can go, deformation, transplantation, restructuring, and so on, finally achieve the goal of creating a new illustration works. Our research proposes the new paradigm for the Chinese film and the television production that is innovative.展开更多
Speculative-fiction stories, in print, often depict families being wrenched apart by overwhelming new forces to which the children are better able to adapt then older generations. In making speculative-fiction movies,...Speculative-fiction stories, in print, often depict families being wrenched apart by overwhelming new forces to which the children are better able to adapt then older generations. In making speculative-fiction movies, however, Hollywood typically offers a more hopeful, comforting image of a family, at the beginning somewhat less than perfect, being restored as a result of those same forces. This paper concentrates on The Spiderwick Chronicles （2003-2004） by Tony DiTerlizzi and Holly Black, Susan Cooper＇s novel The Dark is Rising （1973）, and Lewis Padgett＇s story ＂Mimsy were the Borogoves＂ and the recent movies based （more or less loosely） thereon, Mark Waters＇ The Spiderwick Chronicles （2007）, David Cunningham＇s The Seeker （2007）, and Bob Shaye＇s The Last Mimzy （2007）, showing how the differences between the movies and the print-stories they are based on reflect an attempt on the part of the movie-makers to reaffirm and reinforce the family bonds that are to some extent sundered in the original stories展开更多
One of cinematic science fiction＇s most popular plot lines is to imagine an invasion of earth by an advanced alien species. James Cameron＇s Avatar turns the tables on that premise. Humans attack a peaceful, less tec...One of cinematic science fiction＇s most popular plot lines is to imagine an invasion of earth by an advanced alien species. James Cameron＇s Avatar turns the tables on that premise. Humans attack a peaceful, less technologically sophisticated race in order to exploit their natural resources. Driving the assault is a mining company hell-bent on improving its bottom line. The villain of Avatar is not a person, but those people who seek profit. To put it starkly, business is evil. But why has the entertainment business cast business as a heavy？ Hollywood has now made Immanuel Kant as the director of moral sentiment. Not, of course, directly, but rather the ghostwriter of Hollywood＇s ideas about morality. The works of Kant are not discussed or debated in the public arena, but their principles have influenced the way people think about what is just and good. The ideas of Kant have filtered into the contemporary discourse and are one of the key ingredients in the national dialogue over what it means to be moral. The categorical imperative holds that an action is moral only if it is free from calculation of reward or gain. To be truly, moral people must abandon all practical considerations of need or desire; they must be directed by pure good will alone. Business people can never measure up to Kant＇s standard. They always make choices based on cost and benefit. Their businesses would quickly go bankrupt, if they made decisions on good will rather than interest. Kant＇s principles have raised the moral standard so high that even the common inclination to seek one＇s own benefit is looked on with some mistrust. In Kantian-influenced movies, business people have come to play the evil antagonist; they seek gain instead of the good. How would Adam Smith, the father of economic rationality, respond to popularized Kantian morality？展开更多
This thesis aims at the study of the American elements in oriental story Kung Fu Panda which was made by DreamWorks of Hollywood. Firstly, the thesis shows what the basic classic American characteristics are and the d...This thesis aims at the study of the American elements in oriental story Kung Fu Panda which was made by DreamWorks of Hollywood. Firstly, the thesis shows what the basic classic American characteristics are and the definition of American Dream, as well as some basic study on Hollywood＇s operation of movies. Then, it analyzes the above traits in Kung Fu Panda, the embodiment of American elements in Kung Fu Panda and the recipe for Hollywood＇s manufacturing success. At last, based on the analyses which have been pointed out, this thesis tries to arrive at the conclusion that although with an oriental-story setting, Kung Fu Panda is still American-styled and at the same time, this thesis gives some suggestive strategies that can help Chinese movie industry step out of the awkward situation.展开更多
The concept of ＂Independent film＂ comes from the middle of last century＇s in Hollywood. Hollywood at that time, because of the monopolization of the so-called ＂eight movie companies＂, the shooting and operation o...The concept of ＂Independent film＂ comes from the middle of last century＇s in Hollywood. Hollywood at that time, because of the monopolization of the so-called ＂eight movie companies＂, the shooting and operation of a film followed rigorous steps of ＂producer system.＂ The target of the ＂producer system＂ entirely aimed at the market in order to get the maximum profits; therefore, although this system brought a lot of money to the film industry, it also limited the filmmakers＇ play space. Thus, a group of filmmakers got rid of the eight movie companies＇ control and made self-financing, or even wrote and direct red by themselves, they shot a lot of strong ideological films which were different with commercial films, known as the＂ Independent Film ＂.展开更多
With the development of globalization, movie, as the important media for broadcasting and exchanging cultures, promotes the international cultural communications among countries. Kung fu Panda, a blockbuster by Dream ...With the development of globalization, movie, as the important media for broadcasting and exchanging cultures, promotes the international cultural communications among countries. Kung fu Panda, a blockbuster by Dream works, sets off a new upsurge of the Chinese style. It not only gives a chance for the audiences in western countries to enjoy the traditional Chinese culture, but also for the Chinese to enjoy this visual feast. This article will illustrate the implicit and explicit Chinese elements in Kung fu Panda, in hope of finding out the extensive use of Chinese elements in today＇s Hollywood movies. According to the collection of media data concluded, the film production team undertook detailed investigation and studies in the traditional Chinese culture so that today＇s Hollywood movies can successfully interpret Chinese elements. Thus, the international cultural communications are found hiding behind the widely used of Chinese elements. With the analysis of this article, Chinese reader can know further about how important the diffusion of Chinese traditional culture is. Thereby, it can remind Chinese people of the responsibility to carry on and broadcast the splendid traditional Chinese culture.展开更多
文摘Contemporary Hollywood films seem at first glance to be opposed to capital punishment. However, this article＇s consideration of five surprisingly similar films （Dead Man Walking, The Chamber, Last Dance, True Crime, and The Life of David Gale） finds that they do not truly and consistently condemn capital punishment. Instead of suggesting that the practice of capital punishment is fundamentally immoral and should in general be ended, the films champion only worthy individuals on death row and delight primarily in the personal growth of other characters who attempt to aid the condemned. In the end, Hollywood offers only a muted message regarding the on-going use of capital punishment.
文摘In this paper, we conduct basic research on the developmental trend of CG technology in Hollywood and the influence on Chinese film and the television production. The film＇ s real, this should not be true of physical reality, and should be a real art. Under the real line of art, is the creation subject, communicators, accepts the main body of the social era, cultural environment and its moral conscience and the humanities. Virtual reality technology in the development of today, no we can＇ t do, only we believe technology as a means of implementation, not only need theory to guide, also need the discretion of moral criterion. Which is involved in the film wonders of all, need thoughtful, measure the questions very carefully. In the angle of modern CG illustration artistic creation, it is the creation of raw materials, inspiration and the material. It can go, deformation, transplantation, restructuring, and so on, finally achieve the goal of creating a new illustration works. Our research proposes the new paradigm for the Chinese film and the television production that is innovative.
文摘Speculative-fiction stories, in print, often depict families being wrenched apart by overwhelming new forces to which the children are better able to adapt then older generations. In making speculative-fiction movies, however, Hollywood typically offers a more hopeful, comforting image of a family, at the beginning somewhat less than perfect, being restored as a result of those same forces. This paper concentrates on The Spiderwick Chronicles （2003-2004） by Tony DiTerlizzi and Holly Black, Susan Cooper＇s novel The Dark is Rising （1973）, and Lewis Padgett＇s story ＂Mimsy were the Borogoves＂ and the recent movies based （more or less loosely） thereon, Mark Waters＇ The Spiderwick Chronicles （2007）, David Cunningham＇s The Seeker （2007）, and Bob Shaye＇s The Last Mimzy （2007）, showing how the differences between the movies and the print-stories they are based on reflect an attempt on the part of the movie-makers to reaffirm and reinforce the family bonds that are to some extent sundered in the original stories
文摘One of cinematic science fiction＇s most popular plot lines is to imagine an invasion of earth by an advanced alien species. James Cameron＇s Avatar turns the tables on that premise. Humans attack a peaceful, less technologically sophisticated race in order to exploit their natural resources. Driving the assault is a mining company hell-bent on improving its bottom line. The villain of Avatar is not a person, but those people who seek profit. To put it starkly, business is evil. But why has the entertainment business cast business as a heavy？ Hollywood has now made Immanuel Kant as the director of moral sentiment. Not, of course, directly, but rather the ghostwriter of Hollywood＇s ideas about morality. The works of Kant are not discussed or debated in the public arena, but their principles have influenced the way people think about what is just and good. The ideas of Kant have filtered into the contemporary discourse and are one of the key ingredients in the national dialogue over what it means to be moral. The categorical imperative holds that an action is moral only if it is free from calculation of reward or gain. To be truly, moral people must abandon all practical considerations of need or desire; they must be directed by pure good will alone. Business people can never measure up to Kant＇s standard. They always make choices based on cost and benefit. Their businesses would quickly go bankrupt, if they made decisions on good will rather than interest. Kant＇s principles have raised the moral standard so high that even the common inclination to seek one＇s own benefit is looked on with some mistrust. In Kantian-influenced movies, business people have come to play the evil antagonist; they seek gain instead of the good. How would Adam Smith, the father of economic rationality, respond to popularized Kantian morality？
文摘This thesis aims at the study of the American elements in oriental story Kung Fu Panda which was made by DreamWorks of Hollywood. Firstly, the thesis shows what the basic classic American characteristics are and the definition of American Dream, as well as some basic study on Hollywood＇s operation of movies. Then, it analyzes the above traits in Kung Fu Panda, the embodiment of American elements in Kung Fu Panda and the recipe for Hollywood＇s manufacturing success. At last, based on the analyses which have been pointed out, this thesis tries to arrive at the conclusion that although with an oriental-story setting, Kung Fu Panda is still American-styled and at the same time, this thesis gives some suggestive strategies that can help Chinese movie industry step out of the awkward situation.
文摘The concept of ＂Independent film＂ comes from the middle of last century＇s in Hollywood. Hollywood at that time, because of the monopolization of the so-called ＂eight movie companies＂, the shooting and operation of a film followed rigorous steps of ＂producer system.＂ The target of the ＂producer system＂ entirely aimed at the market in order to get the maximum profits; therefore, although this system brought a lot of money to the film industry, it also limited the filmmakers＇ play space. Thus, a group of filmmakers got rid of the eight movie companies＇ control and made self-financing, or even wrote and direct red by themselves, they shot a lot of strong ideological films which were different with commercial films, known as the＂ Independent Film ＂.
文摘With the development of globalization, movie, as the important media for broadcasting and exchanging cultures, promotes the international cultural communications among countries. Kung fu Panda, a blockbuster by Dream works, sets off a new upsurge of the Chinese style. It not only gives a chance for the audiences in western countries to enjoy the traditional Chinese culture, but also for the Chinese to enjoy this visual feast. This article will illustrate the implicit and explicit Chinese elements in Kung fu Panda, in hope of finding out the extensive use of Chinese elements in today＇s Hollywood movies. According to the collection of media data concluded, the film production team undertook detailed investigation and studies in the traditional Chinese culture so that today＇s Hollywood movies can successfully interpret Chinese elements. Thus, the international cultural communications are found hiding behind the widely used of Chinese elements. With the analysis of this article, Chinese reader can know further about how important the diffusion of Chinese traditional culture is. Thereby, it can remind Chinese people of the responsibility to carry on and broadcast the splendid traditional Chinese culture.
