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汤显祖《问棘邮草》对魏晋南北朝诗文的宗法研究
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作者 彭涛 张小敏 《晋阳学刊》 2021年第2期139-143,共5页
汤显祖《问棘邮草》对魏晋南北朝诗人的宗法主要集中于左思、江淹、谢朓、曹植、谢灵运等11位诗人。其学古方式主要有两种:模拟各家学自江淹,重规矩、敷衍原篇学自陆机。“宗六朝”对《问棘邮草》诗风的影响,表现在用典之“繁芜”、文... 汤显祖《问棘邮草》对魏晋南北朝诗人的宗法主要集中于左思、江淹、谢朓、曹植、谢灵运等11位诗人。其学古方式主要有两种:模拟各家学自江淹,重规矩、敷衍原篇学自陆机。“宗六朝”对《问棘邮草》诗风的影响,表现在用典之“繁芜”、文辞之“文”、诗风之“质”三个方面。汤显祖宗法魏晋六朝,转益多师,形成多样风格,成为明代复古浪潮中的别调。 展开更多
关键词 《问棘邮草》 魏晋南北朝 学古思想
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Ancient and modern, compatibility of Chinese and Western --Analysis of Huang Dufeng Painting Aesthetics Thought
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作者 Zongye Lu 《International Journal of Technology Management》 2014年第1期105-107,共3页
Mr. Huang Dufeng is the master to paint landscapes, flowers, birds and people. In artistic practice, he clearly saw that in addition to using the ink to express the appearance, there exists its independence of aesthet... Mr. Huang Dufeng is the master to paint landscapes, flowers, birds and people. In artistic practice, he clearly saw that in addition to using the ink to express the appearance, there exists its independence of aesthetic nature. In addition, Mr. Huang Dufeng is aware of vital importance of the spirit manifesting in the traditional painting. He has foresight in the face of treating the mutual development of Chinese and Western painting. In the meantime to advocate learning western painting, he all along emphasize that we should flourish the specific beauty of Chinese painting. He has showed a wide range of subjects, breaking the bondage of "four gentlemen" and pioneered the art image of angelfish. By discussion on Mr. Huang Dufeng through the painting features and process of thinking, he insisted on aesthetics concept of "Ancient and modern, compatibility of Chinese and Western". 展开更多
关键词 Huang Dufeng eclectic stuff artistic characteristics aesthetics.
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