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Analysing Shakespeare's Emblem Language in Midsummer Night's Dream
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作者 Erdal AYAN 《Journal of Literature and Art Studies》 2017年第10期1264-1278,共15页
Shakespeare has been studied from many perspectives so far. However, his language style used in his literary works is still worth studying. First of all, this study explores changing sense of emblem and emblem languag... Shakespeare has been studied from many perspectives so far. However, his language style used in his literary works is still worth studying. First of all, this study explores changing sense of emblem and emblem language comparing Shakespeare's era and today. Secondly, it puts stress on the effects of emblem traditions on Shakespeare. Lastly, this article aims to shed light on his emblematical language in his Midsummer Night's Dream, which is one of his most leading works in terms of having highly visible emblematical interpretations. 展开更多
关键词 SHAKESPEARE emblems emblem language Midsummer Night's Dream
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宋太宗朝翰林学士述论 被引量:5
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作者 陈元锋 《文学遗产》 CSSCI 北大核心 2010年第4期41-54,共14页
宋太宗崇儒右文,宠奖词臣,翰林学士成为清贵近密的文学之选。太平兴国中,完成了由旧朝词臣向新朝学士的过渡。淳化、至道间,两制三馆的唱和活动达到高潮。从李、徐铉到宋白、苏易简、王禹偁,太宗朝翰林学士几乎由清一色的"白体&qu... 宋太宗崇儒右文,宠奖词臣,翰林学士成为清贵近密的文学之选。太平兴国中,完成了由旧朝词臣向新朝学士的过渡。淳化、至道间,两制三馆的唱和活动达到高潮。从李、徐铉到宋白、苏易简、王禹偁,太宗朝翰林学士几乎由清一色的"白体"诗人?保鞍?体"形成宋代诗坛第一个影响广泛、绵延不绝的诗歌体派和诗人代群。太宗后期,以宋白为"翰林主人"、"文章盟主",以王禹偁、田锡等人为辅翼,他们以道义师友之交相游从,具备了自觉的宗盟意识,形成以座主门生为主体的两制词臣文学群体。王、田二人在当时文坛独步高蹈,摒弃五代,上追西汉,标榜李杜韩柳,开拓"白体",振举时风,成为北宋第一批有开创性成就的作家。 展开更多
关键词 翰林学士 两制 学士品格 修书 白体 元和 长庆风格
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