Generally, criticism on popular music is of both political and artistic nature. This paper is intended to investigate modem Chinese popular music in the artistic dimension. On one hand, through analysis and differenti...Generally, criticism on popular music is of both political and artistic nature. This paper is intended to investigate modem Chinese popular music in the artistic dimension. On one hand, through analysis and differentiation in light of the two persistent （and biased） conceptions, it is necessary to acknowledge the inevitability of popular music as an art. On the other hand, this paper aims to analyze specifically the ＂voice＂ in popular music in hope of presenting its unique aesthetic characteristics. Above all, a more comprehensive view and more diverse approaches are needed in the study of popular music展开更多
Beyond the existing academic viewpoints, clarifying the scientific meaning of the rule of law in China in the binary interaction between subject and object is the prerequisite for reifying the rule of law in China fro...Beyond the existing academic viewpoints, clarifying the scientific meaning of the rule of law in China in the binary interaction between subject and object is the prerequisite for reifying the rule of law in China from an abstract symbol to a logic in action. The subject dimension of rule of law in China subsumes the legal consciousness, self confidence, independence and self-improvement of the subject. The object dimension of the rule of law in China focuses the relation mode and governance pattern between right and power. In the dimension of time, the rule of law in China is the unification of history and reality of China model. In the dimension of space, the rule of law in China is committed to seeking the right to speech, governance, management and development from the perspective of globalization.展开更多
The rise and development of China’s academic system is a process that started from“passively accepting Western Learning”to today’s“catching up with Western Learning and even exceeding it”.In the last century,Chi...The rise and development of China’s academic system is a process that started from“passively accepting Western Learning”to today’s“catching up with Western Learning and even exceeding it”.In the last century,China experienced a turbulent and unstable social environment in which academics and politics have always been intertwined.As a result,the internal logic of China’s academic system shares similar characteristics with its Western models,but is unique in certain ways at the same time.In the complex and inseparable relationship between academics and politics,which involves both love and hate,the logic that academics must serve political needs,on one hand,establishes the co-existence of the academia and the government,which provides a relatively stable environment for academic activities within the system;on the other hand,it also jeopardizes the ecological environment in which the academics can develop according to its own internal logic.For exactly the same reasons,even at present,internalization means something special and complex for Chinese academia because,on one hand,it truly represents academia’s strive to meet international standards;on the other hand,the pushing factor behind this“voluntary”stance is still state and political power.展开更多
文摘Generally, criticism on popular music is of both political and artistic nature. This paper is intended to investigate modem Chinese popular music in the artistic dimension. On one hand, through analysis and differentiation in light of the two persistent （and biased） conceptions, it is necessary to acknowledge the inevitability of popular music as an art. On the other hand, this paper aims to analyze specifically the ＂voice＂ in popular music in hope of presenting its unique aesthetic characteristics. Above all, a more comprehensive view and more diverse approaches are needed in the study of popular music
文摘Beyond the existing academic viewpoints, clarifying the scientific meaning of the rule of law in China in the binary interaction between subject and object is the prerequisite for reifying the rule of law in China from an abstract symbol to a logic in action. The subject dimension of rule of law in China subsumes the legal consciousness, self confidence, independence and self-improvement of the subject. The object dimension of the rule of law in China focuses the relation mode and governance pattern between right and power. In the dimension of time, the rule of law in China is the unification of history and reality of China model. In the dimension of space, the rule of law in China is committed to seeking the right to speech, governance, management and development from the perspective of globalization.
文摘The rise and development of China’s academic system is a process that started from“passively accepting Western Learning”to today’s“catching up with Western Learning and even exceeding it”.In the last century,China experienced a turbulent and unstable social environment in which academics and politics have always been intertwined.As a result,the internal logic of China’s academic system shares similar characteristics with its Western models,but is unique in certain ways at the same time.In the complex and inseparable relationship between academics and politics,which involves both love and hate,the logic that academics must serve political needs,on one hand,establishes the co-existence of the academia and the government,which provides a relatively stable environment for academic activities within the system;on the other hand,it also jeopardizes the ecological environment in which the academics can develop according to its own internal logic.For exactly the same reasons,even at present,internalization means something special and complex for Chinese academia because,on one hand,it truly represents academia’s strive to meet international standards;on the other hand,the pushing factor behind this“voluntary”stance is still state and political power.
