宋代香炉设计的文化功能差异分析

香炉的发展在宋代达到高潮。它不仅具有实用功能,还包含具体的文化功能,主要体现在以下四个方面。香炉的上层礼仪功能:显示天子威仪、加强君权专制;香炉的宗教意识形态功能:强化宗教意识,助于宗教传播;香炉在文人阶层的文化功能:显示文人身份地位,满足文人的精神追求;香炉在世俗生活的情趣功能:增添生活情趣。

宋代鸭形熏炉造型设计研究

鸭形熏炉又被称为香鸭,形制可爱,实用性与装饰性并存,受到宋代文人的喜爱。宋代瓷器闻名天下,青白瓷类玉的质感体现出君子淡泊名利的超脱与注重自身修养的风范,古人常把青瓷鸭形熏炉写于诗歌、画于作品之中,表达对其的喜爱。该文研究宋代鸭形熏炉造型设计,探究其造型结构、功能、材质工艺、使用场景、文化内涵。

论宋代青瓷香炉的禅宗意趣

宋代的陶瓷香炉整体上呈现出古典隽永、自然细腻的艺术风格。宋人趋向于自然,趋向于简朴,在生活情趣上追求的是精细、雅致、淡泊。本文结合禅宗要素讨论宋代青瓷釉饰香炉的审美,青瓷釉饰平淡含蓄,轻灵空静,具有禅的简素、孤高、自然、空寂的特征。青瓷香炉体现了一切灿烂之后终归平淡的永恒感,营造了禅宗里"物我两忘,梵我合一"的境界。

The Artistic Styles of Ceramic Censers in Song Dynasty

Song Dynasty was very significant in Chinese feudal history, and ceramic industry boomed during that time： all kinds of kilns were scattered all over the country, and ceramic art achieved great success. Among those achievements, ceramic censers were a very typical one which features unique styles in patterns, decorations, and glaze colors. This paper covers the developing process and artistic characteristics of censers in Song Dynasty.