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宏大叙事诠释民族复兴的审美理想——十艺节全国优秀美术作品展对于激越人文情怀的抒发 被引量:1
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作者 尚辉 《美术观察》 北大核心 2013年第12期11-13,共3页
宏大叙事是近些年中国主流美术创作呈现出来的一种审美趋势,尤其是存第十届中国艺术节的“全国优秀美术作品展”中获得了更为明晰的展现。应当承认,在新时期之初,在艺术创作的个体意识逐渐苏醒、“自我表现”与“内心审视”开始被重... 宏大叙事是近些年中国主流美术创作呈现出来的一种审美趋势,尤其是存第十届中国艺术节的“全国优秀美术作品展”中获得了更为明晰的展现。应当承认,在新时期之初,在艺术创作的个体意识逐渐苏醒、“自我表现”与“内心审视”开始被重视的年代,宏大叙悟曾作为一种教化艺术的样式而遭至贬损或批判, 展开更多
关键词 美术作品 宏大叙 艺术创作 艺术工作者
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New era writers: aesthetic choices and the generation gap
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作者 Hong Zhigang 《Social Sciences in China》 2009年第2期85-100,共16页
Since the 1990s, the generation gap among three important groups of writers born in the 1950s, 1960s and 1970s has become ever more evident. Not only do they show a tendency toward the weakening of grand narrative and... Since the 1990s, the generation gap among three important groups of writers born in the 1950s, 1960s and 1970s has become ever more evident. Not only do they show a tendency toward the weakening of grand narrative and sense of responsibility and the strengthening of individual aspirations, they also show different aesthetic traits in terms of narrative form. Some advocate a realist style, while others pursue modernist techniques or are enamored of fragmentary details. At the same time, each generation projects its own aesthetic ideas. From the viewpoint of cultural anthropology, this kind Of generation gap essentially implies the effect of the latent protocols of different historical-cultural contexts and memories of growing up on the human spirit. Although the generation gap is an expression of a plural cultural scene, the question of how to strengthen intellectual interaction between different generations of writers and effectively overcome the limitations of each generation remains an important aspect of the promotion of the healthy development of modern Chinese literature. 展开更多
关键词 generation gap grand narrative INDIVIDUALIZATION cultural memory generational interaction
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