期刊文献+
共找到2篇文章
< 1 >
每页显示 20 50 100
论思辨形而上学的实现方式
1
作者 张宗艳 《社会科学辑刊》 CSSCI 北大核心 2015年第6期21-25,共5页
对对象的把握与人的认识机能相关。按照黑格尔关于人的认识功能的区分,把握形而上学对象主要有三种形式:直观形式、表象形式和概念形式。在三种形式中,根据内容和形式相统一的哲学原则,黑格尔认为概念形式是成就形而上学内容为真理形态... 对对象的把握与人的认识机能相关。按照黑格尔关于人的认识功能的区分,把握形而上学对象主要有三种形式:直观形式、表象形式和概念形式。在三种形式中,根据内容和形式相统一的哲学原则,黑格尔认为概念形式是成就形而上学内容为真理形态的最佳形式。对黑格尔关于三种形式在艺术、宗教和哲学中的特点进行比较分析,说明它们在表达形上对象时的作用、特点以及优势与局限,可以揭示思辨形而上学的实现方式。 展开更多
关键词 艺术直观 宗教表象 哲学概念 思辨形而上学
下载PDF
Jan Haicksz Steen's Woman at Her Toilet: "Provocative Innuendos"
2
作者 Liana De Girolami Cheney 《Journal of Literature and Art Studies》 2017年第10期1279-1289,共11页
Jan Haicksz Steen (1626-1679), a Dutch actor, poet and painter, engaged the viewer with various innuendos and double entendres in his paintings about Woman at Her Toilet. Decoding the conceits introduces the viewer ... Jan Haicksz Steen (1626-1679), a Dutch actor, poet and painter, engaged the viewer with various innuendos and double entendres in his paintings about Woman at Her Toilet. Decoding the conceits introduces the viewer to Dutch artistic astuteness and popular culture. Steen drew the observer into his picture plane through a series of emblematic vignettes. Although he raised questions about cultural mores, morality, and religiosity, none are judgmental. On the contrary, it is the viewer who might or might not articulate a moral judgment according to personal experiences. For Steen, the imagery, filled with complex conceits, is an artistic visual representation to delight the eyes, tantalize the senses, and maybe even spark the intellect. 展开更多
关键词 Dutch bedrooms innuendos emblematic meaning cultural mores music and vanity symbolism
下载PDF
上一页 1 下一页 到第
使用帮助 返回顶部