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论弗兰纳里·奥康纳《慧血》中颠覆性神学思想
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作者 殷定芳 《牡丹江大学学报》 2014年第11期98-100,共3页
奥康纳在《慧血》中塑造了主人公黑兹尔·莫茨,通过他的语言和行为讽刺新教社会,她认为现代社会把资本和商品奉若神明,人们不是对上帝虔诚而是对消费和利润敬畏。奥康纳采用极端写作手法批评虚假信仰,这种虚假信仰对奥康纳认可的宗... 奥康纳在《慧血》中塑造了主人公黑兹尔·莫茨,通过他的语言和行为讽刺新教社会,她认为现代社会把资本和商品奉若神明,人们不是对上帝虔诚而是对消费和利润敬畏。奥康纳采用极端写作手法批评虚假信仰,这种虚假信仰对奥康纳认可的宗教信仰形式是一个现存的威胁。商品和资本被奉为神圣,基督教和上帝被无情地利用和商品化。 展开更多
关键词 弗兰纳里·奥康纳 资本和商品 宗教颠覆
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The Kind of Virgin That Keeps a Parrot: Identity, Nature, and Myth in a Painting by Hans Baldung Grien
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作者 Bonnie J. Noble 《Journal of Literature and Art Studies》 2014年第9期702-721,共20页
The 16th-century Protestant Reformation shattered the foundations of faith and art. As traditional theology was both besieged and defended, art had to adapt. Of course, a new theology needed new kinds of pictorial ext... The 16th-century Protestant Reformation shattered the foundations of faith and art. As traditional theology was both besieged and defended, art had to adapt. Of course, a new theology needed new kinds of pictorial extrapolations. But truly, the most interesting change was hidden in plain sight. Subjects that may have looked familiar were in fact utterly new, because subversive ideas and contexts uprooted older meanings. The painting Madonna with Parrots (1533), by Hans Baldung Grien demoted the chaste protectress by transforming her into a flawed, even dangerous, human mother. In the painting, an oddly sultry Virgin shows off her breast, her shoulder, and her chest as a parrot nibbles her neck. The complexities of Baldung's painting underpin debates about the status of the Virgin during the Reformation and the freedom of an artist to tamper with sacred subject matter. 展开更多
关键词 VIRGIN MADONNA REFORMATION Witch Hans Baldung Grien Renaissance Albrecht DUrer
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