In the research, trees along 42 roads in Chongqing were explored and es- timated in terms of aesthetics, and aesthetic tendency and major influential factors of aesthetic value of street greenbelts in Chongqing arteri...In the research, trees along 42 roads in Chongqing were explored and es- timated in terms of aesthetics, and aesthetic tendency and major influential factors of aesthetic value of street greenbelts in Chongqing arterial roads were estimated with phychophysical method to establish SBE model of arterial road greenbelts land- scape.展开更多
Most world natural heritage sites are designated partly by reason of their prominent aesthetic values in accordance with Article Ⅶ of World Natural Heritage Convention.In this paper, the aesthetic values of Kanas Nat...Most world natural heritage sites are designated partly by reason of their prominent aesthetic values in accordance with Article Ⅶ of World Natural Heritage Convention.In this paper, the aesthetic values of Kanas National Nature Reserve, which has potential for such designation, was analyzed quantitatively using scenic beauty estimation(SBE).The landscapes of 19 representative scenic spots in the Kanas National Nature Reserve in summer and autumn were selected as the objects of evaluation.The contributions of different landscape factors to the aesthetic value of the Kanas National Nature Reserve were revealed using a multivariate quantitative model.The main factors affecting the aesthetic value were waterscapes, vegetation, mountains, folk culture and the tourist environment.The t-test and F-test results are extremely significant.According to the results, some suggestions were given for conserving the landscapes in the Kanas National Nature Reserve.展开更多
Xinjiang Tianshan is a serial natural property that has been nominated for World Heritage status.This paper presents a systematically comprehensive and comparative analysis of the heritage resources of Xinjiang Tiansh...Xinjiang Tianshan is a serial natural property that has been nominated for World Heritage status.This paper presents a systematically comprehensive and comparative analysis of the heritage resources of Xinjiang Tianshan according to the World Heritage criteria.Its biological,ecological and aesthetic values,which are of global importance, are documented.It is concluded that Xinjiang Tianshan meets the world heritage criteria(vii)and (ix).Xinjiang Tianshan is compared with other mountain world heritage sites,mountains in Central Asia,the Tianshan Mountains outside China,and with the protected areas of the Tianshan Mountains on the Tentative List for World Heritage Sites,so as to provide objective data for the world heritage application.展开更多
Based on the survey data for 2120 inbound and domestic tourists at the Shanghai World Expo,a structural equation model was constructed for the relationship among tourists' perceived value dimensions,behavioral int...Based on the survey data for 2120 inbound and domestic tourists at the Shanghai World Expo,a structural equation model was constructed for the relationship among tourists' perceived value dimensions,behavioral intention and revisit intention.Additionally,the influence of tourists' perceived value dimensions on the behavioral intention and revisit intention was explored.The results show that the utilitarian value and enjoyment value significantly affect the inbound and domestic tourists' behavioral intention,while the convenience value and aesthetic value have no significant influence.The service value only significantly affects the domestic tourists' behavioral intention,and the aesthetic value only significantly affects the inbound tourists' behavioral intention.The utilitarian value,service value and enjoyment value significantly affect the inbound and domestic tourists' revisit intention,while the convenience value only significantly affects the domestic tourists' revisit intention.The utilitarian value is the primary factor affecting the inbound tourists' behavioral intention and revisit intention,and the perceived price has no significant effect on either inbound or domestic tourists' behavioral intention or revisit intention.The study explores the relationships between tourists' perceived value,behavioral intention and revisit intention,analyzes the divergence and causation,theoretically enriches the research field of tourism geography and behavioral geography,and has great practical significance to the sustainable development of mega events in China,including the further development of the Shanghai World Expo.展开更多
How to teach creative writing at school? If the procedures inherited from writing workshops have undoubtedly proved efficient as regards text production, it is also clear that in Switzerland, as elsewhere in Europe a...How to teach creative writing at school? If the procedures inherited from writing workshops have undoubtedly proved efficient as regards text production, it is also clear that in Switzerland, as elsewhere in Europe and in the Anglo-Saxon world, the present use of evaluation grids with their numerous items prevents secondary school pupils from adopting the stance of an author. Why? Simply because the most innovative and "literary" texts are always surprising: They are "different", and could not possibly result from writing guidelines devised only to facilitate a mechanical evaluation itself conceived for the sake of some illusory objectivity... Now, in our postmodern age with its rejection of models, what is more difficult than assessing the quality of creative writing? In our approach, we suggest restoring confidence in the teacher, an expert reader if any, who, acting as a publisher, dramaturge, or mere aesthete, knows how to take his pupils' texts seriously, acknowledge their aesthetic value, and look at apparent clumsiness as a possible promise of innovation. The teaching of creative writing lies both in this specific reception of budding works and in the teacher's performative utterances that, then and there, make the pupil a writer.展开更多
This paper on Umberto Eco's contribution to the narration process, tries to identify the mainstream of modem studies of the text. I have tried to separate it as an entity, which together with other textual techniques...This paper on Umberto Eco's contribution to the narration process, tries to identify the mainstream of modem studies of the text. I have tried to separate it as an entity, which together with other textual techniques and strategies shall create applicable theoretical messages towards an artistic creation. Eco's (1994) work itself, gives an opportunity to exemplify his theoretical claims. Using my examples, I have tried to show how a work of art can be rendered narrative, a subject to contemporary techniques and cooperativeness with the reader. One of the main issues I have explained is the time factor, seen from the linguistic and semiotic prospective. I consider that Eco's treatment of the relation between reality and fiction is of a semiotic nature. One of the main elements it contains (and definitely makes such a difference possible), is the time factor. The delay (lingering) part treats works of art separately, and gives one of the ways to render artistic works readable, worth having an aesthetic value, in their way to transmitting a message to the audience.展开更多
In recent years, graffiti has ascended to the ranks of modem new art from public action of street and has derived modem graffiti culture. With the development of graffiti art and the improvement of people's aesthetic...In recent years, graffiti has ascended to the ranks of modem new art from public action of street and has derived modem graffiti culture. With the development of graffiti art and the improvement of people's aesthetic idea, graffiti has penetrated into various aspects of people's life and has been closely integrated with people's life in many fields. Fashion design is one of the forms which have the closest relation with modem graffiti. Many famous brands have increased their own vitality and fashion sense of costume through graffiti. In modem fashion design, graffiti has special aesthetic value and personality characteristics, bringing about huge commercial opportunities to merchants. Its personality expression in fashion design involves factors in multi-aspects. This paper makes an in-depth analysis of this problem in simple terms, which is of positive significance to the combination of graffiti and fashion design.展开更多
As a newly developed theory, narrative ethics has its reasonability and advantages in that it can not only analyze either the contents or the forms of the texts, but also make an analysis of the combination of both co...As a newly developed theory, narrative ethics has its reasonability and advantages in that it can not only analyze either the contents or the forms of the texts, but also make an analysis of the combination of both contents and forms. This article, supported by James Phelan's rhetorical narrative theory as the theoretical base, attempts to explore and interpret narrative judgments and its implied ethics existing in The Child in Time by Ian McEwan so as to observe the hidden aesthetic orientation, the value judgments and the ethical intentions of the text and help to reveal the author's views of narrative ethics and aesthetics of the novel.展开更多
In recent years, with the continuous development of social economy, people's spiritual and cultural demand has been further improved The piano art more attention with the development of times, at the same time, the p...In recent years, with the continuous development of social economy, people's spiritual and cultural demand has been further improved The piano art more attention with the development of times, at the same time, the piano art's aesthetic value is the more worth people to think. In this paper, the aesthetic value and aesthetic principles of piano art and so on has carried on the brief analysis.展开更多
The literati paintings are a special art nourished by the philosophy, religion, poetry and calligraphy and many other cultural forms in ancient China, which can be regarded as the oriental comprehensive symphony. In t...The literati paintings are a special art nourished by the philosophy, religion, poetry and calligraphy and many other cultural forms in ancient China, which can be regarded as the oriental comprehensive symphony. In terms of the depth of the art, it is the tower accumulated by various Chinese cultures, rich solid. It contains the "morality", "elegant banter", "super shape", and "fun" of the literati, which can be regarded as the representative of the high difficulty and deep degree of the Chinese traditional arts, and it is the spirit of the Chinese national paintings.展开更多
In art of the canvas, the brush stroke in Chinese painting and calligraphy is one of the important behavior means of the canvas, have independent aesthetic value at the same time, contemporary, one that is with plural...In art of the canvas, the brush stroke in Chinese painting and calligraphy is one of the important behavior means of the canvas, have independent aesthetic value at the same time, contemporary, one that is with pluralism, varied painting idea and painting skill and technique of art is great and abundant, traditional in the canvas works " The brush stroke in Chinese painting and calligraphy " Already not merely can be spoken to the limit by the simple scribbling and wiping of pen, and Chinese comfortable brush stroke in Chinese painting and calligraphy, technique of writing incorporate visual language and spiritual intension created that can enrich the picture greatly in the canvas is created. This text attempts to canvass the canvas and create the feasibility that incorporated into comfortable brush stroke in Chinese painting and calligraphy and expansionary from two respect factors of cultural idea and skill and technique and tool material.展开更多
The critical nature of artwork is owed, according to Adorno, to the fact that it opposes its assimilation by reason and that it does not yield to the imposition of its established principles. This character which Heid...The critical nature of artwork is owed, according to Adorno, to the fact that it opposes its assimilation by reason and that it does not yield to the imposition of its established principles. This character which Heidegger, too, through a paradoxical convergence with Adorno, and in opposition to Lukacs, recognizes as its ontological component, permits the work of art to represent a force of resistance to dominance in general, in the prospect of the salvation of a humanized society. As such, it makes possible the radical rejection of political and, pertinent to it, pedagogical activity, when converted into primarily authoritiarian activity. Such a responsibility does art assume, according to Adorno, when it represents a spirituality, which is embodied in exemplary fashion both in the work of art itself, making the experience of the sublime possible, and in the aesthetic of the sublime, which is concentrated intensively on whatever remains unapproachable through concepts. In this way, we could say that the aesthetic of the sublime is converted into "first philosophy," in the sense that it provides the rule for every theoretical approach. Concurring with this reading of Adorno, we consider how the sublime, as shown in the context of his aesthetic theory, is governed, furthermore, by a paideutic principle of exceptional significance, which we must necessarily activate through aesthetic education, so that western man may understand that he must uproot himself from the nihilistic social context in which he lives, rupturing the delusion of his omnipotence. In a world governed by a permanent crisis of democracy in public and private life, since the weakening of political imagination unites with the retreat from political ethos and an generalization of the unprecedented will for dominance, we consider this aesthetic theory to be exceptionally essential and useful to us both as pedagogical theory and as political theory, since it allows us to understand that the experience of the sublime through art is in opposition to this condition of destruction, and indeed represents the ideal of justice.展开更多
The frame should not only be regarded as an external physical framework of artworks, but also the boundary mark of identifying the art and reality. Within classical space contained by the frame, the values of reason, ...The frame should not only be regarded as an external physical framework of artworks, but also the boundary mark of identifying the art and reality. Within classical space contained by the frame, the values of reason, order, and clarity work to achieve a coherent picture space uniting, through the agency of the frame and the space represented with the space occupied by the beholder. The resistance on "frame despotism" and "dismemberment" of picture by avant-garde artist exposes the illusory reality created by perspective and verisimilitude, which deconstructs the false aesthetic relationship of frame and picture. Analysis on frame by modernist art builds its art value展开更多
In the basic concepts of mathematic culture, mathematics was given a broad meaning. Mathematics is not only a scientific language, a system of knowledge, but also a way of thinking, a kind of art has aesthetic feature...In the basic concepts of mathematic culture, mathematics was given a broad meaning. Mathematics is not only a scientific language, a system of knowledge, but also a way of thinking, a kind of art has aesthetic features. On this basis, the meaning of mathematical quality should have a new exposition, the essence of mathematical quality is integration of mathematic cultural values, knowledge, abilities, psychological, while the key to the quality of mathematics education is to fully embody the essence of mathematics culture, let the concepts of mathematic cultm'e integrated to the whole process of mathematics education.展开更多
The purpose of this study is to provide an evaluation of the possible criteria used by the people of Thessaloniki for the evaluation of public goods and the investigation of the benefits of the conservation and restor...The purpose of this study is to provide an evaluation of the possible criteria used by the people of Thessaloniki for the evaluation of public goods and the investigation of the benefits of the conservation and restoration of city structures affected by carbon monoxide. These benefits are expressed in monetary units by using the CVM (Contingent Valuation Method). The maintenance of the urban environment often entails excessive costs paid by the people through taxation. A city free of aesthetic pollution results in an increase in tourism. A portion of taxation paid by the citizens is allocated to cleaning the city. An increase in tourism provides the government with additional revenue through VAT (Value Added Taxes). The main findings show that in a large proportion, 28% of the interviewees are willing to pay, but those that are willing to pay significant amounts tend to prefer mild interventions to the buildings, while those (42%) that agree with minimal to null amount demand radical intervention. The latter group, also, considers any contribution of theirs to restoration as unfair, judging that this expenditure should be covered exclusively by the State. Last but not least, from a sociopsychological point of view, this attitude could be attributed to extreme personalities which tend to prefer more holistic and direct solutions (i.e., no mixed strategy involving people and the State is acceptable by interviewees who considered themselves as having no further obligations after regular tax-paying); as a result, they think that the State is exclusively responsible to resolve the situation.展开更多
文摘In the research, trees along 42 roads in Chongqing were explored and es- timated in terms of aesthetics, and aesthetic tendency and major influential factors of aesthetic value of street greenbelts in Chongqing arterial roads were estimated with phychophysical method to establish SBE model of arterial road greenbelts land- scape.
基金Under the auspices of National Natural Science Foundation of China (No. 40671057)Project of Science and Technology Plan of Xinjiang Uygur Autonomous Region (No. 200933128)
文摘Most world natural heritage sites are designated partly by reason of their prominent aesthetic values in accordance with Article Ⅶ of World Natural Heritage Convention.In this paper, the aesthetic values of Kanas National Nature Reserve, which has potential for such designation, was analyzed quantitatively using scenic beauty estimation(SBE).The landscapes of 19 representative scenic spots in the Kanas National Nature Reserve in summer and autumn were selected as the objects of evaluation.The contributions of different landscape factors to the aesthetic value of the Kanas National Nature Reserve were revealed using a multivariate quantitative model.The main factors affecting the aesthetic value were waterscapes, vegetation, mountains, folk culture and the tourist environment.The t-test and F-test results are extremely significant.According to the results, some suggestions were given for conserving the landscapes in the Kanas National Nature Reserve.
基金supported by the Chinese Academy of Sciences Visiting Professorship for Senior International Scientists(Grant No.2010T2Z17)Special Funding of Russia,Ukraine and Belarus,Bureau of International Cooperation Chinese Academy of Sciences,2011
文摘Xinjiang Tianshan is a serial natural property that has been nominated for World Heritage status.This paper presents a systematically comprehensive and comparative analysis of the heritage resources of Xinjiang Tianshan according to the World Heritage criteria.Its biological,ecological and aesthetic values,which are of global importance, are documented.It is concluded that Xinjiang Tianshan meets the world heritage criteria(vii)and (ix).Xinjiang Tianshan is compared with other mountain world heritage sites,mountains in Central Asia,the Tianshan Mountains outside China,and with the protected areas of the Tianshan Mountains on the Tentative List for World Heritage Sites,so as to provide objective data for the world heritage application.
基金Under the auspices of National Natural Science Foundation of China(No.41271171,41230631)
文摘Based on the survey data for 2120 inbound and domestic tourists at the Shanghai World Expo,a structural equation model was constructed for the relationship among tourists' perceived value dimensions,behavioral intention and revisit intention.Additionally,the influence of tourists' perceived value dimensions on the behavioral intention and revisit intention was explored.The results show that the utilitarian value and enjoyment value significantly affect the inbound and domestic tourists' behavioral intention,while the convenience value and aesthetic value have no significant influence.The service value only significantly affects the domestic tourists' behavioral intention,and the aesthetic value only significantly affects the inbound tourists' behavioral intention.The utilitarian value,service value and enjoyment value significantly affect the inbound and domestic tourists' revisit intention,while the convenience value only significantly affects the domestic tourists' revisit intention.The utilitarian value is the primary factor affecting the inbound tourists' behavioral intention and revisit intention,and the perceived price has no significant effect on either inbound or domestic tourists' behavioral intention or revisit intention.The study explores the relationships between tourists' perceived value,behavioral intention and revisit intention,analyzes the divergence and causation,theoretically enriches the research field of tourism geography and behavioral geography,and has great practical significance to the sustainable development of mega events in China,including the further development of the Shanghai World Expo.
文摘How to teach creative writing at school? If the procedures inherited from writing workshops have undoubtedly proved efficient as regards text production, it is also clear that in Switzerland, as elsewhere in Europe and in the Anglo-Saxon world, the present use of evaluation grids with their numerous items prevents secondary school pupils from adopting the stance of an author. Why? Simply because the most innovative and "literary" texts are always surprising: They are "different", and could not possibly result from writing guidelines devised only to facilitate a mechanical evaluation itself conceived for the sake of some illusory objectivity... Now, in our postmodern age with its rejection of models, what is more difficult than assessing the quality of creative writing? In our approach, we suggest restoring confidence in the teacher, an expert reader if any, who, acting as a publisher, dramaturge, or mere aesthete, knows how to take his pupils' texts seriously, acknowledge their aesthetic value, and look at apparent clumsiness as a possible promise of innovation. The teaching of creative writing lies both in this specific reception of budding works and in the teacher's performative utterances that, then and there, make the pupil a writer.
文摘This paper on Umberto Eco's contribution to the narration process, tries to identify the mainstream of modem studies of the text. I have tried to separate it as an entity, which together with other textual techniques and strategies shall create applicable theoretical messages towards an artistic creation. Eco's (1994) work itself, gives an opportunity to exemplify his theoretical claims. Using my examples, I have tried to show how a work of art can be rendered narrative, a subject to contemporary techniques and cooperativeness with the reader. One of the main issues I have explained is the time factor, seen from the linguistic and semiotic prospective. I consider that Eco's treatment of the relation between reality and fiction is of a semiotic nature. One of the main elements it contains (and definitely makes such a difference possible), is the time factor. The delay (lingering) part treats works of art separately, and gives one of the ways to render artistic works readable, worth having an aesthetic value, in their way to transmitting a message to the audience.
文摘In recent years, graffiti has ascended to the ranks of modem new art from public action of street and has derived modem graffiti culture. With the development of graffiti art and the improvement of people's aesthetic idea, graffiti has penetrated into various aspects of people's life and has been closely integrated with people's life in many fields. Fashion design is one of the forms which have the closest relation with modem graffiti. Many famous brands have increased their own vitality and fashion sense of costume through graffiti. In modem fashion design, graffiti has special aesthetic value and personality characteristics, bringing about huge commercial opportunities to merchants. Its personality expression in fashion design involves factors in multi-aspects. This paper makes an in-depth analysis of this problem in simple terms, which is of positive significance to the combination of graffiti and fashion design.
文摘As a newly developed theory, narrative ethics has its reasonability and advantages in that it can not only analyze either the contents or the forms of the texts, but also make an analysis of the combination of both contents and forms. This article, supported by James Phelan's rhetorical narrative theory as the theoretical base, attempts to explore and interpret narrative judgments and its implied ethics existing in The Child in Time by Ian McEwan so as to observe the hidden aesthetic orientation, the value judgments and the ethical intentions of the text and help to reveal the author's views of narrative ethics and aesthetics of the novel.
文摘In recent years, with the continuous development of social economy, people's spiritual and cultural demand has been further improved The piano art more attention with the development of times, at the same time, the piano art's aesthetic value is the more worth people to think. In this paper, the aesthetic value and aesthetic principles of piano art and so on has carried on the brief analysis.
文摘The literati paintings are a special art nourished by the philosophy, religion, poetry and calligraphy and many other cultural forms in ancient China, which can be regarded as the oriental comprehensive symphony. In terms of the depth of the art, it is the tower accumulated by various Chinese cultures, rich solid. It contains the "morality", "elegant banter", "super shape", and "fun" of the literati, which can be regarded as the representative of the high difficulty and deep degree of the Chinese traditional arts, and it is the spirit of the Chinese national paintings.
文摘In art of the canvas, the brush stroke in Chinese painting and calligraphy is one of the important behavior means of the canvas, have independent aesthetic value at the same time, contemporary, one that is with pluralism, varied painting idea and painting skill and technique of art is great and abundant, traditional in the canvas works " The brush stroke in Chinese painting and calligraphy " Already not merely can be spoken to the limit by the simple scribbling and wiping of pen, and Chinese comfortable brush stroke in Chinese painting and calligraphy, technique of writing incorporate visual language and spiritual intension created that can enrich the picture greatly in the canvas is created. This text attempts to canvass the canvas and create the feasibility that incorporated into comfortable brush stroke in Chinese painting and calligraphy and expansionary from two respect factors of cultural idea and skill and technique and tool material.
文摘The critical nature of artwork is owed, according to Adorno, to the fact that it opposes its assimilation by reason and that it does not yield to the imposition of its established principles. This character which Heidegger, too, through a paradoxical convergence with Adorno, and in opposition to Lukacs, recognizes as its ontological component, permits the work of art to represent a force of resistance to dominance in general, in the prospect of the salvation of a humanized society. As such, it makes possible the radical rejection of political and, pertinent to it, pedagogical activity, when converted into primarily authoritiarian activity. Such a responsibility does art assume, according to Adorno, when it represents a spirituality, which is embodied in exemplary fashion both in the work of art itself, making the experience of the sublime possible, and in the aesthetic of the sublime, which is concentrated intensively on whatever remains unapproachable through concepts. In this way, we could say that the aesthetic of the sublime is converted into "first philosophy," in the sense that it provides the rule for every theoretical approach. Concurring with this reading of Adorno, we consider how the sublime, as shown in the context of his aesthetic theory, is governed, furthermore, by a paideutic principle of exceptional significance, which we must necessarily activate through aesthetic education, so that western man may understand that he must uproot himself from the nihilistic social context in which he lives, rupturing the delusion of his omnipotence. In a world governed by a permanent crisis of democracy in public and private life, since the weakening of political imagination unites with the retreat from political ethos and an generalization of the unprecedented will for dominance, we consider this aesthetic theory to be exceptionally essential and useful to us both as pedagogical theory and as political theory, since it allows us to understand that the experience of the sublime through art is in opposition to this condition of destruction, and indeed represents the ideal of justice.
文摘The frame should not only be regarded as an external physical framework of artworks, but also the boundary mark of identifying the art and reality. Within classical space contained by the frame, the values of reason, order, and clarity work to achieve a coherent picture space uniting, through the agency of the frame and the space represented with the space occupied by the beholder. The resistance on "frame despotism" and "dismemberment" of picture by avant-garde artist exposes the illusory reality created by perspective and verisimilitude, which deconstructs the false aesthetic relationship of frame and picture. Analysis on frame by modernist art builds its art value
文摘In the basic concepts of mathematic culture, mathematics was given a broad meaning. Mathematics is not only a scientific language, a system of knowledge, but also a way of thinking, a kind of art has aesthetic features. On this basis, the meaning of mathematical quality should have a new exposition, the essence of mathematical quality is integration of mathematic cultural values, knowledge, abilities, psychological, while the key to the quality of mathematics education is to fully embody the essence of mathematics culture, let the concepts of mathematic cultm'e integrated to the whole process of mathematics education.
文摘The purpose of this study is to provide an evaluation of the possible criteria used by the people of Thessaloniki for the evaluation of public goods and the investigation of the benefits of the conservation and restoration of city structures affected by carbon monoxide. These benefits are expressed in monetary units by using the CVM (Contingent Valuation Method). The maintenance of the urban environment often entails excessive costs paid by the people through taxation. A city free of aesthetic pollution results in an increase in tourism. A portion of taxation paid by the citizens is allocated to cleaning the city. An increase in tourism provides the government with additional revenue through VAT (Value Added Taxes). The main findings show that in a large proportion, 28% of the interviewees are willing to pay, but those that are willing to pay significant amounts tend to prefer mild interventions to the buildings, while those (42%) that agree with minimal to null amount demand radical intervention. The latter group, also, considers any contribution of theirs to restoration as unfair, judging that this expenditure should be covered exclusively by the State. Last but not least, from a sociopsychological point of view, this attitude could be attributed to extreme personalities which tend to prefer more holistic and direct solutions (i.e., no mixed strategy involving people and the State is acceptable by interviewees who considered themselves as having no further obligations after regular tax-paying); as a result, they think that the State is exclusively responsible to resolve the situation.