生态艺术创化与审美生态化

生态美的艺术创化旨在“澄明”与“显现”生命的本真。既以感性生命力作为生命体存在的支撑,以及多样生命体之间进行交往交流、互为信息传递的外在条件,又以精神生态力作为人的精神心灵生态的存在,在平衡与合理发挥感性生命力的前提下,润化生命运行的节律,创化艺术审美体验之生态“力”的结构,展示其艺术审美的巨大的生态魅力。

关于城市公园环境的审美生态化设计研究

本文对城市公园环境的审美生态化设计研究进行综述,从城市发展中的生态价值观与城市审美取向两方面阐述城市公园环境的审美生态化设计研究进展。提出目前研究存在的问题和今后研究方向。

生态艺术的生发

生态艺术是生态系统艺术化与纯雅艺术生态化的有机统合,形成了自然规律、生态规律、审美规律三位一体与真善美益宜五者中和的本质规定性。它经由生存性艺术、生活性艺术,走向共生形态的整体艺术和整生形态的天成艺术,序态地拓展了人类的美生场域,递次地提升了人类的美生品格。

生态批评:客家山歌“向美而生”的文艺生态重构

客家山歌是客家人的歌谣,更是生态批评的中国式表达。在前工业时期的艺术审美生态化阶段,客家山歌通过自然艺术比兴实现了传统自然观与伦理观的生态解构;在国家城镇化、工业化的审美生态艺术化阶段,客家山歌将人与自然的竞生矛盾诉诸自然艺术化表达,呈现为多元价值碰撞的非和谐并构、审美生态艺术化理想非线性发展的“异化”状态、生态存在非理性审美思维的生态复构样态;在生态文明时代的艺术审美天然化阶段,客家山歌生态重构表现为艺术审美天然化的“客家学”学理身份重构、生态文明价值整一的文化重构、美本体重构完形。

An Exploration of Major Factors in the Cultural Ecology of the German Aesthetic Discourse of Modernity

The German aesthetic discourse of modernity is the self-manifestation of German historical development from early modern times. German cultural ecology, comprising German natural, historical, social and intellectual factors, has determined the historical fate of the German aesthetic discourse of modernity and also, realistically, its essential characteristics. The Protestant spirit is the soul of the national consciousness, intellectual concepts, cultural understanding and life experience of the Germans, who take culture as the foundation of their nation. German civic cultural ecology--the social structure, way of life and cultural institutions that originated and developed in civil society--to a great extent determined the form of the German aesthetic discourse of modernity. The three salient features of German enlightenment thought, i.e., the establishment of perception and the independence of beauty, the adjustment of rationalism and the birth of value rationality, and the establishment of the public character of art, are the constituent elements of German cultural ecology.