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论道、禅世界观的同一性对中国人尚黑的审美艺术观的影响
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作者 张咏梅 《作家》 北大核心 2009年第4期223-224,共2页
中国人对黑色的崇尚由来已久,由尚黑到提倡"运墨而五色具"那种独到的审美情趣,以及中国水墨绘画的产生,经历了长达几千年的发展过程,并形成自己独特的色彩语言系统。而道、禅世界观的同一性,对尚黑的审美艺术观的形成有巨大... 中国人对黑色的崇尚由来已久,由尚黑到提倡"运墨而五色具"那种独到的审美情趣,以及中国水墨绘画的产生,经历了长达几千年的发展过程,并形成自己独特的色彩语言系统。而道、禅世界观的同一性,对尚黑的审美艺术观的形成有巨大而深远的影响。 展开更多
关键词 道、禅 世界 尚黑 审美艺术观
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审美、艺术与人共生——读《审美的人》札记
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作者 赵彦芳 《外国美学》 2009年第1期253-262,共10页
本文以对《审美的人》这一著作的评析入手,探讨了现代主义、后现代主义的审美一艺术观各自存在的问题,充分肯定该书从物种中心主义立场对艺术和审美之于人类生存的意义的揭示,指出对艺术、审美的理解应该返璞归真,坚持艺术、审美是服务... 本文以对《审美的人》这一著作的评析入手,探讨了现代主义、后现代主义的审美一艺术观各自存在的问题,充分肯定该书从物种中心主义立场对艺术和审美之于人类生存的意义的揭示,指出对艺术、审美的理解应该返璞归真,坚持艺术、审美是服务于人类生存的这一根本点,而不能舍本逐末。另外,本文也指出,《审美的人》还带给我们方法论上的启示:美学、文艺学作为理论学科必须充分尊重现实才能保持常青。 展开更多
关键词 审美-艺术 公分母 “使其特殊” 现实诉求
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Research on the Fusion of Guangxi MiaoJin and Modern Arts and Crafts Design from the Perspectives of Aesthetic and Cultural Inheritance
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作者 Ning Yun 《International Journal of Technology Management》 2015年第12期77-79,共3页
In this paper, we conduct research on the fusion of the Guangxi MiaoJin and modem arts and crafts design from the perspectives of aesthetic and the cultural inheritance. From angles of folk embroidery patterns modelli... In this paper, we conduct research on the fusion of the Guangxi MiaoJin and modem arts and crafts design from the perspectives of aesthetic and the cultural inheritance. From angles of folk embroidery patterns modelling characteristics are analyzed: include strong decorative and practical; the integrity of the vivid and concise; symbolic connotation deeply; simple random nature; handed down from generation to generation program. Discusses the forming characteristic of folk embroidery modelling is not an accidental phenomenon of art, but has a profound folk custom, economy, religion, and history of aesthetics, with typical regional culture characteristics. The research of folk embroidery in the status of folk art is of great significance. In the future, we will combine more literature review to optimize our current research and broaden the research boundary. 展开更多
关键词 Guangxi MiaoJin Arts and Crafts Aesthetic Perspective Cultural Inheritance DESIGN
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Aesthetic art development and protection of Tujia waving dance in Hunan Province
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作者 Xinyuan Guo 《International Journal of Technology Management》 2013年第6期124-126,共3页
Tujia dance is an advanced, special form of human aesthetic activities. The so-called aesthetic, simply put, is to feel, and understand the objective things or phenomena presented by the United States itself: specifi... Tujia dance is an advanced, special form of human aesthetic activities. The so-called aesthetic, simply put, is to feel, and understand the objective things or phenomena presented by the United States itself: specifically, it refers to the people in their social practice and objective process of historical things or phenomena occur and construct a special performance relationship. There are basically three kinds of relationships of man and objective things or phenomena: firstly, cognitive relation of science; Secondly, ethical norms relations; thirdly, aesthetic performance relationship. Focus on the relationship between the performances of the aesthetic object vivid sense of the expressive form of regularity is the unity and purpose, with freedom. The essence of aesthetic is liberty. Art aesthetic and general aesthetic are different, mainly because of its aesthetic objects, which is based on works of art as an aesthetic object. General aesthetic contemplation of beauty of reality, the reality of objective things or phenomena, not as people practice the original object mad the object of knowledge exists. In social practice, they first form a rational understanding of relationships and will practice relationship. On this basis, when the society develops to the degree of no direct utilitarian attitude, practical attitude towards the object of an object only when there has been more mature, purely aesthetic relationship. The beauty of art is different from the reality beauty, which is produced and existed as an aesthetic object. 展开更多
关键词 Aesthetic art Tujia dance Protection.
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Research on the Novel Pattern of Soft Music Creation based on High-Pitched Melody Element and Aesthetic Point of View
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作者 Meirui Zhang 《International Journal of Technology Management》 2015年第9期96-98,共3页
In this paper, we conduct research on the novel pattern of soft music creation based on high-pitched melody element and aesthetic point of view. Music is the music creation, music is a kind of creation and it is not a... In this paper, we conduct research on the novel pattern of soft music creation based on high-pitched melody element and aesthetic point of view. Music is the music creation, music is a kind of creation and it is not a simple thing, because music is an expression of human thoughts and feelings which reflect the social life of an art. Music creation and other artistic creation need perceptual and rational psychological elements such as the creation principle of participation. This involves the music creation that the relationship between the perceptual thinking and rational thinking. Our research proposed the novel paradigm of art creation which will obtain significant meaning. 展开更多
关键词 Soft Music Creation High-Pitched Melody Aesthetic Point Novel Pattern.
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现代中国美学的论争与建构——20世纪上半期中国美学史的理论建构 被引量:3
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作者 杨向荣 《社会科学战线》 CSSCI 北大核心 2015年第8期139-149,共11页
在20世纪上半期,中国现代美学的理论建构呈现出多元并存的格局。这一时期,既是中国现代美学史理论的自我建构时期,同时也是不同阵营之间美学思想碰撞和论争的时期。期间,不同美学思潮阵营,如左翼和自由派、京派与海派、俄日影响派与欧... 在20世纪上半期,中国现代美学的理论建构呈现出多元并存的格局。这一时期,既是中国现代美学史理论的自我建构时期,同时也是不同阵营之间美学思想碰撞和论争的时期。期间,不同美学思潮阵营,如左翼和自由派、京派与海派、俄日影响派与欧美影响派之间等发生了激烈的论争,并在思想的碰撞中形成了现代中国美学思想发展的三条路径:欧美主流思潮影响下的美学路径,此路径继承王国维"静观"的美学观,以对西方欧美思潮的接受为主,以朱光潜和宗白华等人为代表;艺术为社会人生服务的美学路径,此路径继承梁实秋"为人生"的审美艺术观,以鲁迅等为代表;马克思主义美学的中国化路径,此路径以左翼理论家对俄苏美学的接受以及毛泽东和蔡仪等人的马克思主义美学观为代表。在20世纪上半期中国美学史的建构中,一方面有着论争的背景,另一方面也体现着论争与建构的同步性。在现代中国美学的建构中,三条不同的发展路径在论争中建构了20世纪上半期现代中国美学的发展面貌,展示了现代中国美学的内在张力。在论争中,最终确立了马克思主义美学观在现代中国思想史上的话语权威,并逐渐演变成20世纪上半叶中国现代美学构建中的主流力量。 展开更多
关键词 现代中国美学 欧美思潮 社会人生 马克思主义美学 论争 审美艺术观
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心境契合——意境浅谈
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作者 陈苏民 《科技信息(科技与艺术)》 2003年第05M期26-27,共2页
中国画得益于数千年先祖文化学术相传之精髓,形成了具有鲜明的民族风格的艺术体系。他所具有的独特的审美艺术观,使“写意”性成为中国绘画的一大特点。所谓“写意”,是画家在对文化、精神、自然深刻体察基础之上的融会贯通,是“天... 中国画得益于数千年先祖文化学术相传之精髓,形成了具有鲜明的民族风格的艺术体系。他所具有的独特的审美艺术观,使“写意”性成为中国绘画的一大特点。所谓“写意”,是画家在对文化、精神、自然深刻体察基础之上的融会贯通,是“天人合一”的至高境界的体验。中国画在绘画过程中追求精神上的表现与自然美感之统一,“登山则情满与山,观海则情溢于海”,在自然事物中漾溢着人的情感,“缘物寄情”“情思交融”“意在笔先”,心与境的契合构筑出中国艺术美的最高范畴——“意境”。 展开更多
关键词 审美艺术观 意境 中国画 心境
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