神彩飞扬——张华清油画审美观照

本文立足于对著名油画家张华清近十几年来油画作品的审美观照,将理论视野集中在画家遨游俄罗斯、美国、澳大利亚等地所写生创作的一批作品上,侧重剖析画作斑斓绚丽、神彩飞扬的特色,并揭示其为高扬油画风范、渗透民族神韵所付出的心智和努力。

从《戏缘》看到了你

《网信书评》编前语戏剧理论家陈先祥先生的《戏缘》一书,今年元月出版后,赢得了社会各界的关注和喜爱。她的同事、朋友与学生,纷纷以网信形式发来感言和书评。网信书评有着随性而写、随心而言的平实与轻松,因有着真实、亲切、随意、朴实的对话感,让人耳目一新,不失为一种具有时代特色的文体。特编一组,以飨读者。

读者意识:儿童习作教学的新概念

习作教学中提倡＂读者意识＂,强化＂对话感＂,对走出作文教学的困境,提高学生的作文能力,是一项有益的尝试。

金沙洲新城A区中学规划设计

学校是教书，育人的地方，整体建筑设计应能体现出学校应有的学术文化氛围，本设计通过多样话的建筑空间组织，为学生营造丰富、舒适的交流、活动场所，营造出富有学术气氛的公共交流空间。

The Conversational Implicature in Sense and Sensibility -A CP Perspective

Sense and Sensibility is Jane Austen’s debut which uses Elinor’s and Marianne’s marriage life as the main line, describing exquisitely and vividly the protagonists’ love and marriage. Since the dialogue is one of the basic ways to shape characters in literary works, the analysis of dialogues, especially that of those contradictory dialogues helps better analyze the novel itself. This paper analyzes different conversational implicatures in the typical dialogues in Sense and Sensibility, in order to help us to understand character differences, and to further understand the novel’ s theme. Through the analysis, this paper finds that there exist many indirect expressions in the dialogues in Sense and Sensibility, which reflect that characters violate the four maxims of Cooperative Principle in order to implicitly express their true thoughts and avoid such unpleasant communicational effects as embarrassment and conflict.