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面向理想读者的小说本体论批评——试论《小说鉴赏》的方法论特征
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作者 王全武 《齐齐哈尔大学学报(哲学社会科学版)》 2018年第10期111-113,共3页
《小说鉴赏》的本体论性质主要表现在两个方面:一是从小说基本要素入手,探究小说的内在本原,构建对小说"本体"的认识;二是认为小说三要素都应遵循一定的原则,并对此制定了一系列基本美学要求。与人们对"新批评派"... 《小说鉴赏》的本体论性质主要表现在两个方面:一是从小说基本要素入手,探究小说的内在本原,构建对小说"本体"的认识;二是认为小说三要素都应遵循一定的原则,并对此制定了一系列基本美学要求。与人们对"新批评派"只重文本、忽视读者和作者的刻板印象不同,《小说鉴赏》高度关注作品所产生的读者反应,并将读者感受视为衡量小说情节组织、人物刻画和主题表现等各方面效果优劣的重要尺度,同时还将"理想读者"作为该书展开批评实践的预设条件。 展开更多
关键词 小说鉴赏》 新批评 小说本体论 读者反应 理想读者 学术反思
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命运与艺术的取舍——金圣叹、梁启超、詹姆斯小说理论的“对话” 被引量:1
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作者 张勇 《云南师范大学学报(哲学社会科学版)》 2005年第4期84-88,共5页
本文通过对金圣叹、梁启超和詹姆斯小说理论异同的考察,在历史进步和中西文学比较的框架上进一步深入清理了小说价值的认识系统,并对这些认识系统对小说创作的影响做出简略的说明和判断,本文可以引发有关叙事文学问题的深层思考。
关键词 道德评价 合法性地位 小说本体论 艺术性构成
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简论晚明小说观念的新变
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作者 杨瑾 《河南广播电视大学学报》 2006年第1期42-44,共3页
小说观念到晚明产生了很多新的变化,文章从三方面探讨了其新变:第一,由“史馀”到文学的小说本体论的变化;第二,由认知、劝诫到审美的小说功能论的变化;第三,由“实录”到“虚构”的小说创作论的变化。
关键词 晚明小说 新变 小说本体论 小说功能论 小说创作论
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Reality in Ruins Before and After the Catastrophe: The Case of Two Contemporary Polish Novels
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作者 Katarzyna Trzeciak 《Journal of Philosophy Study》 2014年第2期142-147,共6页
This article explores the problematic status of reality before and after Holocaust. Taking two different Polish novels as examples, the author deals with the metaphor of ruins, remains, and ashes to define the ontolog... This article explores the problematic status of reality before and after Holocaust. Taking two different Polish novels as examples, the author deals with the metaphor of ruins, remains, and ashes to define the ontological status of the world in two texts. In the first text, Piotr Szewc's annihilation brings the positive vision of ruin as a kind of fragile and finite being which needs love and care. In the second text, Piotr Pazinski's Pensjonat shows that ruin is only a negative aspect of reality which is illegible and empty. The main concern of the text is to oppose those two visions and make a conclusion about the dialectic of the ruin. 展开更多
关键词 ruins HOLOCAUST memory ETHIC DIALECTIC
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Reality in Dutch Novels: Developing a Postmodern Literary-Based Ontology
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作者 Christiaan Prinsloo 《Journal of Literature and Art Studies》 2015年第10期807-819,共13页
The term "ontology" is used to describe the nature of reality and demarcates the parameters of existence. An understanding and description of ontology is crucial for academic pursuit as it unveils applicable realiti... The term "ontology" is used to describe the nature of reality and demarcates the parameters of existence. An understanding and description of ontology is crucial for academic pursuit as it unveils applicable realities, yet it is often disregarded. The general neglect of ontology provided three motivations for this paper: Firstly, the discussion of the ontological underpinnings in research papers is often neglected while the methodology and methods receive extensive review. Secondly, tertiary students in an academic research-writing course face tremendous difficulty to describe the philosophical ideas that support their interpretation of reality and existence. Thirdly, the philosophical underpinnings of contemporary ontological thought are further complicated by the epistemological challenges posed by the tension between modernism and postmodernism. This paper suggests the use of literature (novels) as a relativity accessible platform to initiate the development of ontological thought. Through a close reading of a sample of Dutch novels published during the last decade of the 20th century, three themes were developed to illuminate the nature of postmodem reality and establish a literary-based ontology. The following three themes were developed: reality as fragments of fiction, reality as dream of paradoxes, and reality as plethora of stories. By using literature as source, ontological thought can be developed to illuminate the extent of the realities acknowledged in research projects. 展开更多
关键词 postmodemism ontology REALITY STORIES literature hermeneutic phenomenology
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“деревенскаяm проза”概念辨析
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作者 陈新宇 《俄罗斯文艺》 CSSCI 2015年第4期25-29,共5页
当代俄罗斯乡土小说1作为一种文学现象在俄罗斯文学史上占有重要地位。但是乡土小说因其主题之丰富,内含之深邃导致了它又被冠以诸如本体论小说、道德小说、记忆小说、传统小说等各种概念,但是不论哪种概念都有一定的局限性,不能完整地... 当代俄罗斯乡土小说1作为一种文学现象在俄罗斯文学史上占有重要地位。但是乡土小说因其主题之丰富,内含之深邃导致了它又被冠以诸如本体论小说、道德小说、记忆小说、传统小说等各种概念,但是不论哪种概念都有一定的局限性,不能完整地体现乡土小说的实质。本文尝试对乡土小说的概念的界定追本溯源,并结合与战争小说和城市小说的关联以及乡村原型分析来揭示乡土小说的内涵。 展开更多
关键词 本体论小说 道德小说 乡村原型 当代俄罗斯乡土小说
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