This paper seeks to explore connections between some philosophical concepts and the movie Tattoo （Brazil, 2013）, directed by Hilton Lacerda. This movie approaches the Slash movies, a kind of Brazilian movies that us...This paper seeks to explore connections between some philosophical concepts and the movie Tattoo （Brazil, 2013）, directed by Hilton Lacerda. This movie approaches the Slash movies, a kind of Brazilian movies that use the humor and the mockery as ways of resistance to interrogate political, philosophical, and moral questions. The concepts of fabulation and the potency of the false will be thought in its connections with the Arts to think the force of this movie with its experimental characteristics （sound, image, performance...） in touching ethics, political, and social problems of the past and update them to think the Brazilian contemporary society. We also want to point out the possibilities of this movie operating a micro-political resistance, using the humor and irony as tools to cause effects in the reality. In Tattoo, the violence （and, the oppression itself） is fought by the tasting and experimentation of another culture providing other ways of life, enabling other effectuations and desires, even if the sanction was going to repress.展开更多
In their article ＂Love Is As Ethical Love Does＂, CHEN Xi and SH1 Xuan discuss Toni Morrison＇s Love and assert that this novel is essentially an ethical tragedy of black women. From the perspective of ethical litera...In their article ＂Love Is As Ethical Love Does＂, CHEN Xi and SH1 Xuan discuss Toni Morrison＇s Love and assert that this novel is essentially an ethical tragedy of black women. From the perspective of ethical literary criticism, they analyze the dislocated ethical identity of the two main heroines and alignment of their ethical choices to illustrate that other than race and gender, Heed＇s and Christine＇s tragedies originate from their uncontrollable irrational willJ Moreover, this novel lays stress on love regarded from an ethical perspective, illuminating ＂we choose to love＂, that is, to love while bearing in mind the importance of ethical order and moral norms. Thus, this novel offers moral enlightenment for black women in the process of pursuing love, equality and of reconstructing their ethical identity.展开更多
This paper selects revulsion and its networking emotion： resentment and disgust as a generic form of novel studies and the subject of moral investigation. Motifs of revulsion create complex bedding texture of the plo...This paper selects revulsion and its networking emotion： resentment and disgust as a generic form of novel studies and the subject of moral investigation. Motifs of revulsion create complex bedding texture of the plot, which introduces personality and inner visions of characters in the novel. It unifies the binding power of narrative history and informs readers various aspects of morality in the Victorian era, in addition, to present a lyrical tone of social ethics. The following analysis takes Eliot＇s Middlemarch as the base text. I shall explain the lexical meaning and textual discussion of revulsion, resentment and disgust spirally within its context, then illustrate with paranthetical examples and different idioms. Later arguments turn to what Eliot defines as faction of human duty in life, which is the nuanced requirement of a subject stands against himself or herself through the disposition of conscience as verdict. This disposition provides unlimited parallels for instinctive presence of internal feelings and thresholds that are constantly affecting moral understandings.展开更多
Hannah Arendt＇s 1963 study ＂Eichmann in Jerusalem＂, based on the former Nazi＇s 1961 trial, broached two highly controversial topics： The first was her theory of the banality of evil--the uncomfortable moral scena...Hannah Arendt＇s 1963 study ＂Eichmann in Jerusalem＂, based on the former Nazi＇s 1961 trial, broached two highly controversial topics： The first was her theory of the banality of evil--the uncomfortable moral scenario that leads ordinary individuals, for the most trivial and arbitrary reasons, to commit heinous atrocities; and the second was her fierce condemnation of Jewish collaboration with the Nazis. This paper argues that the novelist Jonathan Littell＇s critically acclaimed best-seller The Kindly Ones （2010） provocatively revalorizes and builds upon these two aspects of Arendt＇s study： Firstly, it posits her theory of banality as a challenge to the comforting presupposition that terrible evils can only be committed by a minority of monstrous individuals, by suggesting instead that ＂normal＂ readers share the same capacity to commit atrocities as Nazis such as Eichmann. Secondly, the novel nuances Arendt＇s damning indictment of Jewish collaboration by regarding it as the inevitable consequence of the terrible predicament faced by Jews at that time. Finally, the paper concludes with Littell＇s consideration of banality as a phenomenon that not only invites an uncomfortable moral self-analysis, but also legitimises a return to a justice system based on the ancient Greek model.展开更多
Nathaniel Hawthorne was a famous writer in the period of American Renaissance. His works The scarlet letter can fully embody his mind for writing and artistic characteristics. This paper discusses the viewpoint ＂one ...Nathaniel Hawthorne was a famous writer in the period of American Renaissance. His works The scarlet letter can fully embody his mind for writing and artistic characteristics. This paper discusses the viewpoint ＂one might not be a real sinner if he was a sinner in law; while if one was not a sinner in law, he might be the real sinner.＂展开更多
文摘This paper seeks to explore connections between some philosophical concepts and the movie Tattoo （Brazil, 2013）, directed by Hilton Lacerda. This movie approaches the Slash movies, a kind of Brazilian movies that use the humor and the mockery as ways of resistance to interrogate political, philosophical, and moral questions. The concepts of fabulation and the potency of the false will be thought in its connections with the Arts to think the force of this movie with its experimental characteristics （sound, image, performance...） in touching ethics, political, and social problems of the past and update them to think the Brazilian contemporary society. We also want to point out the possibilities of this movie operating a micro-political resistance, using the humor and irony as tools to cause effects in the reality. In Tattoo, the violence （and, the oppression itself） is fought by the tasting and experimentation of another culture providing other ways of life, enabling other effectuations and desires, even if the sanction was going to repress.
文摘In their article ＂Love Is As Ethical Love Does＂, CHEN Xi and SH1 Xuan discuss Toni Morrison＇s Love and assert that this novel is essentially an ethical tragedy of black women. From the perspective of ethical literary criticism, they analyze the dislocated ethical identity of the two main heroines and alignment of their ethical choices to illustrate that other than race and gender, Heed＇s and Christine＇s tragedies originate from their uncontrollable irrational willJ Moreover, this novel lays stress on love regarded from an ethical perspective, illuminating ＂we choose to love＂, that is, to love while bearing in mind the importance of ethical order and moral norms. Thus, this novel offers moral enlightenment for black women in the process of pursuing love, equality and of reconstructing their ethical identity.
文摘This paper selects revulsion and its networking emotion： resentment and disgust as a generic form of novel studies and the subject of moral investigation. Motifs of revulsion create complex bedding texture of the plot, which introduces personality and inner visions of characters in the novel. It unifies the binding power of narrative history and informs readers various aspects of morality in the Victorian era, in addition, to present a lyrical tone of social ethics. The following analysis takes Eliot＇s Middlemarch as the base text. I shall explain the lexical meaning and textual discussion of revulsion, resentment and disgust spirally within its context, then illustrate with paranthetical examples and different idioms. Later arguments turn to what Eliot defines as faction of human duty in life, which is the nuanced requirement of a subject stands against himself or herself through the disposition of conscience as verdict. This disposition provides unlimited parallels for instinctive presence of internal feelings and thresholds that are constantly affecting moral understandings.
文摘Hannah Arendt＇s 1963 study ＂Eichmann in Jerusalem＂, based on the former Nazi＇s 1961 trial, broached two highly controversial topics： The first was her theory of the banality of evil--the uncomfortable moral scenario that leads ordinary individuals, for the most trivial and arbitrary reasons, to commit heinous atrocities; and the second was her fierce condemnation of Jewish collaboration with the Nazis. This paper argues that the novelist Jonathan Littell＇s critically acclaimed best-seller The Kindly Ones （2010） provocatively revalorizes and builds upon these two aspects of Arendt＇s study： Firstly, it posits her theory of banality as a challenge to the comforting presupposition that terrible evils can only be committed by a minority of monstrous individuals, by suggesting instead that ＂normal＂ readers share the same capacity to commit atrocities as Nazis such as Eichmann. Secondly, the novel nuances Arendt＇s damning indictment of Jewish collaboration by regarding it as the inevitable consequence of the terrible predicament faced by Jews at that time. Finally, the paper concludes with Littell＇s consideration of banality as a phenomenon that not only invites an uncomfortable moral self-analysis, but also legitimises a return to a justice system based on the ancient Greek model.
文摘Nathaniel Hawthorne was a famous writer in the period of American Renaissance. His works The scarlet letter can fully embody his mind for writing and artistic characteristics. This paper discusses the viewpoint ＂one might not be a real sinner if he was a sinner in law; while if one was not a sinner in law, he might be the real sinner.＂
