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“身”的“介入”:关于郭熙山水画学的环境美学考察
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作者 蔡志伟 《科学.经济.社会》 2020年第3期25-30,共6页
中国古代哲学中的"身"范畴,内含"身-心"一体、"主-客"一体的二重结构,为探讨个体与外部世界的交互问题,提供了一种本土化的环境美学理论框架。在这种理论框架中,郭熙提出的"身即山川而取之"与&... 中国古代哲学中的"身"范畴,内含"身-心"一体、"主-客"一体的二重结构,为探讨个体与外部世界的交互问题,提供了一种本土化的环境美学理论框架。在这种理论框架中,郭熙提出的"身即山川而取之"与"行、望、游、居"的命题,包含着如何利用"身"来观照、描绘自然之境,以及体验、想象乐居之境的环境美学观念。对于郭熙山水画学的环境美学解读,具有揭示、认知中国传统文化相关资源,检验、调整当代相关学术理论,助益当下审美实践的价值意义。 展开更多
关键词 “身” “介入” 郭熙 山水画学 环境美
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笔墨创新在重彩山水画教学过程中的运用
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作者 戴海涛 《艺术家》 2021年第10期92-93,共2页
笔墨创新建立在艺术家对传统重彩山水画的深刻体会、认识和把握上。与此同时,它也脱离不了中国哲学思想的滋养。重彩山水画创新可以通过笔墨创新来实现,在重彩山水画教学过程中,教师要把创新与传统联系起来,培养学生的笔墨创新思维,以... 笔墨创新建立在艺术家对传统重彩山水画的深刻体会、认识和把握上。与此同时,它也脱离不了中国哲学思想的滋养。重彩山水画创新可以通过笔墨创新来实现,在重彩山水画教学过程中,教师要把创新与传统联系起来,培养学生的笔墨创新思维,以达到借古开今的目的,促进重彩山水画教学的发展。 展开更多
关键词 重彩士水画 笔墨创新 设计
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风水学与中国古代山水画
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《美术》 北大核心 2004年第1期130-131,共2页
关键词 王勇 《风水与中国古代山水画 中国画 审美思想 吉祥理论 创作思路
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Discussion on the Inheritance and Development of Taoism's Simple Aesthetics Spirit in Contemporary Landscape Paintings
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作者 Jian ZHAO 《International Journal of Technology Management》 2013年第10期111-113,共3页
Nowadays, the landscape paintings dominated by Taoism' s thoughts are highly controversial among people in the aspects of theory and practice along with the constantly intensified collision and blending of the easter... Nowadays, the landscape paintings dominated by Taoism' s thoughts are highly controversial among people in the aspects of theory and practice along with the constantly intensified collision and blending of the eastern culture and the western culture, and the interaction of arts. In the process of development from the tradition to the modem times, the original source of contemporary landscape paintings' artistic spirit should be traced, and the corresponding historical stages should be objectively and rationally analyzed, so that contemporary landscape paintings can better adapt to the present conditions, and then their real existence and creative development can be really realized. 展开更多
关键词 TAOISM Landscape Paintings Simplicity and Plain INHERITANCE the Contemporary Times
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Research on the Landscape Painting in Ming and Qing Dynasties of the Art of Wu School
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作者 huang huanchen 《International Journal of Technology Management》 2016年第9期10-12,共3页
In this paper, we conduct research on the landscape painting in Ming and Qing dynasties of the art of Wu School. The Wu School of art is full of creativity, they worship nature, between large vigorous refined landscap... In this paper, we conduct research on the landscape painting in Ming and Qing dynasties of the art of Wu School. The Wu School of art is full of creativity, they worship nature, between large vigorous refined landscape painting in the real world with fast red green courtyard, this spirit of the innovation to future generations of artists with great inspiration, Wu school opened up the artistic development for future generations, direct and profound infi uence after the landscape painting and flower and bird painting. Today, we are in the pursuit of the traditional Chinese painting of change, innovation, modernization, “Wu door school” this group of literati painter to do a historical retrospect that is a positive significance. Based on this historical time, we analyze the corresponding theories to provide the systematic research that will be meaningful. 展开更多
关键词 Landscape Painting Ming and Qing Dynasties of the Art Wu School.
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