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杜诗《太岁日》题名考 被引量:1
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作者 夏国强 《杜甫研究学刊》 2021年第1期34-39,共6页
战国秦汉时期的占星家以天体运行观测为基础,构建了用岁星、太岁记录年序的方式。随着干支纪年法的行用,太岁不再与纪年相关,其推算方法也由"岁术"逐步简化为与元日重合,进而与年干支一致。但唐代太岁日的文化内涵仍延续汉代... 战国秦汉时期的占星家以天体运行观测为基础,构建了用岁星、太岁记录年序的方式。随着干支纪年法的行用,太岁不再与纪年相关,其推算方法也由"岁术"逐步简化为与元日重合,进而与年干支一致。但唐代太岁日的文化内涵仍延续汉代以来所形成的吉凶祸福观。杜甫《太岁日》诗就是这一文化现象的具体反映,他一方面沿用《汉书·律历志》"岁术"推算太岁日,另一方面将汉代太岁的禁忌原则融入到诗作之中,表达了人力无以纾解的忧愤之情。同时《太岁日》的写作时间要从大历三年提前到大历二年,这样诗题与内容更为契合。 展开更多
关键词 占星 岁术 杜诗
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Music Education Advances Through Sino-Foreign Exchanges
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作者 PAUL DORNIAN 《China Today》 2007年第6期22-23,共2页
MUSIC education in China and the West may differ in approach, but when combined are complementary in outcome. China's music programs excels in training young artists under 18, while the Western focus is on musicians ... MUSIC education in China and the West may differ in approach, but when combined are complementary in outcome. China's music programs excels in training young artists under 18, while the Western focus is on musicians no younger than 18. This explains why so many outstanding Chinese musicians study at, and are welcomed by, Western schools after receiving their initial training in China. 展开更多
关键词 Music Education young artists under 18 Western China training approach musicians no younger than 18
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