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当代工笔重彩画的色彩表达
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作者 姚晓兰 《美与时代(美术学刊)(中)》 2023年第8期48-50,共3页
结合新时代,对传统重彩画色彩观进行分析,探讨当代工笔重彩吸收借鉴西方色彩观后的风格转变,试对当代重彩画色彩体系和技法材料体系进行研究探讨。
关键词 工笔色彩 西方色彩 色彩表达
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工笔花鸟画色彩嬗变的时代性研究 被引量:2
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作者 孙燕 《北京印刷学院学报》 2020年第6期71-73,共3页
中国绘画色彩具有独特的审美特征,即色、墨色彩语言的表现。本文随时代变迁看传统工笔花鸟画色彩的审美特征以及当代工笔花鸟画色彩语言创新的艺术风貌,探究当代新形势下工笔花鸟画多样化的色彩语言表现形式与审美趋向,以期在保留传统... 中国绘画色彩具有独特的审美特征,即色、墨色彩语言的表现。本文随时代变迁看传统工笔花鸟画色彩的审美特征以及当代工笔花鸟画色彩语言创新的艺术风貌,探究当代新形势下工笔花鸟画多样化的色彩语言表现形式与审美趋向,以期在保留传统“本色”的前提下拓展创新之道。 展开更多
关键词 传统工笔花鸟画色彩 当代工笔花鸟画色彩 色彩语言创新
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论水墨工笔花鸟画
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作者 吴东奋 《艺术探索》 2003年第4期12-14,共3页
Art critics simply classify traditional Chinese painting undertwo types: fine-brush painting and ink-and-water painting. Ac-cording to their aesthetic, freehand-brush painting is theo-retically put under ink-and-water... Art critics simply classify traditional Chinese painting undertwo types: fine-brush painting and ink-and-water painting. Ac-cording to their aesthetic, freehand-brush painting is theo-retically put under ink-and-water painting, which means thatfine-brush painting has only colored works and freehand-brushonly with ink-and-water. However, Mr. Wu Dongfen believesthat fine-brush flower-and-bird painting originated from col-ored painting, and then developed into fine-brush flower-and-birds painting with ink and water in Yuan Dynasty, in whichsome artists and their works are still known, such as WangYuan and his Flowers, Bamboo and Birds Picture, Chen Lin andhis Wild Duck in Stream, and Zhang Shouzhong and his Lotusand Mandarin Ducks. But this kind of painting with ink andwater had been in an inferior position since literati paintingswere dominant in history. Creating flower-and-bird paintingin his own way, Mr. Wu tries to make a fresh start in fine-brush painting with ink and water. 展开更多
关键词 水墨工笔花鸟画 中国画 元代 技法 色彩工笔花鸟画 艺术形式
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