In this paper, we conduct research on the fusion of the Guangxi MiaoJin and modem arts and crafts design from the perspectives of aesthetic and the cultural inheritance. From angles of folk embroidery patterns modelli...In this paper, we conduct research on the fusion of the Guangxi MiaoJin and modem arts and crafts design from the perspectives of aesthetic and the cultural inheritance. From angles of folk embroidery patterns modelling characteristics are analyzed： include strong decorative and practical; the integrity of the vivid and concise; symbolic connotation deeply; simple random nature; handed down from generation to generation program. Discusses the forming characteristic of folk embroidery modelling is not an accidental phenomenon of art, but has a profound folk custom, economy, religion, and history of aesthetics, with typical regional culture characteristics. The research of folk embroidery in the status of folk art is of great significance. In the future, we will combine more literature review to optimize our current research and broaden the research boundary.展开更多
In the face of various problems in the current art education, the targeted reform is very important. This reform can be embarked from the folk art handed down from the folk. In the classrooms, we should let the studen...In the face of various problems in the current art education, the targeted reform is very important. This reform can be embarked from the folk art handed down from the folk. In the classrooms, we should let the students contact the traditional arts and crafts, so that they know more about arts. In the history of China＇s bright and colorful folk arts, there flash numerous art forms, including the facial makeup art and culture, the shadow play art and culture, the paper-cut art and culture, and the kite drawing art and culture, and so on. These are the unique arts only of our nation with five thousand years of the development, and we need to well integrate them into the current art education, so as to form the unique system of the art education. This can not only play the role of inheriting the traditional Chinese cultures, but also can well arouse the children＇s interest in arts and their art creativity.展开更多
文摘In this paper, we conduct research on the fusion of the Guangxi MiaoJin and modem arts and crafts design from the perspectives of aesthetic and the cultural inheritance. From angles of folk embroidery patterns modelling characteristics are analyzed： include strong decorative and practical; the integrity of the vivid and concise; symbolic connotation deeply; simple random nature; handed down from generation to generation program. Discusses the forming characteristic of folk embroidery modelling is not an accidental phenomenon of art, but has a profound folk custom, economy, religion, and history of aesthetics, with typical regional culture characteristics. The research of folk embroidery in the status of folk art is of great significance. In the future, we will combine more literature review to optimize our current research and broaden the research boundary.
文摘In the face of various problems in the current art education, the targeted reform is very important. This reform can be embarked from the folk art handed down from the folk. In the classrooms, we should let the students contact the traditional arts and crafts, so that they know more about arts. In the history of China＇s bright and colorful folk arts, there flash numerous art forms, including the facial makeup art and culture, the shadow play art and culture, the paper-cut art and culture, and the kite drawing art and culture, and so on. These are the unique arts only of our nation with five thousand years of the development, and we need to well integrate them into the current art education, so as to form the unique system of the art education. This can not only play the role of inheriting the traditional Chinese cultures, but also can well arouse the children＇s interest in arts and their art creativity.
