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身份政治的大幕之下——法国当代政治电影变迁及文化困境 被引量:2
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作者 徐枫 景行子 《电影艺术》 CSSCI 北大核心 2021年第6期10-16,共7页
探讨身份政治问题的影片在法国当代电影中举足轻重,在电影节和观众中都获得较大成功。这是政治电影自身演替的现象,20世纪80年代之后,政治电影发生转型,政治主题普遍趋向于社会化和伦理化,最终产生了身份政治型政治电影的新热潮。通过... 探讨身份政治问题的影片在法国当代电影中举足轻重,在电影节和观众中都获得较大成功。这是政治电影自身演替的现象,20世纪80年代之后,政治电影发生转型,政治主题普遍趋向于社会化和伦理化,最终产生了身份政治型政治电影的新热潮。通过读解影片能够发现历史转折时期的症候,影片文本和语境的相互书写,折射出法国左派政治日益深化的危机,和左右翼社会改革双双陷入困境的现实,还有电影人不断调整角度以期介入现实的实践。 展开更多
关键词 身份政治 政治电影 左翼/右翼 社会化 伦理化 症候 相互书写
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An Analysis of Japan's Interpretation of History over the Seven Postwar Decades
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作者 Han Dongyu 《Social Sciences in China》 2017年第3期47-64,共18页
During the seven decades since the war ended, Japan has undergone "changes of direction" involving group expressions of regret, accompanied by the intellectual "soul- searching" of quite a few academics. Ultimatel... During the seven decades since the war ended, Japan has undergone "changes of direction" involving group expressions of regret, accompanied by the intellectual "soul- searching" of quite a few academics. Ultimately, however, the country has been unable to complete the "transformation" of its political values. Its consciousness of superiority, dating back to the Meiji era, and its dream of being restored to the status of a "normal country" have distorted Japan's idea of the war and its interpretation of history. As a result, at the critical postwar moment when Japan most needed to develop a truthful view of its history, its national will expressed itself in the rejection of this possibility. Japan has manufactured Sino-Japanese friction and manipulated the United States, on the pretext of a supposed "China threat" into relaxing the constraints upon Japan, and has attempted to abandon the thought and deeds of the postwar international order. Not only has this repeatedly subverted the standards by which the intemational "left" and "right" assess Japan; it has also once again placed the Asia-Pacific region in a precarious position. 展开更多
关键词 postwar Japan interpretation of history Meiji era normal country "left" and"right"
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