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修拉的“点彩”世界与19世纪的巴黎社会
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作者 张少君 《艺术研究快报》 2019年第4期41-45,共5页
变化与革新是美术家创作永恒的主题,也是世界艺术不断得到发展的源动力。在美术史的发展成为“美术家的美术史”的时代之后,这个特征尤为明显。作为美术家革新的标志之一的“标新立异”,成为美术家风格变迁的根本因素。本文笔者从事美... 变化与革新是美术家创作永恒的主题,也是世界艺术不断得到发展的源动力。在美术史的发展成为“美术家的美术史”的时代之后,这个特征尤为明显。作为美术家革新的标志之一的“标新立异”,成为美术家风格变迁的根本因素。本文笔者从事美术史研究以来,一直关注此问题,感受到美术家笔下的勃勃生机。而这一切都根植于美术家所生存的那片土壤,既矛盾又和谐,既对立又统一。本文考察的对象是19世纪活跃在巴黎社会的印象派后期画家——乔治&#183;修拉(Georges Seurat 1859~1891年)。考察他的点彩世界与当时巴黎社会发展之间千丝万缕的联系。 展开更多
关键词 点彩世界 巴黎社会 革命
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发达资本主义时代的文化产物——本雅明解读波德莱尔
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作者 张雅丽 《今古文创》 2021年第39期41-42,共2页
19世纪是工业文明迅速发展的时代,受工业文明的冲击,19世纪欧洲大量涌进移民,社会重新分工,资本分化和不确定性导致欧洲社会发生变化。《发达资本主义时代的抒情诗人》是本雅明研究19世纪巴黎的著作,主要针对的是诗人波德莱尔。波德莱... 19世纪是工业文明迅速发展的时代,受工业文明的冲击,19世纪欧洲大量涌进移民,社会重新分工,资本分化和不确定性导致欧洲社会发生变化。《发达资本主义时代的抒情诗人》是本雅明研究19世纪巴黎的著作,主要针对的是诗人波德莱尔。波德莱尔在诗集《恶之花》中主要描写了巴黎社会的底层人,他用自己独特的视角刻画着巴黎社会表面的穷奢极欲和实际上的遍地狼藉。与其说波德莱尔是发达资本主义时代的抒情诗人,不如说他是发达资本主义时代的文化产物。 展开更多
关键词 《发达资本主义时代的抒情诗人》 波德莱尔 本雅明 巴黎社会 发达资本主义时代
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A Comparative Analysis of Vessels Detained under the PSC Agreements of Paris, Tokyo and Vina del Mar
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作者 Francisco Piniella Emilio Rodriguez-Diaz Juan Ignacio Alcaide 《Journal of Shipping and Ocean Engineering》 2014年第11期291-306,共16页
Twenty years ago, in 1992, the International Maritime Organization set the objective of extending the regional Port State Control agreements to the world scale. This would be achieved, it was hoped, by "exporting" t... Twenty years ago, in 1992, the International Maritime Organization set the objective of extending the regional Port State Control agreements to the world scale. This would be achieved, it was hoped, by "exporting" the model of the Paris MoU (Memorandum of Understanding) agreement of 1982 to other regional areas. Now would seem to be a good time to consider the prospects for a future scenario where all the countries involved form a truly global network with uniform procedures. The authors of this article put forward an earlier objective that could be the beginning of that global policy, fi'om a detailed look at the three most important regional agreements (Paris, Tokyo and Vifia del Mar) that encompass geographically the following areas, respectively: Europe plus Canada, the Asia-Pacific, and South America. To this end, we first make a theoretical comparison based on the legal standards of application, and then present a study made of all the vessels detained under the three agreements, with a view to determining whether or not there are different kinds of behaviours, with regard to the flags and "recognised organizations" used by the vessels to certify their levels of safety. The numerical variables we have taken as basic with respect to compliance with the international standards are: the date that the vessel's keel was laid (age of the vessel) and as significant categorical variables, the type of vessel, the flag, the typology of that flag, the corresponding classification society, and whether or not that society is a member of the IACS (International Association of Classification Societies). The results show a similar trend between the Paris and Tokyo agreements, but in the case of Vifia del Mar, the level of efficacy in the control appears to be insufficient in comparison with the standard of the other two. 展开更多
关键词 Port state control flags of convenience maritime safety globalization.
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