笔墨的传承与新语境的延续——再说张谷旻的山水画

张谷旻的山水画既有宏幅巨制,又有江南小景。其作品之西北大漠,在近乎悲壮与凄凉的静寂中笔厚气壮、博大浩渺;其作品之烟雨江南画面渴笔淡墨、结景严密、笔精墨妙、格调高雅。张谷旻的山水画讲究精致细微而又挥洒自由,墨色浓淡虚实变化于无序中见有序,氤氲的烟雨迷蒙之中,恍恍惚惚间化出一种巍峨,他在写生性创作中能完美自如地运用传统笔墨,是对现代中国画写生的超越。

园林山水写生的传承与超越——以张谷旻为例

园林山水画是中国山水画中的重要一支,也是当下山水画创作的重要题材。随着时代发展,园林山水画也体现出鲜明的时代特征。张谷旻作为当代卓有成就的山水画家,他的山水画作品深入传统、格调古雅、笔墨浑厚,其园林写生尤为突出。本文从画面的构图、笔墨、观念等多种角度,对张谷旻园林山水画写生的探索及其图式特点进行深入研究,并以其作品为例,探讨当代园林山水画写生的突破和发展。

情与景汇 意与象合——读张谷山水画

In order to express wide and mystic landscape in the west of China, Mr. Zhang Gumin appied various watery visual effects and madecharming changes in his paintings. After these western landscapes, he changed his subjects to describe fresh and clean scenery in thesouth of the Yangtze River, combining deep and strong strokes in the western painting so as to show elegance and dignity there.