In a very shocking symbol, animation art leads us to the continuing social and philosophical problems. With its unique hypothetical language as the human spirit and emotional material carrier, animation art passes var...In a very shocking symbol, animation art leads us to the continuing social and philosophical problems. With its unique hypothetical language as the human spirit and emotional material carrier, animation art passes various social messages to people. The value of animation art lies in the certain form of expression to convey characteristics of the content and spirit, which is the core issues that Chinese animation industry worthy of attention and research. Animation art as a cultural transmission symbols, bears culture spreading. The combination of cultural heritage and the new animation language means is an important way for animation art to direct towards the life of road. At the same time, let the excellent national culture and art forms combine with modem advanced technology and make innovation and creativity. Only in this way can China＇s animation talent with a new, unique appearance presented to the audience and occupy an important seat in the world animation art.展开更多
As a new form of artistic expression, film has gone through a history of more than 100 years in China. Focusing on the aesthetic taste of the underclass, popular literary tradition, which highlights appreciation habit...As a new form of artistic expression, film has gone through a history of more than 100 years in China. Focusing on the aesthetic taste of the underclass, popular literary tradition, which highlights appreciation habits of the citizen stratum, is the quintessence of Chinese traditional culture. Breaking through the mode of Western films, the early Chinese film, referring to artistic elements in story-telling script, fiction, and drama in Song and Yuan Dynasties, has created new film genres of ＂unofficial historical film＂ and martial-art film which are positive results of the localization of early Chinese films. Though the unofficial historical film failed in adapting the theme of popular literature, its groundbreaking significance is still worth approving展开更多
（Objective）To strengthen the effect of packaging design, extend the idea of modem design, grope new methods of packaging visual information design.（Methods）Used 4 methods： literature summarizing, market researchi...（Objective）To strengthen the effect of packaging design, extend the idea of modem design, grope new methods of packaging visual information design.（Methods）Used 4 methods： literature summarizing, market researching, theoretical analyzing and Practice verifying, and contrasted the application method and effect of a variety of packaging materials comprehensively, studied in-depth on the rules of information transmission in package.（Results）Expound the aesthetic forms, such as skin texture, texture and color, etc. of various modem packaging paper, give a comment of the development status and functionality changes of modem package in China, Make the characteristic of packaging visual aesthetic and information dissemination clearly, put forward the 4-steps method of packaging design with Paper form, and predict its development trend.（Conclusion）The paper material has profound aesthetic connotation,it will has a promoting effect on visual information transmission if it is applied cleverly in packaging design. It＇s application prospects can be very Wide.展开更多
This article believes that ＂Chinese Dream＂ has three dimensions： First, ＂Chinese Dream＂ is the inevitable demands of Chinese reconstruction and it is the deepest desire of Chinese nation since the Chinese modern ...This article believes that ＂Chinese Dream＂ has three dimensions： First, ＂Chinese Dream＂ is the inevitable demands of Chinese reconstruction and it is the deepest desire of Chinese nation since the Chinese modern history. Second, the modernism of socialism with Chinese feature is the process of Chinese modernism. Third, the third theoretical dimension, 1 believe, is the ideal of socialism. I would like to take the film ＂Lost＂ and ＂Peking Monk＂ as examples and analyze the specific form of expression. This article is going to indicate in the end that ＂the revolution of aesthetics＂ and the assignments of critics, which can be recognized as the intuitive ability, could merge the historical affair and the human nature, which literature comprise, together and deliver deeper analyses and appraise The mission of critics is not only to distinctly emerge the aesthetic form of the literal works, but also analyze and seize the ＂aesthetic form＂ of them, that is to say, their mission is to find the aesthetic meanings of aesthetic expression from commonage in order to achieve the goal of leading and stimulating people ensuing the consciousness and liberation of culture. That is the most important mission and responsibility of Marxist literal criticism and literal critics. This is a rather tough task and refers to the new understanding and attitude to the relative questions of literature and culture. In the eyes of some self-complacent intellectuals, the responsibility for literature and critics is the ＂aesthetic entertainment＂ and ＂spiritual redemption＂. The significance of Marxist Aesthetics lies in that it upgrades the general ＂literal principle＂ and ＂aesthetic principle＂ in to a level of social development and national deliverance, and also it regards whether the literature having the function of cultural libration as the more pivotal content. The assignment for the critics and litterateurs is to engage and promote the production and promulgate for this significance, the cultural consciousness and liberation.展开更多
This article examines the importance of the short story form for the Bloomsbury writers and how their aesthetic theories influenced its composition, structure and content. Often overlooked in the history of the genre,...This article examines the importance of the short story form for the Bloomsbury writers and how their aesthetic theories influenced its composition, structure and content. Often overlooked in the history of the genre, the Bloomsbury short story has a claim to be an important aspect of the twentieth-century accounts of the short story form. Attention to Virginia and Leonard Woolf, Katherine Mansfield, Vita Sackville- West, E.M. Forster and others, such as Arnold Bennett and D.H. Lawrence, indicates their widespread engagement with the genre and the ways in which they treated it from fragmented conversation, as in Woolf s ＂The String Quartet,＂ to Foster＇s employment of linear narrative detail in ＂The Road from Colonus.＂ Formal experiments with syntax, imagery, and vocabulary and prose rhythm exhibit the seriousness of the short story for Bloomsbury authors. The influence of the Russians is particularly important with Che- kov dominating the reading and writing of Woolf, Mansfield, Lawrence and others. The very form of publication--mostly journals and magazines--is also crucial in shaping the length and structure of the short story. Attention to experimentation, as well as renewal, of the genre balances the impact of the short story on writers today and the question of a successor to the efforts and achievements of Bloomsbury＇s authors. A reading of the short stories of Julian Barnes explores this possibility.展开更多
文摘In a very shocking symbol, animation art leads us to the continuing social and philosophical problems. With its unique hypothetical language as the human spirit and emotional material carrier, animation art passes various social messages to people. The value of animation art lies in the certain form of expression to convey characteristics of the content and spirit, which is the core issues that Chinese animation industry worthy of attention and research. Animation art as a cultural transmission symbols, bears culture spreading. The combination of cultural heritage and the new animation language means is an important way for animation art to direct towards the life of road. At the same time, let the excellent national culture and art forms combine with modem advanced technology and make innovation and creativity. Only in this way can China＇s animation talent with a new, unique appearance presented to the audience and occupy an important seat in the world animation art.
文摘As a new form of artistic expression, film has gone through a history of more than 100 years in China. Focusing on the aesthetic taste of the underclass, popular literary tradition, which highlights appreciation habits of the citizen stratum, is the quintessence of Chinese traditional culture. Breaking through the mode of Western films, the early Chinese film, referring to artistic elements in story-telling script, fiction, and drama in Song and Yuan Dynasties, has created new film genres of ＂unofficial historical film＂ and martial-art film which are positive results of the localization of early Chinese films. Though the unofficial historical film failed in adapting the theme of popular literature, its groundbreaking significance is still worth approving
文摘（Objective）To strengthen the effect of packaging design, extend the idea of modem design, grope new methods of packaging visual information design.（Methods）Used 4 methods： literature summarizing, market researching, theoretical analyzing and Practice verifying, and contrasted the application method and effect of a variety of packaging materials comprehensively, studied in-depth on the rules of information transmission in package.（Results）Expound the aesthetic forms, such as skin texture, texture and color, etc. of various modem packaging paper, give a comment of the development status and functionality changes of modem package in China, Make the characteristic of packaging visual aesthetic and information dissemination clearly, put forward the 4-steps method of packaging design with Paper form, and predict its development trend.（Conclusion）The paper material has profound aesthetic connotation,it will has a promoting effect on visual information transmission if it is applied cleverly in packaging design. It＇s application prospects can be very Wide.
文摘This article believes that ＂Chinese Dream＂ has three dimensions： First, ＂Chinese Dream＂ is the inevitable demands of Chinese reconstruction and it is the deepest desire of Chinese nation since the Chinese modern history. Second, the modernism of socialism with Chinese feature is the process of Chinese modernism. Third, the third theoretical dimension, 1 believe, is the ideal of socialism. I would like to take the film ＂Lost＂ and ＂Peking Monk＂ as examples and analyze the specific form of expression. This article is going to indicate in the end that ＂the revolution of aesthetics＂ and the assignments of critics, which can be recognized as the intuitive ability, could merge the historical affair and the human nature, which literature comprise, together and deliver deeper analyses and appraise The mission of critics is not only to distinctly emerge the aesthetic form of the literal works, but also analyze and seize the ＂aesthetic form＂ of them, that is to say, their mission is to find the aesthetic meanings of aesthetic expression from commonage in order to achieve the goal of leading and stimulating people ensuing the consciousness and liberation of culture. That is the most important mission and responsibility of Marxist literal criticism and literal critics. This is a rather tough task and refers to the new understanding and attitude to the relative questions of literature and culture. In the eyes of some self-complacent intellectuals, the responsibility for literature and critics is the ＂aesthetic entertainment＂ and ＂spiritual redemption＂. The significance of Marxist Aesthetics lies in that it upgrades the general ＂literal principle＂ and ＂aesthetic principle＂ in to a level of social development and national deliverance, and also it regards whether the literature having the function of cultural libration as the more pivotal content. The assignment for the critics and litterateurs is to engage and promote the production and promulgate for this significance, the cultural consciousness and liberation.
文摘This article examines the importance of the short story form for the Bloomsbury writers and how their aesthetic theories influenced its composition, structure and content. Often overlooked in the history of the genre, the Bloomsbury short story has a claim to be an important aspect of the twentieth-century accounts of the short story form. Attention to Virginia and Leonard Woolf, Katherine Mansfield, Vita Sackville- West, E.M. Forster and others, such as Arnold Bennett and D.H. Lawrence, indicates their widespread engagement with the genre and the ways in which they treated it from fragmented conversation, as in Woolf s ＂The String Quartet,＂ to Foster＇s employment of linear narrative detail in ＂The Road from Colonus.＂ Formal experiments with syntax, imagery, and vocabulary and prose rhythm exhibit the seriousness of the short story for Bloomsbury authors. The influence of the Russians is particularly important with Che- kov dominating the reading and writing of Woolf, Mansfield, Lawrence and others. The very form of publication--mostly journals and magazines--is also crucial in shaping the length and structure of the short story. Attention to experimentation, as well as renewal, of the genre balances the impact of the short story on writers today and the question of a successor to the efforts and achievements of Bloomsbury＇s authors. A reading of the short stories of Julian Barnes explores this possibility.
