论浪漫主义时期主流管弦乐法风格——彩绘风格特征

本文在对浪漫主义时期主流管弦乐法风格——彩绘风格界定且溯源的基础上,通过对这一时期大量主要作曲家重要作品管弦乐技法的分析与整理,以音乐文本本体为佐证来论述浪漫主义时期管弦乐法彩绘风格在音色素材、音色呈现方式、音色展开方式以及管弦乐法布局上的特征,及其成为这一时期主流风格的历史与美学原因。

徽州容像底样与郎世宁图式特征比较——传统画法与西法的趋同转化

明末自曾鲸创波臣派画法以来,中国传统肖像画在吸取了西方古典主义元素之后,于像真性上有了显著提高,徽州容像底样便是因循的这一路画法。郎世宁将古典西画与中国画重线、重平面、重结构的审美取向结合,创造出了一种全新的表现形式。但由于容像画法中有中国传统像学等因素的参与,使得二者在表面相互趋同的同时又体现出绘画理念的根本差异,本文即是着眼于这两种样式之间的兼容性与相异性,运用实物对比的方式,来剖析两者在理念、技巧上的趋同转化。

初中生陶艺教学方法初探

适合初中生在教学条件比较简陋的情况下学习的陶艺制作方法有手捏成型法、盘泥条成型法、泥板成型法、塑造成型法、彩绘法。学生利用这些造型方法可以制作出风格各异的陶艺作品,培养造型能力和创新能力。

Image-based Water Level Measurement Method under Stained Ruler

This paper propoes the water level measuring method based on the image, while the ruler used to indicate the water level is stained. The contamination of the ruler weakens or eliminates many features which are required for the image processing. However, the feature of the color difference between the ruler and the water surface are firmer on the environmental change compare to the other features. As the color differeaces are embossed, only the region of the ruler is limited to eliminate the noise, and the average image is produced by using several continuous frames. A histogram is then produced on the height axis of the produced intensity average image. Local peaks and local valleys are detected, and the section between the peak and valley which have the greatest change is looked for. The valley point at this very moment is used to detect the water level. The detected water level is then converted to the actual water level by using the mapping table. The proposed method is compared to the ultrasonic based method to evaluate its accuracy and efficiency on the various contaminated environments.

明宫廷画家商喜及其画风再探

台北故宫博物院现藏有一部款署"臣沈度敬书"、"臣商喜敬绘"的明宣德三年(1428)明宫廷写绘本《真禅内印顿证虚凝法界金刚智经》(简称《金刚智经》,共三卷)。该经全部106幅彩绘插图为目前已知唯一的一组有明确纪年的、题为商喜绘制的宗教画作,然而,学界对其是否系商喜亲自绘制这一问题却持有不同的看法。因此,在对《金刚智经》彩绘插图的汉藏融合风格特征加以细致分析的基础上,本文将结合商喜画作《老子出关图》的画风特征对其加以判定,明晰商喜画作中的南宋院体画风特征<1>,最后认定《金刚智经》彩绘插图应为商喜所绘,并由此认为,商喜善绘藏传佛教图像是一个不争的事实。