The translation of titles is the important part in the translation of movies. This paper proposes three principles and summarizes six translation methods in the translation of movie titles.
Based on the determinative factors school of capital structure theory, this paper uses the data of 35 Chinese energy listed companies from 2000 to 2003, and adopts multi-variable regression method to make an empirical...Based on the determinative factors school of capital structure theory, this paper uses the data of 35 Chinese energy listed companies from 2000 to 2003, and adopts multi-variable regression method to make an empirical study of the influencing factors of their capital structure. The results indicate that the factors of size, income volatility, and the concentration of owner’s equity have positive relation with the capital structure, while the relation between profit- ability and capital structure is negative. It is also found that the influencing of growth and secured asset on the capital structure are relatively insignificant.展开更多
During the last months of 1888 the populous quarter of Whitechapel, London, was stained with the blood of five women, all booked prostitutes and chronic alcoholics, worthy representatives of the diseases/vices of the ...During the last months of 1888 the populous quarter of Whitechapel, London, was stained with the blood of five women, all booked prostitutes and chronic alcoholics, worthy representatives of the diseases/vices of the Victorian East End. The shrewd and sanguinary Monster who realized these violent murders called himself ＂Jack the Ripper＂, signing with his ＂trade name＂ the letters he sent to the Central News Agency and through the press he soon became a myth, the most famous ＂serial killer＂ of all time. As a matter of fact, his legend survived, and his evil figure still haunts the pages of books and---of course--the frames of many films; among the most famous From Hell （2001） by Albert and Allen Hughes, taken from the graphic novel of the same name by Moore and Campbell; Jack the Ripper （1976） by Jess Franco, with a disturbing Klaus Kinski, but also the TV movie directed by David Wickes in 1998 entitled Jack The Ripper; more obliquely, Jack appears also in The Lodger （1913） and Frenzy （1972） by Alfred Hitchcock. But can these movies be defined as true biopics of Jack？ Strangely enough, it seems, these biographies contribute to build the mythic ＂anonymity＂ of the Ripper, encouraging （and fascinating） fear and nightmares.展开更多
文摘The translation of titles is the important part in the translation of movies. This paper proposes three principles and summarizes six translation methods in the translation of movie titles.
文摘Based on the determinative factors school of capital structure theory, this paper uses the data of 35 Chinese energy listed companies from 2000 to 2003, and adopts multi-variable regression method to make an empirical study of the influencing factors of their capital structure. The results indicate that the factors of size, income volatility, and the concentration of owner’s equity have positive relation with the capital structure, while the relation between profit- ability and capital structure is negative. It is also found that the influencing of growth and secured asset on the capital structure are relatively insignificant.
文摘During the last months of 1888 the populous quarter of Whitechapel, London, was stained with the blood of five women, all booked prostitutes and chronic alcoholics, worthy representatives of the diseases/vices of the Victorian East End. The shrewd and sanguinary Monster who realized these violent murders called himself ＂Jack the Ripper＂, signing with his ＂trade name＂ the letters he sent to the Central News Agency and through the press he soon became a myth, the most famous ＂serial killer＂ of all time. As a matter of fact, his legend survived, and his evil figure still haunts the pages of books and---of course--the frames of many films; among the most famous From Hell （2001） by Albert and Allen Hughes, taken from the graphic novel of the same name by Moore and Campbell; Jack the Ripper （1976） by Jess Franco, with a disturbing Klaus Kinski, but also the TV movie directed by David Wickes in 1998 entitled Jack The Ripper; more obliquely, Jack appears also in The Lodger （1913） and Frenzy （1972） by Alfred Hitchcock. But can these movies be defined as true biopics of Jack？ Strangely enough, it seems, these biographies contribute to build the mythic ＂anonymity＂ of the Ripper, encouraging （and fascinating） fear and nightmares.
