Deterritorializing the Nation： Deleuzian Time, Space and Narrative in the Video Art of Lia Lapithi Shukuroglou

The purpose of this paper is to engage with Gilles Deleuze＇s work on time and space in cinema as a theoretical trajectory for exploring the video art of Lia Lapithi Shukuroglou. In Cinema 2： The Time-Image （1989）, Deleuze argues that post-Second World War cinema has been shaped by a historical transformation compelling it to create new signs and images. Centering on the post-war landscape of Cyprus in 1974, the moment of ＂historical transformation＂ in Deleuze is transposed to this national context; examining Lapithi＇s response to the crisis of historical time in its relation to physical spaces. It negotiates a contextualized reading of three videos and argues that they manifest Deleuzian ＂time-images＂. These texts react to the territorialization of real spaces by deterritorializing official national history. Using Martin Jones＇ study, Deleuze, cinema and national identity： Narrative time in national contexts （2006） Lapithi＇s time-images are interpreted as ＂unruly＂ as they resist a linear narrative and destabilize public time. Contrary to Martin Jones＇s view that time-images constitute a temporary deviation from flowing national time, the author argues that Lapithi excavates alternative temporalities in perpetuity; whilst proposing that in the context of Cyprus the deterritorialization of space by time postpones the nation＇s identity.

宣传创新 活动点晴 挖掘暑期档潜力——宜昌解放电影院二○○三年暑期档工作回顾

2002年的暑期档对于解放电影院来说具有特别的意义，一方面经历了非典期间长达40天的歇业，开业一个月，即进入暑期档；另一方面，投资百万元历时45天的二次改造，其效果到了观众检验、评判的时候。暑期档的经营将只能成功不能失败，而且，必须采取多种措施，制造热闹气氛，增加人气，让观众进一步走进影院，了解影院，完全消除非典带来的影响，振兴宜昌电影。

暑期总动员 票房近千万

非典的非常时期还未完全结束，广东华影南方院线便开始紧锣密鼓地策划“暑期市场总动员”，组织片源，调度档期，要在这非常暑期将电影市场做个热透。在经过紧张的两个月奋斗后，至发稿为止，该院线7月票房超过450万元，8月票房520万元，比去年同期增加20％。

四平、国泰改建成效初现 票房喜人活力盎然

在我国电影院线间竞争加剧的现状下，由上影集团参与投资改建的四平、国泰电影院，以崭新的设施、一流的服务，提升了在电影市场上的核心竞争力，取得了喜人的票房佳绩，四平电影院创下票房历史新高，国泰电影院同比增幅50％，成为近期联和电影院线旗下60多家影院中两颗耀眼的新星。