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主旋律影视剧的“破圈”经验--《觉醒年代》的马克思主义审美理想与创作实践谫论 被引量:1
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作者 王童 《南腔北调》 2022年第8期2-8,共7页
电视剧《觉醒年代》上映后好评如潮,是主旋律影视剧中的精品。以马克思主义美学提供的理论工具,能够发现《觉醒年代》遵循马克思主义现实主义文艺理论的创作要求,其以塑造人物的现实主义原则刻画立体生动的人物形象,并坚持美学观点与史... 电视剧《觉醒年代》上映后好评如潮,是主旋律影视剧中的精品。以马克思主义美学提供的理论工具,能够发现《觉醒年代》遵循马克思主义现实主义文艺理论的创作要求,其以塑造人物的现实主义原则刻画立体生动的人物形象,并坚持美学观点与史学观点的统一、真实性与倾向性的统一的原则,是其获得成功的主要原因。除此之外,《觉醒年代》突破文化生产方式,塑造了与新时代青年的新型互动模式,显著地影响了新时代青年群体价值观的正向形成,其审美理想与创作实践的巧妙结合,无疑为我国主旋律影视剧的制作、发行提供了宝贵的经验。《觉醒年代》的成功是我国新时代影视文化产业丰富经验积累的结果,对其加以研究,有助于提升我国主旋律影视剧的制作质量、传播影响力,坚定文化自信,推进社会主义文化强国建设。 展开更多
关键词 《觉醒年代》 主旋律影视剧 马克 思主义美学 现实主义 价值论
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Rethinking on Scientific Management' s Lost Aesthetic
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作者 RUI Shaowei 《International English Education Research》 2015年第10期48-50,共3页
The theory of scientific management exerts a far-reaching influence in the history of management. This paper challenges some one-sided comments on Taylorism and emphasizes more on its cultural implication. By analyzin... The theory of scientific management exerts a far-reaching influence in the history of management. This paper challenges some one-sided comments on Taylorism and emphasizes more on its cultural implication. By analyzing the key features and background of scientific management, we prove why it appeals to European avant-garde modernists. In the end I expose a forgotten cultural implication of this organizational theory by explaining scientific management' s "lost" aesthetic and make a conclusion. 展开更多
关键词 Scientific Management Cultural Implication MODERNISM
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A Brief View of Practice Ontology Aesthetics in the Context of Contemporary China
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作者 ZHU Li-yuan 《Journal of Literature and Art Studies》 2016年第6期647-656,共10页
In recent years, Practice Ontology Aesthetics takes shape in academic discussion and argument. The introduction of Practice Ontology Aesthetics occurred in the course of introspection of Practice Aesthetics in modem C... In recent years, Practice Ontology Aesthetics takes shape in academic discussion and argument. The introduction of Practice Ontology Aesthetics occurred in the course of introspection of Practice Aesthetics in modem China, in which the existence dimension in Marxist concept of practice was of great significance to breaking the theoretical limitation of present Practice Aesthetics. Therefore, in terms of the distinctive context of Chinese contemporary aesthetics, the introduction of Practice Ontology Aesthetics from the theoretical perspective of Marxist existentialism offers a possible way to break the current aesthetics and represents a multiple academic pursuit of Marxist, Chinese and modem aesthetics. 展开更多
关键词 Chinese contemporary aesthetics Practice Aesthetics Practice Ontology Aesthetics
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No Dream, No Future: A Study on Aesthetic Dimensions of"Chinese Dream" and the Task of Literary Critics
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作者 WANG Jie 《Journal of Literature and Art Studies》 2015年第12期1107-1114,共8页
This article believes that "Chinese Dream" has three dimensions: First, "Chinese Dream" is the inevitable demands of Chinese reconstruction and it is the deepest desire of Chinese nation since the Chinese modern ... This article believes that "Chinese Dream" has three dimensions: First, "Chinese Dream" is the inevitable demands of Chinese reconstruction and it is the deepest desire of Chinese nation since the Chinese modern history. Second, the modernism of socialism with Chinese feature is the process of Chinese modernism. Third, the third theoretical dimension, 1 believe, is the ideal of socialism. I would like to take the film "Lost" and "Peking Monk" as examples and analyze the specific form of expression. This article is going to indicate in the end that "the revolution of aesthetics" and the assignments of critics, which can be recognized as the intuitive ability, could merge the historical affair and the human nature, which literature comprise, together and deliver deeper analyses and appraise The mission of critics is not only to distinctly emerge the aesthetic form of the literal works, but also analyze and seize the "aesthetic form" of them, that is to say, their mission is to find the aesthetic meanings of aesthetic expression from commonage in order to achieve the goal of leading and stimulating people ensuing the consciousness and liberation of culture. That is the most important mission and responsibility of Marxist literal criticism and literal critics. This is a rather tough task and refers to the new understanding and attitude to the relative questions of literature and culture. In the eyes of some self-complacent intellectuals, the responsibility for literature and critics is the "aesthetic entertainment" and "spiritual redemption". The significance of Marxist Aesthetics lies in that it upgrades the general "literal principle" and "aesthetic principle" in to a level of social development and national deliverance, and also it regards whether the literature having the function of cultural libration as the more pivotal content. The assignment for the critics and litterateurs is to engage and promote the production and promulgate for this significance, the cultural consciousness and liberation. 展开更多
关键词 Chinese dream aesthetic dimensions the revolution of aesthetics cultural libration
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