The purpose of this paper is to analyze today＇s construction of sports news, and to see the way that media present the live sports events and how do livc sports events become global breaking news. We started with the...The purpose of this paper is to analyze today＇s construction of sports news, and to see the way that media present the live sports events and how do livc sports events become global breaking news. We started with the theoretical background and we analyzed the audiences of the TV channels dedicated to sports. Media and violence is a well-known subject, and many theorists have analysed it but little research has been conducted about the effects that violence in sport news may have on people or society. Therefore, the aim of this study is to provide insights into these effects, to try to demonstrate that today＇s sports news does not focus on pcrformancc any more, but they have become a spectacle of violence and gossip. After reviewing the literature in order to gain a perspective on this topic, we focused on the complex reconstructive and subjective nature of news rcception, the different ways the audience constructs meaningful intcrpretations from the news, exposure to news and the construction of violent images of reality.展开更多
This paper focuses on women as victims of violence as shown in films. Seven German films were selected for the analysis, namely Die Fremde （2010） by Feo Aladag, Die Frau des Polizisten （2013） by Philip Groning, Fe...This paper focuses on women as victims of violence as shown in films. Seven German films were selected for the analysis, namely Die Fremde （2010） by Feo Aladag, Die Frau des Polizisten （2013） by Philip Groning, Festung （2011） by Kirsi Liimatainen, Reeperbahn （2016） by Timo Rose, Schneeland （2005） by Hans W. GeiBendorfer, Der Brand （2010） by Brigitte Berteleund and L＇amour （2000） by Philip Groning. There were three main research questions： （1） What kinds of violence against women are represented in selected German films; （2） Why do the women in these films become victims of violence; and （3） How do the women in these films find solutions to the problem？ There are four forms of violence in the analyzed films： physical violence, psychological violence, sexual violence, and witnessed violence. Physical violence is found in all the films, however, witnessed violence appears only in two films with young female characters. The other two kinds of violence are also found in most of the films. The reasons why women become victims of violence are weakness, love, poverty and carelessness. All of these factors appear in different types of women. Furthermore, the female characters in the films react differently to violence. Some women flee from their abusers because they fear or cannot fight with them. In other cases, they accept the violence with patience, or they take revenge on their offenders to get justice or stop the violence.展开更多
Gender mainstreaming is a strategy for achieving gender equality that emerged in the United Nations in the 1970s and consists of integrating gender equality issues into all public policies. In the 1990s, the same stra...Gender mainstreaming is a strategy for achieving gender equality that emerged in the United Nations in the 1970s and consists of integrating gender equality issues into all public policies. In the 1990s, the same strategy began to be applied to human rights to draw attention to the fact that the enjoyment of human rights is different for men and women, and that some human rights violations specifically affect women. This is a reflection and a result of the patriarchal organization of society and men＇s position of dominance over women. The European and Inter-American Courts of Human Rights have begun to incorporate gender mainstreaming or a gender perspective in some judgments, especially in cases of violence against women.展开更多
文摘The purpose of this paper is to analyze today＇s construction of sports news, and to see the way that media present the live sports events and how do livc sports events become global breaking news. We started with the theoretical background and we analyzed the audiences of the TV channels dedicated to sports. Media and violence is a well-known subject, and many theorists have analysed it but little research has been conducted about the effects that violence in sport news may have on people or society. Therefore, the aim of this study is to provide insights into these effects, to try to demonstrate that today＇s sports news does not focus on pcrformancc any more, but they have become a spectacle of violence and gossip. After reviewing the literature in order to gain a perspective on this topic, we focused on the complex reconstructive and subjective nature of news rcception, the different ways the audience constructs meaningful intcrpretations from the news, exposure to news and the construction of violent images of reality.
文摘This paper focuses on women as victims of violence as shown in films. Seven German films were selected for the analysis, namely Die Fremde （2010） by Feo Aladag, Die Frau des Polizisten （2013） by Philip Groning, Festung （2011） by Kirsi Liimatainen, Reeperbahn （2016） by Timo Rose, Schneeland （2005） by Hans W. GeiBendorfer, Der Brand （2010） by Brigitte Berteleund and L＇amour （2000） by Philip Groning. There were three main research questions： （1） What kinds of violence against women are represented in selected German films; （2） Why do the women in these films become victims of violence; and （3） How do the women in these films find solutions to the problem？ There are four forms of violence in the analyzed films： physical violence, psychological violence, sexual violence, and witnessed violence. Physical violence is found in all the films, however, witnessed violence appears only in two films with young female characters. The other two kinds of violence are also found in most of the films. The reasons why women become victims of violence are weakness, love, poverty and carelessness. All of these factors appear in different types of women. Furthermore, the female characters in the films react differently to violence. Some women flee from their abusers because they fear or cannot fight with them. In other cases, they accept the violence with patience, or they take revenge on their offenders to get justice or stop the violence.
文摘Gender mainstreaming is a strategy for achieving gender equality that emerged in the United Nations in the 1970s and consists of integrating gender equality issues into all public policies. In the 1990s, the same strategy began to be applied to human rights to draw attention to the fact that the enjoyment of human rights is different for men and women, and that some human rights violations specifically affect women. This is a reflection and a result of the patriarchal organization of society and men＇s position of dominance over women. The European and Inter-American Courts of Human Rights have begun to incorporate gender mainstreaming or a gender perspective in some judgments, especially in cases of violence against women.
