浅析苏轼的“尚意”美学与文人画观

唐人尚法,宋人尚意。苏轼作为宋代文人的代表,他在文学艺术上所表现出来的精神追求和审美取向在某种程度上是宋代时代性文化症候的一种表征。“诗为禅客添花锦,禅是诗家切玉刀”,禅悦之风在北宋中期大盛,禅宗的“性空”说作为一种观念被广大文人引以为文学艺术创作的方法论。随着苏轼自身政治命运和人生遭际的跌宕起伏,禅宗给予苏轼以精神抚慰,并且在观念价值与情感价值等多个维度对苏轼文艺之“尚意”美学和文人画理论产生重要影响。

从缘起论到解脱

该文史论结合,在尊重宗教信仰与历史事实的基础上,对作为佛教理论基础的缘起论及其解说模式进行了理论总结与哲学分类,并提出了自己对缘起论、缘起论与解脱、解脱的意义等的独特理解。

Alienation in Carol Plum-Ucci＇s The Body of Christopher Creed

In Carol Plum-Ucci＇s young adult novel The Body of Christopher Creed （2000）, the indeterminacy and mystery of the theme of missing people renders Carol Plum-Ucci a huge space of imagination to depict people＇s different reactions to the sudden disappearance of Christopher Creed and the consequences brought by their reactions. Through the twists, turns, and suspense provided by Carol Plum-Ucci in the story, readers can get a better look at teenagers＇ alienation permeated in the novel. Based on theories of alienation and close reading of the text, the present paper aims at exploring the complex implications of the alienation demonstrated in the novel.