侗族“情人歌”的失恋人物形象阐释

侗族“情人歌”所描述的大都是婚恋悲剧 ,悲剧的深层原因是侗族传统婚俗在接受封建统治者的“异化”时 。

合作原则和会话含义在电影《K歌情人》的体现

本文尝试从合作原则和会话含义的角度分析了电影《K歌情人》中的部分对话，从而说明了解合作原则和会话含义对于我们更好的理解好莱坞电影以及美剧对白的重要意义。

刍议侗歌活动的文化内蕴

侗家是歌的海洋。侗族人民爱歌善歌,因而,侗歌活动是侗族群众文化活动的主要形式,至今仍然蓬勃兴旺,这与侗歌活动深厚的文化内蕴是分不开的。一个民族,需要对角己的历史文化记叙与传递,特别是一个历史悠久的民族,更需要对自己的历史文化进行追溯,并且传递下去。美国当代著名的人类学家怀特认为,“人类和文化的开端,在于语词之中”,“清晰的言语意味着观念的交流,观念交流意味着保存传统;保存传统意味着积累和进步”。(《文化科学》第37页)但是,侗民族没有自己的文字。

Time and consciousness in T. S. Eliot＇s The love song of J. Alfred Prufrock

The relationship between time and consciousness is what T. S. Eliot concerns much in his early modernist poem The love song of J. Alfred Prufrock. This paper is an analysis of the way Eliot employs the stream of consciousness technique to create a typical Western modern man who suffers greatly from meaningless life and spiritual crisis.

Accurate analysis of ＂Chinese New Standard＂ with the exploration of classical poetry ＂mood＂ Method

The mood is intended to send poetry lyric and a form of expressive, while the Chinese have a long attention of the ＂mood＂ to convey tradition and from the east, we can see the nation＇ s awareness of thinking, oriental poet emphasis of things＇ teaser, expression of mood. Therefore, secondary school teachers in the resolution of the ＂Chinese New Standard＂ in Chinese classical poetry pay attention to poetry with the main objective unity, and the traditional interpretation of metaphor Fu poetry ＂mood.＂