选取泰尔米认知语义学中最突出的成果之一--语言与认知中的力动态及其意象图式来解读法国喜剧电影《晚餐游戏》中的四例幽默语篇的认知机制,并尝试对该剧中"愚者"的言、思、行进行阐释。研究发现,"取效行为"表征于...选取泰尔米认知语义学中最突出的成果之一--语言与认知中的力动态及其意象图式来解读法国喜剧电影《晚餐游戏》中的四例幽默语篇的认知机制,并尝试对该剧中"愚者"的言、思、行进行阐释。研究发现,"取效行为"表征于力动态图示具有可操作性,同时还提出了"1 make 2 ant-VP"力动态图示流程。作为力动态图示用于阐释幽默认知机制的首次尝试,不仅是其理论的实践,亦是一种扩展,为"言外力动态"的认知语言学的研究提供例证。展开更多
My paper analyzes the issue of the alternation between two complementary concepts which can be analyzed in the novel The Heart Song of Charging Elk： imprisonment and freedom. In order to achieve this goal, I have use...My paper analyzes the issue of the alternation between two complementary concepts which can be analyzed in the novel The Heart Song of Charging Elk： imprisonment and freedom. In order to achieve this goal, I have used several critical theories of authors such as： Michel Foucault, Carl Jung, and Pierre Bourdieu. The analysis is concerned with exploring the alternation between the themes of freedom and imprisonment and the way in which these issues influence the evolution of the main character. I argue that the two themes are in a relation of interdependency and they can be interpreted as opposites from a rational point of view. The rational point of view, although valuable, is, however, incomplete without the exploration of the emotional and subjective factor. This factor can account for the ＂unreasonable＂ events from a broader perspective： that of the imagination. As Michel Foucault argues, power exists only in action. Power is also a rather elusive concept. In the same way, the perception of reality can be represented more accurately from a subjective point of view. More exactly, reality is constructed with every thought, emotion, and action of the individual. To sum up, I argue that, from a sociological point of view, the main character is striving to assimilate his personality in a new and hostile cultural environment. On the other hand, from a psychological point of view, he is confronting his inner shadow, as Carl Jung defines the hidden part of the personality. This has a result of the emergence of a genuine sense of self. As the critic Pierre Bourdieu argues, there are a set of common characteristics of taste which define the social belonging of an individual. In the analyzed novel the character manages to adapt to the new situation and to overcome the obstacles that he finds on his way.展开更多
The aim of this article is to analyze one of the most recognized in the Russian intellectual-cultural tradition and Russians＇ social self-consciousness ways of identification of the nature of Russianness and Russia--...The aim of this article is to analyze one of the most recognized in the Russian intellectual-cultural tradition and Russians＇ social self-consciousness ways of identification of the nature of Russianness and Russia--and comprehend it in the category of the ＂Russian Sphinx＂. The Russian thinkers and writers discussing the nature of Russia often return to the motif of Sphinx. Opposed to its ancient Greek archetype-counterpart, ＂the Russian Sphinx＂ does not have to resort to intricate questions--he is a riddle himself. As I show and explain, the livelihood and dissemination of the Russia-Sphinx motif in the homeland of Dostoyevski are not incidental. This motif is a synthetic medium of many archetypal contents, which accurately articulate a set of traditional intuitions and imaginations held by the Russians and concerning the alleged essence, nature, or depth of ＂Russianness＂. To conclude, I demonstrate the need to make the people comprehending Russia in a similar way aware that the accompanying, the particular--in its basic framework a priori assumed by them--image of the Russian reality is de facto a correlate of their subjective cognitive intention.展开更多
文摘选取泰尔米认知语义学中最突出的成果之一--语言与认知中的力动态及其意象图式来解读法国喜剧电影《晚餐游戏》中的四例幽默语篇的认知机制,并尝试对该剧中"愚者"的言、思、行进行阐释。研究发现,"取效行为"表征于力动态图示具有可操作性,同时还提出了"1 make 2 ant-VP"力动态图示流程。作为力动态图示用于阐释幽默认知机制的首次尝试,不仅是其理论的实践,亦是一种扩展,为"言外力动态"的认知语言学的研究提供例证。
文摘My paper analyzes the issue of the alternation between two complementary concepts which can be analyzed in the novel The Heart Song of Charging Elk： imprisonment and freedom. In order to achieve this goal, I have used several critical theories of authors such as： Michel Foucault, Carl Jung, and Pierre Bourdieu. The analysis is concerned with exploring the alternation between the themes of freedom and imprisonment and the way in which these issues influence the evolution of the main character. I argue that the two themes are in a relation of interdependency and they can be interpreted as opposites from a rational point of view. The rational point of view, although valuable, is, however, incomplete without the exploration of the emotional and subjective factor. This factor can account for the ＂unreasonable＂ events from a broader perspective： that of the imagination. As Michel Foucault argues, power exists only in action. Power is also a rather elusive concept. In the same way, the perception of reality can be represented more accurately from a subjective point of view. More exactly, reality is constructed with every thought, emotion, and action of the individual. To sum up, I argue that, from a sociological point of view, the main character is striving to assimilate his personality in a new and hostile cultural environment. On the other hand, from a psychological point of view, he is confronting his inner shadow, as Carl Jung defines the hidden part of the personality. This has a result of the emergence of a genuine sense of self. As the critic Pierre Bourdieu argues, there are a set of common characteristics of taste which define the social belonging of an individual. In the analyzed novel the character manages to adapt to the new situation and to overcome the obstacles that he finds on his way.
文摘The aim of this article is to analyze one of the most recognized in the Russian intellectual-cultural tradition and Russians＇ social self-consciousness ways of identification of the nature of Russianness and Russia--and comprehend it in the category of the ＂Russian Sphinx＂. The Russian thinkers and writers discussing the nature of Russia often return to the motif of Sphinx. Opposed to its ancient Greek archetype-counterpart, ＂the Russian Sphinx＂ does not have to resort to intricate questions--he is a riddle himself. As I show and explain, the livelihood and dissemination of the Russia-Sphinx motif in the homeland of Dostoyevski are not incidental. This motif is a synthetic medium of many archetypal contents, which accurately articulate a set of traditional intuitions and imaginations held by the Russians and concerning the alleged essence, nature, or depth of ＂Russianness＂. To conclude, I demonstrate the need to make the people comprehending Russia in a similar way aware that the accompanying, the particular--in its basic framework a priori assumed by them--image of the Russian reality is de facto a correlate of their subjective cognitive intention.
