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司空图感性学三维视角下评析《虞美人》的英译本 被引量:1
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作者 杨丽 《内蒙古师范大学学报(哲学社会科学版)》 2013年第5期113-116,共4页
在诗歌翻译批评中,司空图诗学思想即三维说提供了一个很好的诗评原则。本文从司空图感性学三维出发,对《虞美人》3个英文译本的音像美、视像美和含蓄美进行了比较研究。好的诗歌译本应从听觉、视觉和味觉3个维度尽量保留和再现原诗的意... 在诗歌翻译批评中,司空图诗学思想即三维说提供了一个很好的诗评原则。本文从司空图感性学三维出发,对《虞美人》3个英文译本的音像美、视像美和含蓄美进行了比较研究。好的诗歌译本应从听觉、视觉和味觉3个维度尽量保留和再现原诗的意境美,实现原诗的"韵外之致"、"景外之景"和"味外之旨"。 展开更多
关键词 司空图 感性学三维 音像美 视像美 含蓄美
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Ethnography of Women' s Perception of Their Workwear: Comparative Study between South Afi'ica and Uganda
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作者 Mutungi Emmanuel Mugendi K. M'Rithaa Bongiwe Kolisi 《Journalism and Mass Communication》 2014年第8期517-526,共10页
The study investigates women's perception of the workwear, and their awareness about how garment fit can affect one's body image. Drawing on the theory of practice, we propose an ethnographic account of women's per... The study investigates women's perception of the workwear, and their awareness about how garment fit can affect one's body image. Drawing on the theory of practice, we propose an ethnographic account of women's perception of workwear and their preferred alternative. The study presents a comparative perspective of attitudes, and perceptions about the workwear of women in South Africa and Uganda explored through the habitus. We present pro-vocal recollections of women perceptions on the current workwear ideal for men which omits women' body physique. In particular, from the current personal protective equipment (PPE), we examine "the overall" common attire at site and an integral part of the PPE. Overalls are designed following the men's physique, and women in work place are subjected to put them on yet, differences in body structure/shapes amongst women, namely, hour glass, bottom hourglass, spoon, and pear shape, are hardly considered. The identification of different female body shapes is made possible through the 3D anthropometric measurements using a Three Dimensional (3D) Body Scanner (TC2). We develop endogenous explanations of what women would want to see as workwear based on the understanding of women found on site in men's workwear or without any work weal- in South Africa and Uganda. Using ethnographic design approach, we capture voices of 10 women from South Africa and Uganda through participant observation and unstructured interviews. We analyze data thematically to determine the patterns of their responses toward an appropriate workwear. Moreover, we (re)construct these responses into possible design models that would be ideal workwear for women, which gives them the pride, respect, dignity, and confidence as women. 展开更多
关键词 workwear WOMEN body image body shape design
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