文学感性的回归——徐志摩与丁玲的南洋叙事及其意义

有关异域的文学想象,其价值常常建立在文学之外的社会、国家、民族等层面。如何在对差异的体验理解中生成更具有审美性的文学话语,当是跨文化叙事所面临的重大难题。对于徐志摩和丁玲的南洋叙事,不必拘泥于某些研究者的结论——用东方主义的帽子将他们一棍子打死;相反,他们在塑造"南洋情人"这一具有时代性的异域形象时,在保持异域与自我的区别意识的同时,以其人性化的特殊走向、无意识的情感驱动机制以及在古语洋腔间寻求异域经验的诗意表述方式等动向,显现了现代作家的异域叙事回归文学感性之可能及困境。

文学鉴赏教学过程中应重视文学的情感性

在新课程的影响下,新教材不断选择大量优秀的文学作品,为确保能够顺利开展文学作品的鉴赏教学,需不断创新文学作品教学的方式。因此本文主要针对文学鉴赏教学中的实际情况,对在文学鉴赏教学中发挥情感功能极其重要的作用与价值,并且为确保能够创建文学鉴赏教学课堂的情感艺术氛围,以及让学生感受学习文学的情感体验,从而提出极其重视发挥情感的途径与城措施。

感性表达与理性反思——革命历史小说与新历史小说比较

与革命生活的较近的时间距离使革命历史小说作家们对新、旧两个世界有着深刻而鲜明的认识,他们无法遏止在新政权下昂首挺胸的激动情感,强烈地希望表达自己对刚刚发生过的重大革命历史生活的认识和看法。新历史小说作家与革命历史本身都有很遥远的距离,那段生活对他们来说是陌生而概念化的。他们的创作所表达的是一种积淀了深层理性反思的认识,具有新的深刻的思想深度。

On untranslatability of classical Chinese poetry： From the perspective of aesthetic function of language

The author analyzes the untranslatability of the classical Chinese poetry from the perspective of aesthetic function of language. The untranslatability lies firstly in the heterogeneity, indeterminism and the ambiguity of the Chinese language itself. Moreover, the classical Chinese poetry displays its unique features and beauty which can not be rendered into English in terms of aesthetic function of language.

The Global Value ofMencius＇s Ideas on Moral Feeling and Reason： Reinterpreting the Feeling of Compassion From the Perspective of the Philosophy of Emotion

Amid the recent global upsurge of studies on the philosophy of emotion, a reinterpretation of traditional Confucian philosophy, especially Mencius＇s ideas on the siduan （Four Original Sources） of morality, may shed new light on the subject in comparative philosophy. This paper probes the structure of moral feeling and reason described by Mencius＇s from five perspectives： （1） In view of the relationship between feeling and reason, is it better to use the expression ＂siduan＂ or the expression ＂sixin （Four Heart-minds）＂？ （2） In view of dispositional feeling, what are the four original sources？ （3） In view of moral feeling, what are the structural order of the four sources and the corresponding procedure of reasoning of four heart-minds of Humanity？ （4） In view of positive feeling, how does moral feeling grow out of the goodness of human nature？ （5） What is the global value of Mencius＇s ideas on human moral feeling？ The author concludes that Mencius＇s thought on moral feeing has a global value and cross-cultural significance, and that Chinese wisdom is more than regional but universally applicable. The structure of moral feeling and reason that Mencius identified is in accordance with the principles ofzhiliang （grasping the two poles of the beginning and the end） and yongzhong （emloying the middle）. The principles ofzhiliang and yongzhong are true universal wisdoms of Confucianism, which should be rekindled today. From a practical point of view, ＂the Way begins from moral feelings,＂ and Confucius and Yah Hui＇s seeking the simple, virtuous life is an ideal model of emotional well-being.

Science and Sensibility： A Restudy of Snow＇s ＂The Two Cultures＂ in The Masters

Charles Percy Snow declared his influential Rede Lecture, ＂The Two Cultures＂, in 1959. In his famous lecture, he told us that the most powerful revolutionary force in the world today is science, science is essentially progressive, and the scientific culture is also a newer one. So Snow, after excluding scientific culture from the whole culture, calls the rest of the whole culture traditional culture. In his opinion, science is more important than humanities. All these ideas are faithfully reflected in his earlier literary work The Masters （1972b）. Snow＇s favor toward men of sciences in the novel is self-evident. ＂The Masters, therefore, may be considered as a political science novel rather than as a political novel＂. It was the Industrial Revolution which created our sensibility

从《伊豆的舞女》看川端康成对日本传统文学理念的继承

《伊豆的舞女》是川端康成对日本传统文学理念的继承。川端的作品继承了日本传统文学中的感性文学传统,非常明显地散发着平安王朝幽雅纤细,"物哀"精神以及"阴性美"为主调的文学气息,透过悲、雅、美表现人生的悲伤与哀愁。

文学理论的使命与意义

南帆新著《文学理论十讲》系统阐发了文学的意义和文学理论的使命,建构了理解与阐释文学问题的坐标体系,以关系主义为方法构建了一种新型的文学感性论,多角度、多层面地回答了文学以何种特殊的方式重新介入社会历史。