赴一场“狂欢”的《夜宴》

冯小刚贺岁片《夜宴》自从放映以来,观众对其毁誉参半。本文想借助前苏联文论家巴赫金的“狂欢化”理论,从作品的戏拟性和怪诞性着手,分析其狂欢化色彩,为解读此片提供一个新的批评视角。

嵌在语言链条上的幽默:《西游记》命名艺术

本文从文本分析的角度去认识《西游记》的喜剧风格,着重探索了名物的内在蕴含,总结出其命名方式主要有普通名物的诗意化、个体物名的类属化、单独名物的系列化、封号的戏拟化等。作品中多数名称或充满诗情画意、或极具喜剧色彩,耐人回味,从中可见到作者远距离“进入”生活的创作心态。

From Sex Objects to Heroines A Tough Road for Female Characters in Video Games

Female character in video games is the one of the most controversial topic in game studies and nowadays women＇s anthropology. From the beginning of role in games＇ plot to sexualized graphical representation, woman in virtual world were （and sometimes still are） a point of discussion about characters sexualisation and role of female sex in virtual industry. The main aim of this paper is to present analysis of female representation in video games and how in last 30 years it has changed. In other words, how female characters were ennobled from sex object to main protagonist status. In presented research, there were used mostly the examples of popular video games with extended plot and world which can be explored by protagonists. Video game historiography, textual analysis （which helped to treat video game character as a protagonist）, and thematic analysis of video games were used as a main research method. The main conclusion of this paper is that female characters can overcome all gender or sexual stereotypes and even eventually became an icon of popular culture