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沈璟、汤显祖批评印象谈 被引量:1
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作者 冯俊杰 董慧敏 《艺术百家》 北大核心 2009年第4期134-137,97,共5页
面对现当代学者的批评,沈璟有点冤,因为原本和汤显祖齐名的他,在许多著作里竟成了汤的反面教材。沈璟和汤显祖齐名是因为前者编定了一部戏曲音乐著作《南九宫十三调曲谱》,而被称为"词坛盟主";后者创作了一部举世震惊的《牡... 面对现当代学者的批评,沈璟有点冤,因为原本和汤显祖齐名的他,在许多著作里竟成了汤的反面教材。沈璟和汤显祖齐名是因为前者编定了一部戏曲音乐著作《南九宫十三调曲谱》,而被称为"词坛盟主";后者创作了一部举世震惊的《牡丹亭》,则被誉为"词人之冠"。前者主张"宁协律而词不工",后者主张创作以"意趣神色"为主,为此"正不妨拗折天下人的嗓子"。近现代学者多崇汤贬沈,其实是在用文学挤兑音乐。文学与音乐没有可比性。在中国戏曲史上,汤沈二人"合则双美,离则两伤",后人不该强分其高下,还是应该将汤显祖和沈璟的成就与影响同等看待为愈。 展开更多
关键词 沈璟 汤显祖 批评 印象 戏民艺术
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Utopian Theatre and Subjectivity Reconstruction Rethinking on the Artistic Spirit of Minjian Theatre
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作者 YANG Zi 《Journal of Literature and Art Studies》 2017年第11期1391-1400,共10页
Minjian has become an important concept in recent scholarly research. It is widely used by scholars to indicate specific social and cultural spaces existing beyond the control of state power, therefore, minjian social... Minjian has become an important concept in recent scholarly research. It is widely used by scholars to indicate specific social and cultural spaces existing beyond the control of state power, therefore, minjian social-cultural spaces are more often than not marginal and peripheral. In the field of performing arts, minjian theatre refers to performances produced by private theatre companies as opposed to state-run groups. These private companies or grass-root groups, without the interference of the government, produce artistic expressions that reflect current social reality to a certain extent. For a long time, the study of minjian theatre has been framed as forms of resistance against the ideology propagated by state-run theatres. Based on this paradigm, this paper, through the case analysis of Shanghai minjian theatre companies, attempts to illuminate the production mechanism and developmental process of minjian theatres. In so dong, this paper will explore the aesthetic and social-political values of minjian theatres. 展开更多
关键词 Minjian Theatre Theatrical Practice Utopian Theatre
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