哈尔滨市地处黑龙江省西南部,因其地理位置和语言历史,大部分人专注于研究外来词而忽略了其古代汉语的残留痕迹。本文用哈尔滨方言中的口语15例与古代汉语进行比较例释,对于研究哈尔滨方言特殊词,保留方言文化具有积极意义,同时会将古...哈尔滨市地处黑龙江省西南部,因其地理位置和语言历史,大部分人专注于研究外来词而忽略了其古代汉语的残留痕迹。本文用哈尔滨方言中的口语15例与古代汉语进行比较例释,对于研究哈尔滨方言特殊词,保留方言文化具有积极意义,同时会将古代汉语在方言中的流变现象做出阐释,为文字学、语言学提供有价值的语料。Harbin is located in the southwest of Heilongjiang. Because of its geographical location and language history, most people focus on studying loanwords and neglecting the remnants of ancient Chinese. This paper makes a comparative study of 15 spoken words in Harbin dialect and Ancient Chinese, which is of positive significance to the study of special words in Harbin dialect and the preservation of dialect culture, at the same time, it will explain the evolution of ancient Chinese in dialects and provide valuable language materials for philology and linguistics.展开更多
The purpose of this paper is to analyze the reception of Wagner＇s approaches to Greek antiquity by Greek musicologists and composers which took place at the first half of the 20th century. Wagner＇s such readings wer...The purpose of this paper is to analyze the reception of Wagner＇s approaches to Greek antiquity by Greek musicologists and composers which took place at the first half of the 20th century. Wagner＇s such readings were parts of wider narrations of archeology and how Greeks perceived their past.This research is largely based on primary sources of that time; its arguments construct two levels of critique： （1） Admiration （the ＇proper＇ aesthetic examples are German models, as exemplified in Wagner＇s work）; and （2） ＂Hellenism＂ as a means to distancing from Wagner （The past of ancient Greece is still believed to be better understood by the Greeks）. The principal conclusions are： （1） Wagner＇s views were admired because Wagner＇s example （ancient culture） should also be an example for Greek composers; and （2） Wagner＇s views were judged on the grounds of： Ideology： the expression of the ＂soul＂; the theory of ＂historic continuity＂; the balance between music, poetry, and dance; Wagner gave superiority to music, modem Greeks （should） give a predominant role to language as a means of expression in an ancient drama, or achieve a balance among the three arts of music, poetry, and dance.展开更多
African artists demonstrate social commitment and sensibility in various ways as they create works that both sensitise and conscientise people in their milieu. Although ecocriticism itself is a relatively new theory, ...African artists demonstrate social commitment and sensibility in various ways as they create works that both sensitise and conscientise people in their milieu. Although ecocriticism itself is a relatively new theory, African artists have been preoccupied with issues bothering around environment in order to protect and preserve it. ljala genre has been studied by different scholars such as Babalola S. A. （1966）, Olukoju E. O. （1978） and Alagbe ＇Sayo （2007） from diverse perspectives; however, its ecocritical relevance has not been investigated. It is in view of the foregoing that this paper carries out an ecocritical reading of ljala chant： an example of Ogundare Foyanmu＇s selected ljala chant. The paper aims at establishing environmental consciousness in the work of this oral artist. It is observed that though ecocritical theory itself is new in African literature, African artists have shown commitment towards environmental protection in their works from time immemorial. Foyanmu conscientises the people to desist from sneeringly underrating the effect of water hazard. The paper, therefore, has no doubt, established that the subject ofljala genre is not in any way limited to hunting or hunters＇ life. It is also used to address other relevant socio-political and economic issues展开更多
文摘哈尔滨市地处黑龙江省西南部,因其地理位置和语言历史,大部分人专注于研究外来词而忽略了其古代汉语的残留痕迹。本文用哈尔滨方言中的口语15例与古代汉语进行比较例释,对于研究哈尔滨方言特殊词,保留方言文化具有积极意义,同时会将古代汉语在方言中的流变现象做出阐释,为文字学、语言学提供有价值的语料。Harbin is located in the southwest of Heilongjiang. Because of its geographical location and language history, most people focus on studying loanwords and neglecting the remnants of ancient Chinese. This paper makes a comparative study of 15 spoken words in Harbin dialect and Ancient Chinese, which is of positive significance to the study of special words in Harbin dialect and the preservation of dialect culture, at the same time, it will explain the evolution of ancient Chinese in dialects and provide valuable language materials for philology and linguistics.
文摘The purpose of this paper is to analyze the reception of Wagner＇s approaches to Greek antiquity by Greek musicologists and composers which took place at the first half of the 20th century. Wagner＇s such readings were parts of wider narrations of archeology and how Greeks perceived their past.This research is largely based on primary sources of that time; its arguments construct two levels of critique： （1） Admiration （the ＇proper＇ aesthetic examples are German models, as exemplified in Wagner＇s work）; and （2） ＂Hellenism＂ as a means to distancing from Wagner （The past of ancient Greece is still believed to be better understood by the Greeks）. The principal conclusions are： （1） Wagner＇s views were admired because Wagner＇s example （ancient culture） should also be an example for Greek composers; and （2） Wagner＇s views were judged on the grounds of： Ideology： the expression of the ＂soul＂; the theory of ＂historic continuity＂; the balance between music, poetry, and dance; Wagner gave superiority to music, modem Greeks （should） give a predominant role to language as a means of expression in an ancient drama, or achieve a balance among the three arts of music, poetry, and dance.
文摘African artists demonstrate social commitment and sensibility in various ways as they create works that both sensitise and conscientise people in their milieu. Although ecocriticism itself is a relatively new theory, African artists have been preoccupied with issues bothering around environment in order to protect and preserve it. ljala genre has been studied by different scholars such as Babalola S. A. （1966）, Olukoju E. O. （1978） and Alagbe ＇Sayo （2007） from diverse perspectives; however, its ecocritical relevance has not been investigated. It is in view of the foregoing that this paper carries out an ecocritical reading of ljala chant： an example of Ogundare Foyanmu＇s selected ljala chant. The paper aims at establishing environmental consciousness in the work of this oral artist. It is observed that though ecocritical theory itself is new in African literature, African artists have shown commitment towards environmental protection in their works from time immemorial. Foyanmu conscientises the people to desist from sneeringly underrating the effect of water hazard. The paper, therefore, has no doubt, established that the subject ofljala genre is not in any way limited to hunting or hunters＇ life. It is also used to address other relevant socio-political and economic issues
