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摄影创作的表现意识
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作者 刘扉 《作家》 北大核心 2008年第18期249-249,共1页
摄影的表现意识是观念实现的艺术空间。摄影的表现意识是认识和感受走进作品的重要途径。对客观生活的观察体验,继承优秀的文化艺术传统并认识理解视觉思维规律的特点。在摄影艺术创作的理论与实践相辅相成的影像效果的创作表现能力中,... 摄影的表现意识是观念实现的艺术空间。摄影的表现意识是认识和感受走进作品的重要途径。对客观生活的观察体验,继承优秀的文化艺术传统并认识理解视觉思维规律的特点。在摄影艺术创作的理论与实践相辅相成的影像效果的创作表现能力中,摄影创作的表现意识的培养和形象思维的质的研究,掌握"视而有见,见而有物,物而有形,形而有魂"大理念,为艺术理论的创作过程过渡打下坚实的理论基础。 展开更多
关键词 创作的表现意识 细节 摄意识
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The Decisive Moment as an Event in Photographic Discourse
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作者 Leny Pimenta Dionéia M. Monte-Serrat 《Sino-US English Teaching》 2015年第12期984-991,共8页
We propose using the concept of decisive moment in order to deconstruct the obvious ideological effects found in discourse. The subject is constituted in enunciation, and its polysemic discourse clashes with the trans... We propose using the concept of decisive moment in order to deconstruct the obvious ideological effects found in discourse. The subject is constituted in enunciation, and its polysemic discourse clashes with the transparency of meaning. According to Pêcheux (1988), the contradictions in discourse simultaneously establish regularity and instability of meanings, leading it to misunderstanding, to the event. Photography destabilizes that which is already formulated and brings out that which is new, the unexpected meaning, the decisive moment. We analyze this process in the picture by Sebastiao Salgado---"The cradle of inequality lies in the inequality of the cradle". (CAPES-BEX 4394/10-0, FAPESP 09/54417-4, CNPq.) 展开更多
关键词 DISCOURSE IDEOLOGY SUBJECT EVENT decisive moment
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