The Proximity between the central business district and the settlement has led to many changes in the local Bantik community. These include changes in the function of settlements, population size, location of residenc...The Proximity between the central business district and the settlement has led to many changes in the local Bantik community. These include changes in the function of settlements, population size, location of residence, and the movement of local culture. This study aims to examine the spatial changes that occur in local neighborhoods with a focus on the Bantik tribal community in Malalayang. Data were obtained from a series of field observations, questionnaires and structured interviews. This study conducted a series of analyses on spatial patterns, sociocultural factors and urban policy. The results show that the dynamic changes are natural and hard to avoid, since they are related to the community＇s needs and development of the city. In order to face the changes, adjustments in the values of the local community towards the settlement terms and conditions are necessary. In addition, an increase in internal resources for those local communities is needed.展开更多
The Tempest （1623） provides an acknowledged major context for Milton＇s Masque （1634）. Though few has seen The Tempest as significant to Paradise Regained （1671）, Milton＇s brief epic extensively shares in this ...The Tempest （1623） provides an acknowledged major context for Milton＇s Masque （1634）. Though few has seen The Tempest as significant to Paradise Regained （1671）, Milton＇s brief epic extensively shares in this intertextuality Arguing this, the author will focus on how the poem engages with his reformist masque＇s interrogation of Prospero＇s cultural authority, especially as an author figure. Where Paradise Regained does not parallel this critique, it extends it. This, the author will conclude, indicates Milton＇s strong sense that many of his hopes for the function of literature had been realized rather than disrupted during the Restoration. If his poem does not explicitly comment on Restoration politics, it is because Milton＇s primary political-cultural argument has been achieved. Milton＇s emphatically contemporary public voice enacts the argument of his poem, advancing God＇s renovation of the human race, a renovation that predetermines a nation＇s politics. Instead of suffering from the cultural alienation that is often assigned to the Restoration, Milton, the poet, was more unsettled by the dangers of his art being subverted by those who, as Satan attempts with Jesus＇ work in the brief epic, participate and even sponsor, its success展开更多
文摘The Proximity between the central business district and the settlement has led to many changes in the local Bantik community. These include changes in the function of settlements, population size, location of residence, and the movement of local culture. This study aims to examine the spatial changes that occur in local neighborhoods with a focus on the Bantik tribal community in Malalayang. Data were obtained from a series of field observations, questionnaires and structured interviews. This study conducted a series of analyses on spatial patterns, sociocultural factors and urban policy. The results show that the dynamic changes are natural and hard to avoid, since they are related to the community＇s needs and development of the city. In order to face the changes, adjustments in the values of the local community towards the settlement terms and conditions are necessary. In addition, an increase in internal resources for those local communities is needed.
文摘The Tempest （1623） provides an acknowledged major context for Milton＇s Masque （1634）. Though few has seen The Tempest as significant to Paradise Regained （1671）, Milton＇s brief epic extensively shares in this intertextuality Arguing this, the author will focus on how the poem engages with his reformist masque＇s interrogation of Prospero＇s cultural authority, especially as an author figure. Where Paradise Regained does not parallel this critique, it extends it. This, the author will conclude, indicates Milton＇s strong sense that many of his hopes for the function of literature had been realized rather than disrupted during the Restoration. If his poem does not explicitly comment on Restoration politics, it is because Milton＇s primary political-cultural argument has been achieved. Milton＇s emphatically contemporary public voice enacts the argument of his poem, advancing God＇s renovation of the human race, a renovation that predetermines a nation＇s politics. Instead of suffering from the cultural alienation that is often assigned to the Restoration, Milton, the poet, was more unsettled by the dangers of his art being subverted by those who, as Satan attempts with Jesus＇ work in the brief epic, participate and even sponsor, its success
