从《诗经·郑风·羔裘》看中国古代文人的礼仪修养

《诗经·郑风·羔裘》塑造了典型的中国古代文人形象,既具有文学意义,也对当前国家的科教兴国战略与人才选拔观提供了重要依据。以郑风淫与文人礼仪修养、外美与内美两方面的重要性为出发点,探讨育人环境以及品德的重要作用。同时,诗(礼)教传统与古希伯来文化的律法观念、古代文人概念与希伯来先知的概念都将设置在轴心时代这一坐标系上进行比较、参照,以便彰显出华夏古老文明的世界性意义与价值。

From Zi Wei （滋味） to Qi Yun（氣韵）, and Yi Jing （意境）： Rethinking of Chinese Traditional Artistic Category System

The Chinese traditional aesthetic culture not only pay attention to the overall sense of He Xie （Harmony, 和谐）, and pay attention to a kind of artistic conception as Zi Wei （滋味）, Qi Yun （氣韵）, and YiJing （意境） as well. Mr. JI Xian-lin had tried to start from Zi Wei （滋味）, a new comprehension to open a new understanding on Chinese aesthetics. Hence, we embark from the Chinese aesthetic culture and its basic spirit, the humanistic connotation of Zi Wei （滋味）, which sounds with the basis, put forward it into a Music-Dance Spirit （乐舞精神） in Chinese art through this unique view, has made a new thinking to the Chinese traditional aesthetic artistic category system.

The Problem of Text and ＂Personality Context＂： Intercultural Approach （Oriental Dimension）

One of the central problems of society and a civilization was always the ratio of personality and common culture. One of these aspects is a hermeneutic problem of understanding and interpretation of the text, or as one of options, --a ratio of the text and a personal context. There are both generality and distinctions in approaches of various cultures to this problem. There are many parallels that can be drawn between the directions and results of the investigation of the European and Buddhist hermeneutic traditions. The European hermeneutics on the whole is known to be based on the presumption of the unique personal authorship of a text, a multitude of historical viewpoints and meanings. Thus, the problem of understanding and interpretation acts as a problem of combining differences. The mechanism of conveying the cultural traditions under such conditions inevitably turns into a mechanism of interpreting the message conveying a definite cultural meaning. Modifying the meaning of any message is supposed to be dictated by the very fact of the temporal distance between the moments of creating and reading the text. In a number of oriental cultures, we face a somewhat different understanding of the problems of authorship, communication, ontology, and existence and on the whole, with a different understanding of the very problem of understanding. Just like we admit that it is necessary to preserve all existing natural landscapes, in the cultural life, we must consider every existing culture and their bearers--ethnic groups self-valuable and necessary.

Research on the Literary Reading and Teaching Form under the Perspective of Medical Humanities Permeation

In this paper, we conduct research on the literary reading and teaching form under the perspective of medical humanitiespermeation. The complex of human nature is that it not only has natural property, including social and general spiritual attribute. Therefore,medical humanities connotation fi rstly embodies in the fear of life, love life and maintains the inherent in the human life and health. Literaryclassics is naturally formed in the process of human civilization and social development, it is carrying the human understanding of nature andsociety in history. This paper integrates the principles of the related issues to propose the new idea of the issue that will be the core meaning ofthe research.

Cultural Connotation of Landscape Plants and Its Expression in Landscape Design

This paper analyzes and summarizes the historical humanity significance of plants of personality, culture and auspicious symbol reflected in gardens and the expression methods of landscape plants in modern landscape design, which provides more connotation culture support for the application of landscape design.

民族精神的一种范式:金石精神——篆刻艺术意识形态论

金石成为篆刻的别称或雅称,尔后在发展历程中又由审美演变及理念进化为一种金石精神。即内蕴着无坚不摧、坚韧不拔、砥砺意志的指向,最著名的就是《苟子·劝学》中的“锲而不舍,金石可缕。”金石与刀构成了天人合一、物我相应,打造了中国特有的民族精神的一种范式:金石精神。金石精神所体现的执着与理智、坚韧与高蹈,正是篆刻艺术意识形态中人的知识、信仰与思想的代偿与互补。