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文人风格青花山水瓷画技法与审美特色研究
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作者 胡涛 《景德镇陶瓷》 2024年第3期123-125,共3页
文人风格青花山水瓷画指的是具有文人审美风格的青花山水瓷画,文人风格青花山水瓷画从晚明发展至今,形成了鲜明的特色。文人风格青花山水瓷画在技法上主要采取分水技法、写意技法、泼彩技法,各具特色,在审美上具有虚实相间的构图、清新... 文人风格青花山水瓷画指的是具有文人审美风格的青花山水瓷画,文人风格青花山水瓷画从晚明发展至今,形成了鲜明的特色。文人风格青花山水瓷画在技法上主要采取分水技法、写意技法、泼彩技法,各具特色,在审美上具有虚实相间的构图、清新幽静的色彩、淡泊超脱的境界等鲜明特色。 展开更多
关键词 青花山水瓷画 文人风格 技法 审美
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论文人风格对明代漆器的影响
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作者 何泳坚 《美术教育研究》 2023年第8期46-48,共3页
明代的漆器品类繁多,应用范围广。这一时期按漆器的发展特点可分为三个阶段:早期、中期和晚期。该文分析三个时期的文人审美意趣对漆器制作风格和题材样式的影响。
关键词 明代 漆器 文人风格
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唐代长沙窑瓷绘艺术中的文人风格
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作者 易中华 《大舞台》 北大核心 2013年第8期90-91,共2页
唐代长沙窑独创的釉下彩瓷绘艺术集诗、书、画为一体,题材分为山水、花鸟、虫草、诗歌等,充分反映出了文人的风格。本文从文人参入长沙窑瓷绘的时代背景入手,从文人审美、文人书法功力、文人追求、文人思想等几个方面对唐代长沙窑瓷绘... 唐代长沙窑独创的釉下彩瓷绘艺术集诗、书、画为一体,题材分为山水、花鸟、虫草、诗歌等,充分反映出了文人的风格。本文从文人参入长沙窑瓷绘的时代背景入手,从文人审美、文人书法功力、文人追求、文人思想等几个方面对唐代长沙窑瓷绘艺术中的人文风格进行了分析,以期更多的人认识到它的艺术价值。 展开更多
关键词 长沙窑 瓷绘艺术 文人风格
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论郭熙画学思想中文人画风格的趋向
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作者 刘伟 《电影评介》 2009年第15期76-77,共2页
中国山水画发展至北宋中期已然达至顶峰,对于自然近乎纯客观的表述已然不是画家自身对心灵世界的唯一需求,因为向内心的探问与表述更成为象郭熙这样的画家在面对自然与自我的双重观照下所必须解决的课题。而此一变化更意味深长地对应了... 中国山水画发展至北宋中期已然达至顶峰,对于自然近乎纯客观的表述已然不是画家自身对心灵世界的唯一需求,因为向内心的探问与表述更成为象郭熙这样的画家在面对自然与自我的双重观照下所必须解决的课题。而此一变化更意味深长地对应了北宋文人对于绘画主体性的极力推崇与弘扬,遂使山水画的发展在文人画风格的方向上迈开了实质性的一步。 展开更多
关键词 郭熙 画学思想 文人风格
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Relations Between Intangible and Tangible Culture on Example of Casimir Historical Jewish District in Cracow
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作者 T. E. Malec 《History Research》 2015年第2期109-115,共7页
In Jewish City in Casimir--historical district of Cracow, Jewish culture manifested its original architectural style based mostly on specific detail. Perception of this type of architectural detail depends, basically,... In Jewish City in Casimir--historical district of Cracow, Jewish culture manifested its original architectural style based mostly on specific detail. Perception of this type of architectural detail depends, basically, on knowledge of the Jewish culture. Proper understanding of meaning of the Jewish architectural detail depends on complex relations between Jewish tangible and intangible culture. Nowadays, it is especially important, according to relatively fast revitalization of the district. All renovation works require specific approach taking into account differences based on cultural diversity. Moreover, the understanding of the Jewish architectural detail is strictly connected with both history of Jews and Poles. One thousand years of cohabitation allowed to understand the economical and, partially, social differences, but not cultural at whole. The main aim of the article is to present chosen cultural and non-cultural factors, affecting the perception of the Jewish architectural detail in Casimir. 展开更多
关键词 architectural detail Jewish architecture CULTURE CASIMIR
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Seoul Food Culture Viewed from High-Class Korean-Styled Restaurants and Korean Female Entertainers in the 1930s
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作者 Kim Bok-Rae 《Journal of Food Science and Engineering》 2014年第6期301-310,共10页
Since Korea-Japan annexation in 1910, Japan has promoted the migration and/or tourism into colonial Chosun (old Korea) as an efficient cultural strategy for extending imperialism into Korean peninsula. In many tour ... Since Korea-Japan annexation in 1910, Japan has promoted the migration and/or tourism into colonial Chosun (old Korea) as an efficient cultural strategy for extending imperialism into Korean peninsula. In many tour guide books, the gisaeng (Korean female entertainers) was not only a symbol of Chosun tradition, but a main icon of Chosun tourism. The high class Korean-styled restaurants (yorijoem) were established as tourist attraction for Japanese inlanders, with singing and dancing gisaengs, ondol (Korean heating floor) house and Korean authentic cuisine, etc. The aim of this paper is firstly to explore the existential change of gisaengs in the yorijoem through its spatial significance in the 1930s, and secondly to explore the identity of Seoul local food culture and its metamorphosis under the colonial modernity. 展开更多
关键词 Gisaeng yorijoem gisaeng tourism Seoul food culture colonial modernity.
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Drawing Essence from Ancient to Nourishing the New A Study of REN Ping's Calligraphic Art
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作者 YING Yi-wen 《Journal of Literature and Art Studies》 2015年第1期22-29,共8页
This paper expresses REN Ping's views on calligraphic arts and classical Chinese literature. Calligraphy and literature could not only express ideas, sentiments, and aesthetic charm, but also create harmony in relati... This paper expresses REN Ping's views on calligraphic arts and classical Chinese literature. Calligraphy and literature could not only express ideas, sentiments, and aesthetic charm, but also create harmony in relationships. The study focuses on his calligraphic styles such as Cursive Calligraphy (草书), Regular Script (楷书), Seal Script (篆书), running style (行书) and so on. His calligraphic art creation lends a unique classical style to the Chinese movie, and shows a board and wide beauty of nature for pavilion ofZONG XIU in Hangzhou, which draws essence from ancient to nourishing the new. It is widely accepted that REN Ping's accomplishment results from, his accumulation of Chinese traditional culture, his rich knowledge in occidental philosophy and art, his outstanding artistic talents, and from his generosity, forthrightness, and sincerity, and his all-embracing humanistic feelings. 展开更多
关键词 zalligraphic art REN Ping lines stroke techniques classical Chinese literature artistic creation
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Application of Clothing Ergonomics in Clothing Design
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作者 Yue Min 《International Journal of Technology Management》 2013年第6期59-60,共2页
With the continuous development of society and culture,clothing is not just to make people feel warn. Production, design, and continuous innovation of appare aim to make clothing serve people better, satisfy the deman... With the continuous development of society and culture,clothing is not just to make people feel warn. Production, design, and continuous innovation of appare aim to make clothing serve people better, satisfy the demand of more people, and let people feel more comfortable, safer, more hygienic and more convenient. People would have more scientific and effective way in dominating his own clothing style, making clothes serving for people. 展开更多
关键词 fashion design human ergonomics PEOPLE-ORIENTED SAFE comfortable conform to
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由《盛世滋生图》看乾隆时期宫廷绘画的风格来源
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作者 郭肖汝 《艺术教育》 2019年第6期131-132,共2页
《盛世滋生图》可以说是非常典型的乾隆时期的宫廷叙事长卷风格绘画的代表作,也从侧面反映了乾隆的个人审美。《盛世滋生图》为传统的叙事性、西洋画、文人画三种绘画风格的和谐统一,文章以此为例,分析乾隆时期的宫廷绘画风格。
关键词 宫廷绘画 《盛世滋生图》 叙事性风格 西洋画风格 文人风格
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戏綵之娱——綵衣堂装饰艺术与江南民间文化 被引量:2
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作者 李立新 《民族艺术》 CSSCI 北大核心 2007年第1期55-60,75,共7页
本文通过对“綵衣堂”及相关史料的考察探究,认为在綵衣堂装饰中隐藏着江南文人生活风格与民间文化之间的互动关系。由于十六世纪社会风尚的变化,文人精英的雅文化已发展至自觉的体系,而市民大众的俗文化也有蓬勃的展现,二者之间的“随... 本文通过对“綵衣堂”及相关史料的考察探究,认为在綵衣堂装饰中隐藏着江南文人生活风格与民间文化之间的互动关系。由于十六世纪社会风尚的变化,文人精英的雅文化已发展至自觉的体系,而市民大众的俗文化也有蓬勃的展现,二者之间的“随俗”、“附雅”引发出一轮“互动”,使得綵衣堂彩画、雕刻成为十六世纪江南民间建筑装饰艺术的突出现象,同时也意味着装饰艺术在图象上由承继而形成新风格的结果。 展开更多
关键词 綵衣堂 装饰艺术 文人风格 民间文化 互动
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超凡脱俗的作品——赏冯修德先生的松树盆景
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作者 陈洪奎 《中国花卉盆景》 2004年第7期48-48,共1页
《中国花卉盆景》杂志2004年4期57页所刊登的冯修德先生的松树盆景作品,可谓超凡脱俗,令人叹为观止!文人树风格的盆景作品,在中外盆景界并非罕见,然而有哪几件达到了如此出神入化的程度?简洁是文人树的首要特点。在这方面冯先生的作品... 《中国花卉盆景》杂志2004年4期57页所刊登的冯修德先生的松树盆景作品,可谓超凡脱俗,令人叹为观止!文人树风格的盆景作品,在中外盆景界并非罕见,然而有哪几件达到了如此出神入化的程度?简洁是文人树的首要特点。在这方面冯先生的作品似乎达到了极致。树干细长,无任何赘生结构,树冠仅由三条主枝组成,分枝少而精,真正达到了添一枝则多,缺一枝则少的境地。文人树讲究潇洒与有力的神韵。但现时中某些作品却柔性有余,刚性不足,弱不禁风。冯先生的作品是个超越,不仅风流倜傥,并且刚劲有力,气势磅礴,神采飞扬。树干瘦硬,风骨凛然。 展开更多
关键词 冯修德 松树盆景 作品赏析 文人风格 简洁
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