论毛泽东的“文化——意识形态”观

“文化”话语是毛泽东意识形态表述的平台。毛泽东的“文化——意识形态”观不仅表达了“文化革命”的思想,而且也为文化意识形态工作提供了方针策略指导。强调“文化——意识形态”的阶级性、斗争性是毛泽东意识形态信念的特征,这种强调对中国革命是必需的,但其在社会主义时期的延续,也给我们的建设事业带来了惨重损失。在新时期,重新审视反思毛泽东的“文化——意识形态”理论对于意识形态建设工作有着重要意义。

电视的意识形态影响力──布热津斯基媒体观述评

电视的意识形态影响力──布热津斯基媒体观述评闵惠泉今天，对世界的大多数人—特别是年轻人来说，电视是接触社会和接受教育的最重要的工具。在这方面，它正迅速地替代历来由家庭、教会和学校所起的作用。—布热津斯基一个信息化、开放化的时代，必然是一个充分交流的时...

Discourse System and Intercultural Communication

Discourse is the language in use. Discourse system is about the study of whole systems of communication. This article tries to analyze the influences of discourse system on intercultural communication from the points of ideology, socialization, forms of discourse, face systems and context. Studying intercultural communication from the point of discourse system is an innovative and effective research method, which helps to enhance the participants＇ cultural sensitivity and makes the communication continue.

Chinese-to-English Translation of Publicity on Chinese Minority Culture： Discourse Ideology and Translation Strategies

Discourse ideology refers to the position, attitude and guideline employed by a writer or speaker constructing a discourse in relation to the readers/hearers. This paper defines the notion of discourse ideology in the practice of translation, highlights the relationship between discourse ideology and the translator＇s subjectivity, and illustrates the translation strategies appropriate to the context of publicity of Chinese minority culture to the readers outside China. A tentative conclusion is drawn that the top-down approach from discourse ideology to translation strategies and the bottom-up approach from translation strategies to discourse ideology complement with each other in the Chinese-to-English translation of publicity on Chinese minority culture.

Hyper-real Narratives： The Emergence of Contemporary Film Subgenres

The scope of this paper is to investigate a number of emerging contemporary popular subgenres, namely that of ＂mumblecore film＂, the ＂best-worst film＂ and ＂the gonzo documentary＂. Unlike historical cinematic movements, these subgenres are the result of our techocentric culture and commercialism. In this respect these subgenres are less motivated by a collective ideology, but rather a cultural phenomenon resulting from increased access to popular culture, hypermedia devices, social media, and new marketing techniques. This paper investigates the displacement of traditional models of temporality through the metamorphosis of today＇s audiovisual culture, outlining the subject＇s embodiment of voyeurism and exhibitionism, ushering in a hyper-real era of self-myth making and consumption.

Contemporary Youth Subcultures： The CDA Approach

In recent years, the cultural studies began to take a linguistic turn. This paper employed the three-dimensioned model of Fairclough, a critical discourse analysis （CDA） approach to explore youth subcultures. The cultural discourse of youth in different periods was examined in terms of discursive strategies, discursive practices, and social practices. The analysis shows that the subcultural groups adopt various discursive strategies to resist mainstream ideologies and construct the subcultural ideology and their collective identity. Meanwhile, their discursive practices build effective interaction mode within the subcultural groups. The examples of subcultures reveal that subcultures often emerge in the time of the social and cultural change and reshape the mainstream ideologies and unreasonable social structure.

Intercultural miscommunication： Causes and factors from ideological perspective

The causes and factors from ideological perspectives in intercultural miscommunication are discussed. Intercultural miscommunication can be analyzed from four aspects which are ways of thinking, value system, belief and attitude, and language usage and habits.

Resisting the Violences of ＂Market Normalisation＂： The Importance of Critical Pedagogies for Critical Criminology

The neo-liberal re-positioning of the educational-explorative realm to a vocational market-confinement has already impacted quite heavily on the educational sector in England and Wales and is now being imposed on a European wide scale. However, global as well as European students＇ protests illustrate that resistance to this ideology is gathering pace, and not only involves students and academics but also reaches wider parts of societies. This paper seeks to demonstrate the need for critical pedagogical practices that seek to sensitise students to the modes of current ＂conditions of domination＂. It further suggests critical criminologists to foster and engage in a process of public, intellectual, and intercultural exchange of ideas about education and educational institutions away from merely rationalistic, one-dimensional and profit-orientated ambitions toward a multitude of exchanges about meanings and purposes of such important socio-cultural and political institutions and processes that shape ＂subjectivities＂, inter-subjectivities and thus entire socio-cultural and political spheres. Such processes and active engagements are crucial to the agenda of critical criminologists, and perhaps most importantly, vital to the continued existence of a critical criminology that understands itself as proper ideology critique.

Hidden Side of the Work： Culture War in the Movie Forrest Gump

The current study explores how the ideological struggle is unfolded in the movie Forrest Gump （1994）. Through a critical examination of the text structure of the plot and the language used by four main characters, it demonstrates that conservatism has gained great victory over liberalism in the following way： Those with conservative values are highlighted repeatedly in a favorable way, while those who preach liberal values are frequently associated with tragic events, and ultimately, the latter all converted into conservatives in one way or another, which indicates a reconciliation between the two opposing ideologies. This study might shed light on how visual media can be geared towards political justifications, and bring audience to the level of conscious awareness of that effect

Study on Methodology of Culture Teaching

Culture teaching has to be carried out systematically and specifically. It can not only depend on the teacher＇s occasional input knowledge concerning cultures but demand fundamental changes in educational structures, philosophies and methoclologies. This paper attempts to build up a conceptual framework guiding the practice of culture-oriented English teaching. The literature review includes three main aspects： aim for strengthening awareness of culture teaching; methodology of culture teaching; culture teaching techniques. The paper also points out that only by combination of language teaching and culture teaching can students reach the purpose of enhancing the intercultural communicative competency.

Empresses and Buddhism in Japan in VI-VIII cc

The basic problem of given paper is a role of women-empresses in the process of spreading Buddhism in Japan during VI-VIII cc. There are many evidences that during the process of spreading Buddhism in the Far East and South-East Asia, the principles of Buddhist doctrine became a part of the state ideology in many cases due to the patronage of the powerful laywomen. In Japan, thanks to the activity of empresses Suiko （597-628）, Jito （645-703） and Koken （718-770）. Buddhism could integrate into the system of traditional religion Shinto, developing further into Shinto-Buddhist syncretism. During the reign of Suiko about a hundred of the Buddhists, temples have been constructed through all the country and a system of religious bureaucracy ＂Sogo＂ was founded. Empress Jito took part in religious reforms during the second half of VII century and sent Buddhist missionaries to the local aborigines haya to and emishi. Empress Koken after the death of her father-emperor Shomu continued his policy to constructing the state ideology on the basis of Buddhism and was the first ruler in the history of early-medieval Japan, who permitted Buddhists to take part in the Shinto ceremonies. Therefore, the study of the role of empresses in spreading of Buddhism in Japan is important for understanding the history of religious and cultural traditions in Japan.

Attempting Discussion of Mythological Concepts＇ Determinism

Current sciences fail in understanding the future trends of human beings＇ behaviors and cultures. From the hunting tribes to the agricultural society, the civilized country, and then to the industrial society, none of these developments is the results of human beings＇ reasonable proposal. The human beings are ＂developed＂, i.e. pushed forward by certain invisible forces. As being cultural, they are dominated by their cultural concepts. To explore the source of every civilization＇s concepts, the formation history of its mythological concepts during the pre-historic period or at the beginning of its civilization shall be studied first. By interpreting the first literature works at the beginning of western civilization, the temporary mythologists reveal the rule that mythological concepts dominate the ritual behaviors and narrative expressions. This paper interprets the historical narratives in Records of the Grand Historian.＂ Annals of the First Emperor of Qin, to reproduce the concepts that dominate China＇s national rulers, present the theory of Mythological Concepts＇ Determinism, and correspond to the counter-force of ideology put forward by Friedrich Engels in his later years and the religious concepts＇ determinism by Max Weber, so as to illustrate the mythological concepts＇ function as the prototype code of ideology, and refer to a common and effective directory approach of social science studies.

Architecture, Faith and Culture Antagonism or Harmony？

The relationship between architecture and faith has always been of great wealth. Faith as a way of life and social memory exercises a decisive influence on the shape of the construction environment. Yet this relationship is rarely analyzed. On a general level, one reason for this deficiency is probably due to the spread of the ideology of modernity. Given that modernity is implicitly secular, it does not prompt to understand faith in its relationship with other phenomena. It is the same for architecture. We believe on the contrary that the construction environment and the cultural aspect must interact and complement each other. When this is not true or only partially true, this results in user dissatisfaction, and refusal to engage and participate in the process of changing that environment. Many authors have tried to show explicitly the influence of Islamic thought on the social organization and the housing as well as the link between housing and identity, but its implications have not always been understood and transmitted concretely. One thing is certain： the ideological -symbolic-metaphoric sphere is the essence of architecture, as are the program requirements： functionality, distributivity, health of the environment and technology of construction. In this contribution we will address the thorny issue of cultural and religious influences on the choice of the morphology of the habitat and its components, and we will try to highlight the interaction between architecture, faith and culture through analysis of a Mediterranean type ＂House with Patio＂ as a particular architectural style, which has been enriched through the centuries by different cultures. Although the course of this typology in each of these cultures and at different times has not been the same, this has only strengthened the mission and spirit of the ＂Patio＂ until the appropriation of this model by the Arab-Muslim peoples who were able to incorporate the Islamic perception in this space.

Inarticulateness, Power and Ethnic identity On Jorge Luis Borges＇ The Gospel According to Mark

This paper attempts to focus on Jorge Luis Borges’ short story The Gospel according To Mark. Borges, an Argentina short storywriter and translator, whose motherland is under long-term western colonization, identifi es himself unconsciously with the western culture. Hisworks mostly touch upon the themes of religion and philosophy. Along with post-colonialism theory’s springing up, critics began to analyze hisworks from the post-colonial perspective. The author thinks that this short story with religious implication parallels to the cultural invasion in theperiod of colonization, from powerful culture to weaker one. The author, thus, aims to use Michael Foucault’s viewpoints concerning power andknowledge to probe into the western cultural hegemony and ideological invasion refl ected in this story. Besides, the loss and construction of theethnic identity of the colonized will be discussed in details.

Ideology and Poetics in the Estonian Translations of Nikolai Leskov

This paper brings up the issue of a systemic study of the translation of Russian classics into Estonian during the Soviet period. These translations are often considered to be only the result of the ＂Sovietization＂ of Estonian culture, but such approach is a simplification. Estonian translations of the Russian classics in the Soviet period, undoubtedly, depended on ideological conditions, but, it is argued here, were to a great extent determined by the mechanisms of cultural self-regulation and displayed continuity with translation strategies that had been established before the occupation, in the 1920s-1930s. In the independent Estonian Republic, a remarkable tradition of the translations of Russian classics existed thanks to the activity of A. H. Tammsaare, F. Tuglas, A. Oras, H. Talvik, B. Alver et al. Estonian translators devoted the particular attention to the text＇s audience--the Estonian readers. The paper explains why in the mid 19S0s Leskov, an ambivalent and diffficult-to-translate writer, was chosen by O. Samma and F. Kylli for the first presentation to the Estonian readers.

Political Satire in the Chinese Blogosphere： The Case of Wang Xiaofeng

This paper is built on the study of one key blog-Wang Xiaofeng＇s No Guess （2006-2011） to explore how a Chinese intellectual uses his satirical skills in the blogosphere, how his blog reshapes the form of political culture, and how the blogosphere through such interventions proceeds in the development of political communications in China. Two key issues are addressed in the paper. Firstly, drawing on the concept of ＂blogging culture＂, the author argues that blogging has potentially reconfigured political information around people＇s everyday lives, offering alternative modes of ＂public talk＂. The case of Wang Xiaofeng shows that satire can be used to make fun of the state, policies, and established ideologies, improving a previously restricted communicative environment toward more open. Secondly, the rise in the value placed on individualism in China, and the rise of peer-to-peer media mean that bloggers who pursue self-expression simultaneously through such self-expression. In other words, Wang Xiaofeng＇s No Guess blog demonstrates that individual opinions across the blogosphere have implicitly challenged political discourse; however, they always have to struggle with an ongoing censorship, negotiate an unstable discursive space and thus, can only enjoy a limited success.

Subversive Abjection and Sublimity in Jeanette Winterson＇s Representation of the Fantastic A Study of The Passion and Sexing the Cherry

Looking at the last decades of the 19th and 20th century from our vantage point encourages parallels to be drawn between the two periods： in fact, both are affected by a process of cultural fragmentation, social, and epistemological transformations and crises that permeate the whole civil society. In the specific field of English literature, the genre of the fantastic is undoubtedly a common presence. In Fantasy： The Literature of Subversion, Jackson （1981） noted the re-emergence of the fantastic as a transgressive force at moments of cultural stress and repression. Waugh （1995） held a similar view in The Harvest of the Sixties. At the end of the 20th century, in its postmodernist shape, fantastic literature becomes one of the favourite genres of a number of feminist writers, and among them, Jeanette Winterson transforms it into a truly transgressive genre. This paper examines Winterson＇s The Passion （1996） and Sexing the Cherry （1990） in the light of Jackson＇s theory of the fantastic, as a narrative that establishes an oppositional dialogic relationship with the ＂real＂, to interrogate it and collapse the traditional distinction between the normative and the ＂other＂. In The Passion, the real is signified by the dominant ideological discourse, exemplified by Napoleon; the fantastic by Villanelle＇s webbed feet and her ability to walk on water. In Sexing the Cherry, the real is represented by the Puritans with their bigoted and hypocritical morality; the fantastic by the huge Dog-Woman and her foundling son, Jordan. Besides, in both novels, the female body is metamorphosed to challenge the view of a ＂normal＂, acceptable femininity; what emerges is a monstrous and sublime body that collapses distinctions between gender boundaries. In Sexing the Cherry （1990）, Winterson created the grotesque, gigantic body of the Dog-Woman, a figure of Kristevan ＂abjection＂. In The Passion （1996）, she gave life to the hybrid body of Villanelle, an oxymoronic combination of the terrible beautiful. The conclusion of the paper argues that Winterson deploys the fantastic to deconstruct the gendered subject of the dominant signifying order and create a dislocated world outside commercial culture, where new voices can be heard, speaking for unheard, neglected groups, particularly women.

A Study on Representations of Youth in Chinese （Mainland） Youth Cinema

This study＇s objective is to thoroughly analyze representations of teenage sexuality portrayed in two Chinese youths＇ films, which represent social, cultural, and historical diversities in China's Mainland, as well, to unfold some particular natures and trends of Chinese youth cinema in the context of globalization and internationalization. Content analysis and methodology of narrative explore the ideological nature of representations of youth as well as the interpretation of trends in Chinese youth cinema. This study argues the particular manners of representations of Chinese youth in the youths＇ films produced in China's Mainland, through distinct elements such as film properties, film discourse, and acting on set It will explain how functional and social category diversity, cultural diversity, and historical diversity derive the actuality in Chinese communities, and center on a series of sex-based issues that revel correlations between Chinese youths＇ ideology, psychology, and social construction. Including a discussion of technical factors, it defines the specific natures of Chinese youth cinema in the region based on fixed parameters of culture or ancestry that convey rhetorical messages to discover the characteristics of genre film so that the interpretation of the term ＂peers groups＂ represents the values and beliefs in modern Chinese society, thus presenting the exchange approaches which construct and validate the relationship among society, global film industry, young audience and film content.