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玉林市文化中心项目设计赏析
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作者 刘伟丞 麦华 《建筑与环境》 2009年第4期71-73,共3页
从规划原则、设计理念、总体构思、规划方案等方面介绍了广西玉林市文化中心项目设计,探求文化类建筑设计的新思路。
关键词 文化中心 生态公园 文化乐土
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Melody- Usul - Poetic Prosodic Meter Relations in Ottoman-Turkish Music
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作者 Gozde Colakoglu SARI 《Journal of Literature and Art Studies》 2015年第2期128-140,共13页
Language, literature, customs and traditions, music and art are cultural items that were transmitted from generation to generation throughout history. In this context, literature is an important source of music cultur... Language, literature, customs and traditions, music and art are cultural items that were transmitted from generation to generation throughout history. In this context, literature is an important source of music culture that takes inspiration from the customs and traditions of a society. Prosodic meter is echoed in form, usul and general structure in works composed from the divan literature and almost lives in the work. In the same way, when examples of folk literature composed by composers and performed by poets and a^lks are examined, it is observed that there are parallels between literary features and form, structure and rhythmic features. The aim of this paper is to reveal the integral link between Melody-Usul and Meter in Ottoman Turkish Music 展开更多
关键词 MELODY usul Aruz Prosodic Metters Meek
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Music in Prehistoric Armenia
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作者 Ani Petrosyan Arsen Bobokhyan 《Journal of Literature and Art Studies》 2015年第4期259-265,共7页
Within the syncretic world view of prehistoric people, there was an inseparable link between word, song, and dance Hence it is not easy for the modern researcher to outline the border between these spheres. Using inte... Within the syncretic world view of prehistoric people, there was an inseparable link between word, song, and dance Hence it is not easy for the modern researcher to outline the border between these spheres. Using interdisciplinary methods, present paper touches the case of Armenian monodic music. Through analysis of song types (concerning labour, funeral, wedding, belief, worship, magic, mythology, epic, and dance), music representatives, music performance places, and musical instruments, an attempt is made to consider the phenomenon within certain temporal borders. It turns out that the folk and folk-professional realistic music is simple and static in its essence and includes the invariant component of local culture, going back to the period of formation of early farming communities. Meanwhile with emerging social complexity since the Bronze Age, new and various forms of musical performance come to existence. 展开更多
关键词 early music ethno-historical approach ARMENIA
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