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“秧歌”的渊薮与汉族民间舞的文化体征 被引量:8
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作者 于平 《南京艺术学院学报(音乐与表演版)》 CSSCI 2019年第4期138-150,I0003,共14页
关于"秧歌",一般存在两种概念:一种是广义的,即把汉族年节中的"舞队"统称为"秧歌队",把"舞队"的活动称为"闹秧歌"或"秧歌会"。另一种是狭义的,即专指在民间舞蹈中哪一种是... 关于"秧歌",一般存在两种概念:一种是广义的,即把汉族年节中的"舞队"统称为"秧歌队",把"舞队"的活动称为"闹秧歌"或"秧歌会"。另一种是狭义的,即专指在民间舞蹈中哪一种是"秧歌舞蹈"。对于"秧歌"的探讨,我们首先指向狭义概念的"秧歌舞蹈";进一步,再从形态和表演程式的特征出发对秧歌的特征和属性加以界定。齐鲁文化区块的"秧歌"具有"推、拧、抻"的特征;燕赵文化区块的"秧歌"具有"拉骨抻筋"的特征;晋陕文化区块的"秧歌"具有"走、摆、扭"的特征;关东文化区块的"秧歌"具有"稳中浪"的特征。但无论是哪个文化区块中的秧歌,其主要的表演都是在"跑场"之中。"跑场"的表演主要是"大场"和"小场"两类。秧歌大场的"场图"潜隐着传统文化的"象数结构",而小场的"场趣"则紧贴着日常生活的"喜怒哀乐"。 展开更多
关键词 秧歌 渊薮 汉族民间舞 文化体征
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论安徽蒙城尉迟寺史前遗址聚落文化的审美体征
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作者 张鹏飞 《河南广播电视大学学报》 2009年第3期62-64,共3页
安徽蒙城尉迟寺遗址可谓是我国目前保存最为完整、规模最大的原始社会新石器晚期的聚落遗存,并被誉称为"中国原始第一村"。其间山清水秀、物阜民丰、人杰地灵,它的发现对于探究豫、鲁、苏、皖等省以及相邻地区的史前聚落形态... 安徽蒙城尉迟寺遗址可谓是我国目前保存最为完整、规模最大的原始社会新石器晚期的聚落遗存,并被誉称为"中国原始第一村"。其间山清水秀、物阜民丰、人杰地灵,它的发现对于探究豫、鲁、苏、皖等省以及相邻地区的史前聚落形态及文化面貌皆具有颇高的审美价值。 展开更多
关键词 蒙城尉迟寺 聚落遗址 文化体征 审美价值
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Michel Houellebecq: The Era of Emptiness
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作者 Ruth Amar 《Journalism and Mass Communication》 2016年第3期158-165,共8页
Michel Houellebecq is perhaps the most successful, the most famous and controversial of all current novelists writing in French. He has become a global publishing phenomenon: His books have been translated worldwide,... Michel Houellebecq is perhaps the most successful, the most famous and controversial of all current novelists writing in French. He has become a global publishing phenomenon: His books have been translated worldwide, film adaptations of his novels have been produced, and the author is the subject of a million-euro publishing deals and successive media scandals in France. The novels depict surprising forms of imaginary resources, a radiating end of the world, a post-nuclear anxiety, and depressive characters. Houellebecq shocks us leaving us in a world where the feelings of love, tenderness and goodwill have disappeared. The purpose of Houellebecq's novels is to alert about the real problems of the human society in the twenty-first century. Indeed, in the books we can easily recognize the essential features of contemporary society and the fact that the individual assumes a dehumanization process in which one has to cope with his solitude in a world of emptiness. This socio-cultural dimension is indeed the background of Houellebecq's novels, novels in which the protagonists seem to be wedged in a mechanism from which it is difficult to escape: reification and dehumanization on the one hand, "robotization" of love on the other. This article focuses on the analysis of the texts revealing the poignant characteristics of"L'Ere du vide" ("The Era of Emptiness") as described by Gilles Lipovetsky: Loneliness, the lack of love and its replacement by sexual relations. 展开更多
关键词 REIFICATION DEHUMANIZATION "robotization" "L'Ere du vide" LONELINESS lack of love sexual relations
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Study on the cultural and aesthetic characters of national costume design
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作者 Zhaoyang ZHANG 《International Journal of Technology Management》 2014年第7期98-100,共3页
National costume not only show body language, but also body language and extends through the aesthetic psychology of space and aesthetic psychological sense, to convey the emotional body hidden vocabulary, the limited... National costume not only show body language, but also body language and extends through the aesthetic psychology of space and aesthetic psychological sense, to convey the emotional body hidden vocabulary, the limited physical space converted into a form of osvcholoical unlimited imagination! 展开更多
关键词 national costume costume design CULTURAL AESTHETIC
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