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徜徉史论经纬 纵横万年中国——基于《中国人的音乐》的文化品评与人文读解 被引量:1
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作者 郭克俭 周卫萍 《中国音乐学》 CSSCI 北大核心 2023年第1期136-141,共6页
《中国人的音乐》从乐器与器乐、民歌与声乐、新音乐三方面,拟构26个主题,采撷36首音乐,配以历史纪实照片与线上实录音响,形成图文乐视听有机融合的多维度立体著作。作者用“宽广的视野和渊博的学养”及“身土不二”的家国情怀,在学术... 《中国人的音乐》从乐器与器乐、民歌与声乐、新音乐三方面,拟构26个主题,采撷36首音乐,配以历史纪实照片与线上实录音响,形成图文乐视听有机融合的多维度立体著作。作者用“宽广的视野和渊博的学养”及“身土不二”的家国情怀,在学术与科普兼顾的双重思维规范统摄下,透过局内局外观察参与的双重视角,以学理性、普及性和艺术性兼备的叙事逻辑和书写方式,徜徉于中国音乐史论的经纬之间,带领广大读者步入中国音乐的文化殿堂,获得艺术审美的熏陶和美好心灵的浸染。 展开更多
关键词 田青 中国人的音乐 文化品评 人文读解
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建盏之初探
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作者 周岐辉 《江苏陶瓷》 CAS 2022年第2期63-64,共2页
在我国的历史长河中诞生了许多文化艺术,其中陶瓷艺术是最具代表性的中华文化传统艺术之一,我国的陶瓷制品也享誉世界。建盏作为陶瓷器的一种,常用于品茶、斗茶等茶文化相关的艺术文化中,受到我国历代文人墨客的热烈追捧。在建盏的制作... 在我国的历史长河中诞生了许多文化艺术,其中陶瓷艺术是最具代表性的中华文化传统艺术之一,我国的陶瓷制品也享誉世界。建盏作为陶瓷器的一种,常用于品茶、斗茶等茶文化相关的艺术文化中,受到我国历代文人墨客的热烈追捧。在建盏的制作工艺中几乎不使用人工绘画装饰,而是将泥坯与火焰及木材相互碰撞,从而使泥坯中的金属元素产生意想不到、无法控制的奇妙纹理,这也是建盏艺术价值和艺术内涵所在。那么,建盏是如何诞生的?在发展中有哪些过往经历,怎样去体味它的艺术价值?本文将一一叙述。 展开更多
关键词 建盏 陶瓷艺术 饮茶文化 建盏文化品评
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On the Techniques of Translating Allusions
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作者 ZHANG Xi-qun ZHAO You-bin 《Journal of Literature and Art Studies》 2018年第8期1188-1192,共5页
Allusions are full of cultural connotations. How to make people in different countries understand each ot^er? Translation will be one useful way. Translation is the bridge of cultural communication. How can translato... Allusions are full of cultural connotations. How to make people in different countries understand each ot^er? Translation will be one useful way. Translation is the bridge of cultural communication. How can translators translate allusions correctly? Firstly, translators should have a general idea about the specific cultural connotation of allusions. Each allusion has its own cultural background. Otherwise people would have difficulty in understanding allusions, and they may misunderstand them. Secondly, translators should try to find suitable methods in translating them. The result will be different if translators choose different methods 展开更多
关键词 ALLUSION CULTURE TRANSLATION CHINESE
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An Exploration on "Cultivating Character" in the Courses of College English
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作者 Wu Junmin 《International English Education Research》 2015年第4期101-102,共2页
The fundamental purpose of Virtue education for college students is to carry out the education policy of moral education first and cultivate college students' correct attitude towards life, work, helping them achieve... The fundamental purpose of Virtue education for college students is to carry out the education policy of moral education first and cultivate college students' correct attitude towards life, work, helping them achieve the happy life. This paper, based on the understanding of the inner link between the character of the college English course culture contains and students' virtue cultivation, analyzes the characteristics of our College English curriculum culture such as generation, counterbalance and practice and puts forward strategies to cultivate student's deliberating, self-supervision and cautious action by teachers' teaching wisdom, the design of the teaching evaluation and contents and students' learning experience step by step and so on. 展开更多
关键词 College English Course cultural character virtual education of students
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The Processualities of Literature
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作者 Herbert Grabes 《Journal of Literature and Art Studies》 2013年第1期1-8,共8页
The objective of this paper is to demonstrate that the processual aspect of literary works of art deserves much more attention than it normally receives by readers, critics, and theorists. The most important reason fo... The objective of this paper is to demonstrate that the processual aspect of literary works of art deserves much more attention than it normally receives by readers, critics, and theorists. The most important reason for this is seen in the fact that texts since the advent of print culture have been disseminated and passed on in written form and that in the medium of writing the processual character of language is only insufficiently taken care of by a cultural convention of arranging and approaching the presented signs in an particular sequence. Whereas in an oral culture the dynamic processuality of a speech or recitation was directly experienced by the listeners, the spatial arrangement of signs in writing enables and even entices readers and critics to read this or that part of a written text in a sequence of their own making. What remains out of focus is that in doing so they miss the particular semantic profile and aesthetic character of the work as created by the author--a procedure particularly hurtful in the case of literary works of art. There is hope, however, that this will somewhat change by our moving towards a performance culture 展开更多
关键词 processuality processual experience of reading SEQUENTIALITY textual sequence narrative sequence linearity of writing
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