“哲玛提”文化模式:理解回族社群文化的一种理论框架——以巍山回族“哲玛提”为例

"哲玛提"是回族穆斯林形成并赖以生存的基层社会组织,是人们理解回族社会的窗口。"哲玛提"文化模式并非否认回族社群的文化多样性,而意在提供一种准确把握回族社群宗教本质的理论框架,是从公民社会视角理解当代少数民族宗教社群的尝试。笔者以云南巍山回族"哲玛提"为个案,基于穆斯林社群的世界同一性与地方异质性,发展与调适等理论前提,从认同边界、核心领域、行为模式、经济制度、体制保障五方面,对回族"哲玛提"社群文化模式的基本结构和内容进行建构与阐释。

一次伊斯兰文化的盛会——沙特“哲纳迪里亚文化节”纪事

参加沙特的“哲纳迪里亚文化节”,是件赏心乐事。几年来,我国部分学者曾先后应邀参加过这种文化盛会。这个由骆驼比赛逐步发展起来、迄今只有18年历史的文化节,在我国仍鲜为人知。由于沙特王储阿卜杜拉亲王殿下的积极倡导,最近几年的哲纳迪里亚文化节,已经是今非昔比。在今年元月8日至16日,本人与北京外国语大学副校长周烈教 授、《开拓》杂志主编韩海潮先生一行三人,应邀参加了沙特第18届哲纳迪里亚文化节盛会。 哲纳迪里亚文化节的宗旨是振兴阿拉伯伊斯兰文化。这个因发祥于利雅得东郊的“哲纳迪里亚”村而得名的文化节,从内容来讲。

The Philosophy of He(和):Examined from the Perspectives of Technology and Culture

Pre-modern Chinese crafts,such as iron smelting,cookery,medicine,and the production of vehicles,bows,and arrows indicate the traditional Chinese view of technology as being organic,holistic,and comprehensive.This view of technology is guided by the concept of he(和)and employs the means and methods of he,thus achieving the purport of he.In Chinese,the character he(和)possesses positive connotations.It originated from the meaning of"to season;to add flavoring to"(调和)and that of flavors being"perfectly harmonious"(和美).From this sensory experience,he gradually extended to the abstract levels of materiality,humanity,sociality,"order"(wei位),and“power,situation,force"(shi势).Finally,he was elevated to the supreme level of"qi of great harmony"(taihe zhi qi太和之气),which is comparable to the concept of dao(道).The philosophy of he has exerted wide impact on such areas as technology,art,national character,cultural psychology,and behavior patterns,and has become an integral part of China's inherent culture.The paradoxes and deviations of he hold their own profound philosophical implications that merit further exploration.As humanity confronts significant challenges,such as how we can coexist with others,with technology,and with nature,the ancient Eastern wisdom embodied in he continues to possess practical characteristics and value.

Analysis of Differences between Chinese and Western Sport Philosophy

China is a world＇s ancient civilization with a long history of five thousand years; meanwhile, it is also the headstream of sports culture. Chinese sports aim at building the body and self-cultivation. The movement structures of sports are mainly the simulation of all kinds of movement of animals, which are particular about static and dynamic equilibrium, firmness, and gentleness, getting refined internally and externally. The feature of Chinese sports is the unification of form and spirit. The pattern of Chinese sports is closely related with Chinese philosophy thought, and the constructed Chinese sports culture has become the essential part of Chinese traditional philosophy. Chinese sports have integrated fitness and aesthetic appreciation into one, which is the specific expression of Chinese traditional thought. However, western sports have integrated with western philosophy thought with strong athletic tint. The characteristic of western sports has a necessary connection with the ancient Greek thought. Ancient Greeks had realized that the relationship between human and the nature was not totally dependent with contrariety, so they thought only fighting with the nature could they survive. The origins of thought of Chinese and western sports cultures decide the differences between Chinese and western sports. The harmony of China and competition of the west can be both embodied in sports. This thesis will analyze the differences between Chinese and western sports philosophy.

Enterprise Soft Power Cultivation on Philosophy View

The perspective of philosophical thinking on lifting enterprise soft power requires us to enhance both hard power and soft power in the enterprise and to grasp more the fundamental contradiction-promoting soft power of corporation-at the same time. Focusing on the environment-relationship economy, emotional economy, cultural economy and moral economy-faced by enterprise, corporation should take relationship building, feeling cultivation, cultm＇e construction and integrity establishment as an origin of force to improve the image, the group cohesion force, the social credibility and the cultural strength of the company.

Diverse Universe： The Law of Equity

Peaceful living has become increasingly difficult to attain in today’s world of globalization, modernization, mechanization, and competition for existing resources on all levels. Conflicts and violence are intensified due to population explosion, food insecurity, climate change, ecological and economic disaster, political and religious differences, and wars over territories and scarce resources. Additionally, health concerns are increasing, which can be partially linked to our current chemical-oriented agricultural and industrial practices. Furthermore, diverse life species are endangered from habitat loss, urbanization, and farming. By losing natural land and native species, we are losing ecosystem diversity. In an era when our planetary existence is threatened, what are the world’s communities doing to save our collective existence？ This paper, based on India’s intellectual traditions, proposes a conceptual model or a system of philosophy of three related categories-diversity, ethics, and peace-for understanding diversity and differences at all levels of existence, individual （biological）, collective （socio-cultural）, and planetary （cosmological）. The main purpose is to make this interdisciplinary study part of an educational philosophy for the creation of civilized societies that will value all lives on the basis of equitability, and recognize ethics of dignity, respect, liberty, justice, and peace.

The Global Value ofMencius＇s Ideas on Moral Feeling and Reason： Reinterpreting the Feeling of Compassion From the Perspective of the Philosophy of Emotion

Amid the recent global upsurge of studies on the philosophy of emotion, a reinterpretation of traditional Confucian philosophy, especially Mencius＇s ideas on the siduan （Four Original Sources） of morality, may shed new light on the subject in comparative philosophy. This paper probes the structure of moral feeling and reason described by Mencius＇s from five perspectives： （1） In view of the relationship between feeling and reason, is it better to use the expression ＂siduan＂ or the expression ＂sixin （Four Heart-minds）＂？ （2） In view of dispositional feeling, what are the four original sources？ （3） In view of moral feeling, what are the structural order of the four sources and the corresponding procedure of reasoning of four heart-minds of Humanity？ （4） In view of positive feeling, how does moral feeling grow out of the goodness of human nature？ （5） What is the global value of Mencius＇s ideas on human moral feeling？ The author concludes that Mencius＇s thought on moral feeing has a global value and cross-cultural significance, and that Chinese wisdom is more than regional but universally applicable. The structure of moral feeling and reason that Mencius identified is in accordance with the principles ofzhiliang （grasping the two poles of the beginning and the end） and yongzhong （emloying the middle）. The principles ofzhiliang and yongzhong are true universal wisdoms of Confucianism, which should be rekindled today. From a practical point of view, ＂the Way begins from moral feelings,＂ and Confucius and Yah Hui＇s seeking the simple, virtuous life is an ideal model of emotional well-being.

Overviews to organizational model from Chinese traditional philosophy

This paper reviews the literatures of the traditional and the modem organizational model to generalize their categories, features and faults. Based on the unification of the Chinese traditional culture and the “YIN and YANG” principles, it discusses how to understand the hypotheses of the organizational models, analyzes the traditional and the leading models, and puts forward two hypotheses, the fixed structure and the flexible structure of organizations.

Sense of Harmony in Chinese Traditional Culture

A harmonious culture is not supposed to be a monologue of one voice but a dialogue of many voices. Chinese ancient culture doesn＇t mean one-dimensional notion of nature transforming to human like that in western philosophy, but means the hiding and dialogue between the nature and the human body. Specifically, Wen hua just means a dialogue based on the body. Heaven Unitfied With the Human and Complement of Confucianism and Taoism provide this opinion. Sense of Harmony in Chinese traditional culture provides us important ideological resources for building a harmonious culture and promoting the harmonious development of mankind.

Interpretations of St. Francis of Assisi in the 20th Century： Philosophical-Anthropological Perspective

The article deals with investigating and comparing key modern and postmodern interpretations of St. Francis of Assisi from a philosophical-anthropological perspective. We determine these interpretations to be as follows： a man of wonder and lover of wisdom, in other words, a true philosopher; hero of all times; defender of the poverty and poor; “champion of liberty”; peace-maker and pacifist; God＇s troubadour; patron of nature and animals. All of these manifestations of St. Francis＇ personality have been enriched by his Christocentrism and joyful vision. Moreover, this can be traced in primary sources and also echoes in the late modern period. Postmodernity not only incorporated similar motives into the cultural space with new focus and accent, but it also put forward some new visions. St. Francis was postulated as God＇s Fool, not so much in the medieval as in the postmodern sense of foolishness and madness as a way of interaction with the absurd and puzzle-like world in which we live. It also reconciles traditional opposition between joy and laughter as inner feelings and outward emotions within the frame of the postmodern Divine Comedy.

Philosophy and Fiction Tattoo of the Counter-culture Crossing the Brazilian Dictatorship

This paper seeks to explore connections between some philosophical concepts and the movie Tattoo （Brazil, 2013）, directed by Hilton Lacerda. This movie approaches the Slash movies, a kind of Brazilian movies that use the humor and the mockery as ways of resistance to interrogate political, philosophical, and moral questions. The concepts of fabulation and the potency of the false will be thought in its connections with the Arts to think the force of this movie with its experimental characteristics （sound, image, performance...） in touching ethics, political, and social problems of the past and update them to think the Brazilian contemporary society. We also want to point out the possibilities of this movie operating a micro-political resistance, using the humor and irony as tools to cause effects in the reality. In Tattoo, the violence （and, the oppression itself） is fought by the tasting and experimentation of another culture providing other ways of life, enabling other effectuations and desires, even if the sanction was going to repress.

Animation art forms and aesthetic characteristics

In a very shocking symbol, animation art leads us to the continuing social and philosophical problems. With its unique hypothetical language as the human spirit and emotional material carrier, animation art passes various social messages to people. The value of animation art lies in the certain form of expression to convey characteristics of the content and spirit, which is the core issues that Chinese animation industry worthy of attention and research. Animation art as a cultural transmission symbols, bears culture spreading. The combination of cultural heritage and the new animation language means is an important way for animation art to direct towards the life of road. At the same time, let the excellent national culture and art forms combine with modem advanced technology and make innovation and creativity. Only in this way can China＇s animation talent with a new, unique appearance presented to the audience and occupy an important seat in the world animation art.

The Philosophy of a Dialogue and the Process of Understanding the Identities and Alterities

The main subject of the research is in close connection with the contemporary theories of subject and cultural identity. It represents the point of view of the problems of globalization and boundaries from the perspective of the present historical position. It interprets contemporary reflections of the cultural, especially literary boundaries. The research is also a kind of analyze which is in connection with the decentralization of the identity through the images of the others. The main subject of the interpretation is the problems of the others as a measure of our personality, our past, and our future. Who we were and who we are now？ In this research, narrativity is understood as a constitutive impulse of many different spheres such as narrative literature and film, and as an influential element of the religious and philosophical texts. The main goal of the study is to present the deployment of the senses that are conducted to our origin. It means investigation of our understanding of where we come from and how can we find ourselves in the contemporary culture, first of all, how can we constitute the identity if we use the meanings that come from the past and make our identification in the present.

The Beethoven Frieze Klimt＇s Knight and the Disease of the Modern Man

The motif of the knight is frequently used in medieval art; it has made a surprising comeback in the 19th century through artists, such as the Pre-Raphaelites or the Viennese artists at the end of the 19th and the beginning of the 20th century. Gustav Klimt interprets this motif in a very personal manner, which throws a totally different light on the status of the knight than traditional interpretations. The aim of this paper is to indicate and analyze the very features that make Klimt＇s knight different from that established through the historic, literary, and artistic canons and reveal it as closer to Nietzsche＇s modern man--afflicted by the malady that the philosopher diagnoses and whose symptoms he describes as follows： A weakened personality, and the absence of a strong will, associated with the specific age and culture.

Present re-recognition of the significance of the aesthetic value of the traditional literati paintings

The literati paintings are a special art nourished by the philosophy, religion, poetry and calligraphy and many other cultural forms in ancient China, which can be regarded as the oriental comprehensive symphony. In terms of the depth of the art, it is the tower accumulated by various Chinese cultures, rich solid. It contains the ＂morality＂, ＂elegant banter＂, ＂super shape＂, and ＂fun＂ of the literati, which can be regarded as the representative of the high difficulty and deep degree of the Chinese traditional arts, and it is the spirit of the Chinese national paintings.

Psychological and Philosophical Readings of the Spectatorship of Bollywood and Indian Tamil Film in Sri Lanka

The objective of this study is to explore the psychic, moral, ethical and logical significances in the spectatorship of Bollywood and Tamil film in the Sri Lanka. Bollywood and Tamil film has been taking a very popular cultural performance in Sri Lanka. The original Indian spectatorship of these film traditions has been diverted by the cultural and political psychology of Sri Lanka. Hence, this local orientation of the Indian cinema remains a quite metamorphosis and deconstruction in its appreciation and screening in terms of the social, cultural and political features that deeply-rooted in Sri Lankan history, culture and geographical limitations. For this study, several film texts, which include typical Bollywood and Tamil film characteristic features were used and observed on how they have been absorbed in the Sri Lankan cultural society. And on the other hand, some audience surveys specific to different film appreciation contexts were conducted. They included urban slums, semi-rural Muslim societies, north and east areas of Tamil villages, Colombo urban society, Tamil state areas and Kandyan Sinhala rural villages. In the textual analysis of the film content, implicit psychological narrations and their social and aesthetic interpretations were revealed in the analytical explanations. Using the audience surveys, many different opinions that can be traditionally filtered in the screening and appreciation of these film traditions specific to their living cultural settings were also identified. In conclusion, perception in Sinhala film has been considerably designed by the experience of Bollywood and Tamil film spectatorship is deducted by this study. Hence, not only this social trend affected to the appreciation of film in local general audience but also in all the facets of film production （script writing, shooting, acting, dialoguing, music and choreography and screening） has also significantly being influenced by the Bollywood and Tamil film. As a result of this evolution of local film culture, most recent trend in Sinhala film noir is also being followed by the early subjective consequences of Bollywood and Tamil film culture in Sri Lanka.

Learn Chinese and Western Culture From the ＂Kung Fu Panda＂

This paper introduces the film ＂Kung Fu Panda,＂ which contains the elements of Chinese culture and Western culture, respectively, from the philosophical thinking, animal image, folk life and expression of Chinglish and etiquette introduced Chinese elements, from individualism, fatalism and character introduced western culture reflected in the movie.The success of the film in the world shows that the new trend of the integration of Chinese and Western culture in the context of globalization. At the end of the paper, it gives the inspiration of the film ＂Kung Fu Panda＂ to the Chinese culture communication.

The Four Different Aspects of Man-World Relations and the Ontological Nature of Culture

In traditional philosophy, man is usually treated as a subject of knowledge, not as a subject of activity. This naturally led to an ignorance of his creative side and had its echoes in the models of the world put forward. Thus, when the world was mentioned the world meant was that perceived by man and the world man created or planned to create himself was given either a secondary treatment or else it was completely forgotten. But, as man is carrier of active spirit, the things he creates have their place in this world along those created by God. It is without doubt that things created by man are not produced against God＇s will. Still, human creativity is the corruption of the original creation, of the harmony of the world, of the book of nature. Man brings order, so to speak, to the world. He achieves this however at the cost of corrupting the Great Order within some narrow limits. Man himself is among the many highly interesting books written before and there exist as many variations of this book as there are human beings. What is the most difficult for man is though, to read his own book, to understand himself. In this article, the concept of the culture as a human creation is analyzed in the light of Man-World and Man-Nature-God relations. In this case, the author firstly explains the four different world models and then determines the boundaries of science and culture, as well as the individual and social strata of culture.

The study of effects of tai chi chuan on physical health and mental health of college students

Tai chi chuan as a compulsory course of college sports elective courses, having a strong sense of Chinese traditional culture, is one kind of boxing which is most affected by Chinese traditional philosophy. In addition to having offensive and defensive skills, it also absorbs the Chinese classical philosophy, traditional Chinese meridian theory and theory of health keeping. Cultural connotation of Tai chi chuan helps harmonious campus culture and mental health education. After years of research, the theory and practice shows that ： health effects of tai chi chuan on college students have positive significance, including the physical health and mental health.

The Grammars of Mystical Experience in Christian Theological Dialogue

The philosophical horizon of this essay is theoretically comparative and hermeneutically dialogic. Its main philosophical and theological tonality expresses, in first person and through three discursive moments, the differentiated fusion of horizons between phenomenological and grammatical description and understanding of experience. After a philosophical overture-outlining the ethos of the dialogic problematic and situating it within the contemporary diverse and dialogic dynamic of phenomenology-I will expose the consistent, possible modalities of convergence between Husserlian phenomenology and Wittgensteinian grammar of the mystical shapes of experience. The tense, responsorial dialogue among Husserl, Heidegger, Levinas, and Wittgenstein＇s styles of thinking, far from being anymore limited to the debates between the analytical and phenomenological, will be considered from the crossed categorial spaces of Austrian philosophy and German culture in general. In a second section, I will show how the styles of phenomenology today are advancing into a cautious micro-logical grammar of comparative inquiry. This thematization will first consider some precise semantic clarifications： Experience, the mystical, extasis, evidence, and truth; in a second section, the theoretical levels of grammar and phenomenology of mystical experience are heralded in the context of the Christian theological dialogue, where I emphasize the rebirth of French theological thinking and dialogic transcendence, beginning with Maritain and de Chardin to Marcel, de Lubac, Levinas, and Marion. Finally, I consider the aesthetic expressions of mystical experience, both from the visual and musical dimensions. I will conclude this talk by highlighting theological perspectives drawn from my research in musico-philosophical problematics, through an awakening to the resonance of Being and the Divine in sonic and musical life. Through a theology of the musical λογοζ, the grammar of mystical experience reveals the sacramentality of music and the mystery of silence