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文化工具主义与当代英国文化政策的实施效果评价 被引量:5
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作者 钱志中 《江苏社会科学》 CSSCI 北大核心 2015年第4期217-223,共7页
英国文化政策建立在文化工具主义基础之上,文化功能一方面指向经济发展,其主要路径是智力资本集聚与创意技能培育;另一方面指向社会融合,其主要路径是审美教育与文化认同。然而,工具主义文化政策的实施效果并不明显,文化与社会融合、经... 英国文化政策建立在文化工具主义基础之上,文化功能一方面指向经济发展,其主要路径是智力资本集聚与创意技能培育;另一方面指向社会融合,其主要路径是审美教育与文化认同。然而,工具主义文化政策的实施效果并不明显,文化与社会融合、经济发展的因果关系也并不能被实践所证明。对文化界定的模糊反而导致英国文化政策产生摇摆与困惑,创意产业带来的大众娱乐的发展也有将英国传统文化和高雅艺术边缘化的危险。 展开更多
关键词 文化工具主义 创意经济 社会融合 英国文化政策
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Artistic Practices [Between] Gender and Technologies
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作者 Maia Creus Castellana 《Journal of Literature and Art Studies》 2013年第6期363-374,共12页
This paper was carried out by the group of professors--Maia Creus, Tamara Diaz, and Ines Martins from the Design Analysis and Prospective Department, with the collaboration of the Catalan Institute for Women, Generali... This paper was carried out by the group of professors--Maia Creus, Tamara Diaz, and Ines Martins from the Design Analysis and Prospective Department, with the collaboration of the Catalan Institute for Women, Generalitat de Catalunya. Maia Creus and Ines Martins are parts of the research group TADD (Theory, Analysis, Design, and Development) recognized by Ramon Llull University. The research, based on feminist and performance studies, focuses on artistic groups currently working in Catalonia and whose practices produce tools and technology sharing, highlight the social and educational potential of ICTs (information and communication technologies) free access when used, consciously and critically, from feminist perspectives assumed. The research project was developed as a dual methodological process. This research group has developed a critical review of the three conceptual axes--women, art, and technology--around which revolves the present study and, in parallel, has conducted field work directly with groups of selected artists, in order to meet them within their areas of production and to know more about their working methods, theoretical discourse, goals, frustrations, and desires. This deployment in parallel was used to develop a group of key concepts that revolve around "free culture" and "culture of access" that in contrast with the practices and theories of the investigated groups are necessary to intercept and reinterpret. Through various forms of visibility, this paper intends to investigate, promote, and share these tools, technologies, and pedagogies developed by these groups which, by its own dynamics of collective work, as well as the processes of public participation, emphasize forms of interculturality and interdisciplinary. 展开更多
关键词 contemporary art Catalonia GENDER tactical use of technology public space political activism designfor the 21 st century
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如何才是“文化”自信? 被引量:4
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作者 樊浩 《世界华文文学论坛》 2017年第1期10-13,共4页
文化就是"人化",文化自信关乎"人"资格,关乎民族认同,是"更基础、更广泛、更深厚的自信"。文化自信,是对自己的文明形态、文明道路、文明生命力,对中国文明于人类文明独特地位和贡献的自信。面对全球化... 文化就是"人化",文化自信关乎"人"资格,关乎民族认同,是"更基础、更广泛、更深厚的自信"。文化自信,是对自己的文明形态、文明道路、文明生命力,对中国文明于人类文明独特地位和贡献的自信。面对全球化与西方文化帝国主义的挑战,文化自信本质上是文化理念和文化战略的自觉自信,其要义在于:将文化上升为国家战略,发展"作为国家战略的文化",它是对民族文化和国家文化战略的自信。缺乏文化自信,文化自觉在激烈的文化反思中很可能演绎为文化虚无主义,并由此恶化为文明虚无主义与民族虚无主义。过度的文化批判,将导致文化虚无主义,消解民族自信;过度的文化自恋,将导致文化保守主义和文化国粹主义,消解文化发展和文明进步的活力。在实施国家文化战略、文化大繁荣大发展的时代,还要特别警惕文化工具主义与文化消费主义。"信"文化、"信"文明传统、"信"文化创造力,三者构成"文化自信"指向现实、历史、未来的信念的体系。 展开更多
关键词 文化自信 文化工具主义 文化消费主义 文脉
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