The functional analysis of state-owned enterprise human resource management in supporting culture construction

With the development of technology and people＇ s knowledge level, and the evolution of the economic model, human resources has become the most important resource in the development of enterprise and economy, its importance has been recognized by the society and more and more enterprises. How to make human resource management an important role and how to motivate staffs＇ spirit of dedication, has become an important task in the modem enterprise management. In this paper, by studying the function of enterprise culture construction and its relationship with human resource management, this article put forward a new model which enterprise human resource management should be equipped with under the new economic conditions.

On the Localization of Hip-hop Culture in China

With sports as its carrier, youth hip hop culture reflects the absorption, digestion and development of foreign culture among Chinese young people. Hip-hop is popular among Chinese teenagers is not only due to the young people＇s psychological needs, but also because of the profound connotation of the era. Hip hop can contribute to the campus cultural construction. However, it also implies that local youth culture is missing in China. Hip hop dance was born in 1960s and classified into hip hop culture in 1970s as a typical representative of the four Hip-hop elements together with Graffiti, DJing, and MCing. It was spread into China in 1980s together with the movie Breakin： Hip hop has gradually become popular with Guangzhou, Shanghai, and Beijing as the center drawing much attention of the Chinese youth. Its educational significance cannot ignored from the perspective of youth culture, reflecting the absorption, digestion and development of foreign culture among Chinese young people,At the same time, it provides a good platform for young people to show their unique personality, passion, courage and life attitude.

New Thinking on Dong village residential buildings Mode

Dong is one of Chinese minorities. Dong ancestors can be traced back to the Baiyue, dry Vietnam of Qin and Han Dynasties with a long history, unique customs and culture. Whether architecture, handicrafts, or folk arts community, they all have been highly recognized by experts and scholars. But in recent years with China＇ s rapid economic development, the quality of people＇ s lives have constantly improved, the use of new materials was widespread, as well as foreign cultures and various trends continued to penetrate in the Dong region, Dong architectural heritage is facing unprecedented impact, while Dong also exposed some of the drawbacks of traditional residential architecture. So far there have been intensified phenomena of abandoning traditional residential construction, demolition, reconstruction, and many buildings destroying cultural heritage. It is a major issue existing in the development of the Dong residential transformation to strike a balance between retaining the traditional architectural features of houses and improving the Dong people ＇ living conditions. Ideas for Dong village houses architectural conservation should not just blindly maintain the status quo, but rather find a positive solution to meet the appearing new demands from social development and improvement of the living environment of people, only meet the housing needs of this new issue is the key of resolution, is development direction of the scientific and sustainable conservation of national construction.

On the Translation of Public Signs From the Functional Perspective

With the rapid development of Chinese economy, more and more foreigners have been attracted to China to invest, work, study, and travel. To help the foreigners better understand China and facilitate cross-cultural communication, bilingual or even trilingual public signs spring up in every part of China. As is known that public signs, usually in the form of a few words, pictures, or words accompanied with a picture, function not only as a＂face＂ of a city and a nation, but also as a first calling card given to the foreigners. Moreover, public signs have definite functions--informing, warning, or directing. However, to our disappointment, mistranslations of the public signs are often presented in some places. As a special text whose function is strong and communicative purpose is quite clear, the translation of public signs should be based on the text＇s functions and the translator＇s purpose. This paper classifies public signs, compares Chinese signs with English ones, and comes up with the principle for its Chinese-English translation, namely, an A-B-C approach （Adapt-Borrow-Create approach） which is based on the Skopostheorie.

Study on the Guarantee Mechanism for the Construction of Government Public Culture Service System

The design and study on the construction of government public culture service system have been commenced since 2010 in China, aiming at exploring the construction models of government public culture service system in central China, east China, west China, and urban and rural areas, and researching effective measures. As a result, the study of the guarantee mechanism for the construction of government public culture service system can be promoted. In this paper, the main contents of the construction of government public culture service system, the construction significance, and the construction＇s guarantee mechanism are studied and discussed emphatically.

探文明奠基，育家国情怀——以沪教版高中历史《封邦建国与礼乐文化》教学为例

'家国情怀'作为历史学科五大核心素养之一,是诸素养中价值追求的目标,是学习和探究历史应具有的人文追求,体现了对国家富强、人民幸福的情感,以及对国家的高度认同感、归属感、责任感和使命感。[1]在中学历史教学中,中国历史(尤其是中国古代史)是落实'家国情怀'的重要载体。笔者在准备公开课《封邦建国与礼乐文化》时,便尝试对'家国情怀'核心素养进行重点落实。

＂Jerusalem＂ of China： The Neoteric Christian Churches in Shaanxi before 1949

Christian buildings in Shaanxi already have more than 1,300 years development history since the first church was built in Chang＇an in 635 AD. The Rapid development of Christian buildings started from 1840 due to the entry of foreign missionaries. Various types of Christian buildings rose up in the province, were constructed by local builder, but designed and funded by foreign missionaries. In comparison to other Christian buildings, churches have unique historical value, cultural value and also special meaning in architecture art. However, their cultural heritage value has not yet been sufficiently considered. They are facing the prospect of being damaged and demolished, even in nowadays. It is incumbent that their architecture to be historically evaluated and that ways to be found to preserve them. In this paper, the author will focus on the neoteric Christian churches and illustrate the architecture by taking examples from the churches in Shaanxi, along with the intention to clarify the relationship between social background and the history of evolution of these churches. In addition, the authors have taken the chance to understand more comprehensively about the fascinating history of these Christian churches by way of field surveys and taping into archival documents.

The Interaction between Culture and Space and the Experience of an Architectural Studio

The issues of analyzing the cultural differences in architecture, and the interaction between culture and space have gained importance in many respects both in practice and in education. ＂Culture＂ and conservation of the ＂cultural heritage＂ have a place in the conditions for the ＂architectural education＂ put forward by the UNESCO （The United Nations Educational, Scientific and Cultural Organization）/UIA （International Union of Architects） Council during the 2002 meeting in Berlin. For this purpose, cultural, social, urban, environmental and architectural values and issues of architectural heritage were defined as specific subjects that should be considered in the preparation of the curriculum to build up a sense of responsibility. From this point of view, this paper aims to propose an educational process for dealing with the sense of cultural heritage and its survival in the modern world, and shares the products of the work carried out at the Project 4 Studio at Faculty of Fine Arts, Department of Interior Architecture, Yeditepe University, as the studio training is the main component of architectural education. The main issue of the paper is to present some examples of the student projects and to consider the importance of design studio, which can gain knowledge about cultural and architectural heritage and develop students＇ skills to adopt and be respectful to traditional values.

Analysis on Chinese Talent Loss Status from the Higher Education Perspective

In recent years, selection range of Chinese students for institutions of higher education is no longer limited to domestic range, with the rise of studying abroad, an increasing number of undergraduate and graduate students choose to go to the overseas for expansion of knowledge.This phenomenon has both advantages and disadvantages,on the one hand, it can promote the cultural exchange between countries,but on the other hand, the higher talent loss on China＇s economy caused great damage.For China＇s higher education workers and researchers, our research scope is not limited to the cultivation of the higher talents, and it also considers how to cultivate talent substantial contribution to economic civilization construction of the motherland without loss to foreign countries.This paper aims to analyze the current situation of higher talent loss in China from the perspective of higher education, and carries on the brief analysis on how to deal with this situation.

论牟宗三的儒学开展之三期说与良知坎陷说

牟宗三回顾历史,直面当下,将儒学的开展分为三期,并将儒学第三期开展的主要使命刻画为以文化生命为根本建立民族国家,具体来说就是道统之肯定、学统之开出与政统之继续。在前后期叙述儒学第三期开展的不同文章和演讲中,牟宗三对于民主与科学的侧重有所不同,这与他对1949年的共产党革命的政治态度和立场有很大关系。牟宗三通过良知坎陷说来阐述他的“新外王”思想;这一思想虽然在理论上可以自圆其说,但由于其思路深受黑格尔的影响,且未能对儒家思想与作为黑格尔思想背景的基督教思想之间的根本性差异给予足够的领会和重视,所以他的新外王思想未能在根本的立场上守住儒家立场,具体一点说,未能充分考虑人伦在儒家思想中的价值,从而也未能认真对待人伦的政治意义。

SPECIAL ISSUE： GLOBALIZATION AND CONTEMPORARY CHINESE CULTURAL CONSTRUCTION：Contemporary Chinese cultural construction and advanced culture

Advanced Chinese culture today has three interconnected requirements： a） it is an organic component of today＇s advanced world culture; b） it critically absorbs all the best elements of foreign cultures in an organic combination with the best elements of traditional Chinese culture; and c） it transcends the argument over ＂modernism＂ and ＂post-modernism.＂ From a world- historical perspective, all other necessary features of advanced culture in contemporary China represent the logical unfolding of these three requirements. A full and correct grasp of the three elements constituting the world-historicality of this advanced culture is of important methodological significance in clarifying the world-historical mode of the construction of contemporary Chinese culture and the path to cultural innovation.