With the development of economy and international communication, Chinese culture is going out of the country and is known by the world. The paper analyzes the historical and present Chinese culture oversea transmissio...With the development of economy and international communication, Chinese culture is going out of the country and is known by the world. The paper analyzes the historical and present Chinese culture oversea transmission and the strategies of the transmissions. The paper has three parts： The first part is the history of Chinese culture transmission, the second part is the present Chinese transmission, and the third part is the strategies of Chinese culture transmission. And in the conclusion, it is made clear that everyone going abroad or in front of the foreigners is transmitting Chinese culture in one way or another. In order to make Chinese culture popular, some methods should be taken for Chinese visiting or going to other countries.展开更多
The essay analyzes the play written by the late Efua Sutherland （from Ghana） and shows the effects of colonization among the Ghanaians. First, it explores the historical inroads made by the colonizer in West African...The essay analyzes the play written by the late Efua Sutherland （from Ghana） and shows the effects of colonization among the Ghanaians. First, it explores the historical inroads made by the colonizer in West African countries, such as Ghana, causing the debilitation of the culture of such countries by erasing its history. One way in which such erasure occurred was in the destruction of sacred sites of the people. Further connections will also be made to West African cultural contexts with the history of colonization in Africa and its effects on popular culture, specifically drama in countries like Ghana. Next, the essay draws upon the role of the trickster figure of Ananse, the spider who features in many West African and Caribbean folkloric traditions. Sutherland＇s play revolves around the main character of the play, Ananse, and he is likened to the trickster figure, but the essay shows how this figure is also debilitated by the colonizer. Finally, in the play, one notes that despite the main character＇s ＂victory＂ in getting his daughter married to the ＂Chief-Who-ls-Chief＇, he does it for his survival and the survival of his daughter in a world in which the latent effects of colonization has hampered the memory and culture of its people.展开更多
文摘With the development of economy and international communication, Chinese culture is going out of the country and is known by the world. The paper analyzes the historical and present Chinese culture oversea transmission and the strategies of the transmissions. The paper has three parts： The first part is the history of Chinese culture transmission, the second part is the present Chinese transmission, and the third part is the strategies of Chinese culture transmission. And in the conclusion, it is made clear that everyone going abroad or in front of the foreigners is transmitting Chinese culture in one way or another. In order to make Chinese culture popular, some methods should be taken for Chinese visiting or going to other countries.
文摘The essay analyzes the play written by the late Efua Sutherland （from Ghana） and shows the effects of colonization among the Ghanaians. First, it explores the historical inroads made by the colonizer in West African countries, such as Ghana, causing the debilitation of the culture of such countries by erasing its history. One way in which such erasure occurred was in the destruction of sacred sites of the people. Further connections will also be made to West African cultural contexts with the history of colonization in Africa and its effects on popular culture, specifically drama in countries like Ghana. Next, the essay draws upon the role of the trickster figure of Ananse, the spider who features in many West African and Caribbean folkloric traditions. Sutherland＇s play revolves around the main character of the play, Ananse, and he is likened to the trickster figure, but the essay shows how this figure is also debilitated by the colonizer. Finally, in the play, one notes that despite the main character＇s ＂victory＂ in getting his daughter married to the ＂Chief-Who-ls-Chief＇, he does it for his survival and the survival of his daughter in a world in which the latent effects of colonization has hampered the memory and culture of its people.
