期刊文献+
共找到3篇文章
< 1 >
每页显示 20 50 100
论图书馆与文化消费学的关系 被引量:2
1
作者 黄红卫 《湖南税务高等专科学校学报》 2002年第4期57-59,共3页
本文试图通过对文化消费学的研究 ,探索图书馆学与文化消费学的共同点 ,论述了图书馆学借鉴文化消费学研究成果的重要意义。
关键词 图书馆 文化消费学 图书馆 文化消费
下载PDF
The Journalist as "Audience" and "Worker": Results of Empirical Research With Freelance Journalists of S^o Paulo
2
作者 Roseli Figaro Claiudia Nonato Rafael Grohmann 《Journalism and Mass Communication》 2012年第8期828-839,共12页
This article presents the results of empirical research with freelance journalists from the city of Sao Paulo, involving quantitative and qualitative research methods and the theoretical-methodological from the Recept... This article presents the results of empirical research with freelance journalists from the city of Sao Paulo, involving quantitative and qualitative research methods and the theoretical-methodological from the Reception Studies and Ergology. It is a theoretical and empirical approach, whose developments have been used by the Communication and Work Research Group of Communications and Arts School--University of SAo Paulo, Brazil. The reception from the world of work shows how changes in the labor act concretely in daily life subjectively and how they manifest in the sphere of cultural consumption. The research shows how, from the reception, the journalists reveal from which place they talk about the world, the society, and their own work. The reception is revealed as the moment par excellence "to talk about work". When talking about the other's work, the journalists are confronted with their own work and reveal, in their discourse, values and dramas of real activity of communication and work. 展开更多
关键词 communication JOURNALIST work reception studies
下载PDF
歌坛:雅俗共赏、良莠并存——兼与毛翰先生商榷
3
作者 陶沙 《音乐天地》 1997年第1期14-15,共2页
这个标题是针对毛翰先生的《歌坛:黄钟毁弃、瓦釜雷鸣》(载于《词刊》96年第3期)一文而写的,毛翰先生说他的标题不是故作“惊人之语”,诚然如此,我觉得那也只能算是“个人之词”。 先生写下那个标题,是用洛兵的《晚钟》来作反证的,他说... 这个标题是针对毛翰先生的《歌坛:黄钟毁弃、瓦釜雷鸣》(载于《词刊》96年第3期)一文而写的,毛翰先生说他的标题不是故作“惊人之语”,诚然如此,我觉得那也只能算是“个人之词”。 先生写下那个标题,是用洛兵的《晚钟》来作反证的,他说那是“一首妙处难与君说的歌词,也是一首韵味无穷的诗”,我同意他的后半句,到不敢苟同他的前半句。歌词就是必须妙处能与君说的东西,不但能说,而目别人能听;否则,再妙又有何用?!难怪先生最后疑惑:“这样一首难得的佳作至今无人谱曲传唱,曲高和寡,对之奈何?”先生意思是说,现在谱曲传唱的大多不好,无人谱曲传唱的反而挺好,很为中国歌坛“ 展开更多
关键词 艺术的社会功能 个体功能 “雅” 中国诗歌 瓦釜雷鸣 艺术创造 音乐文化 社会主义市场经济体制 歌词 文化消费学
原文传递
上一页 1 下一页 到第
使用帮助 返回顶部