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中国文化网的跨文化语符传播分析 被引量:2
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作者 李颖 《西安外国语大学学报》 CSSCI 2017年第4期72-76,共5页
跨文化语符翻译因其跨文化、跨媒介、跨学科的特点,可被视为跨文化语符传播的一部分,更好地顺应了"文化转折"和"图像转折"的时代特点和学科发展需求。跨文化语符文本具有语言和图像的互补,理据性和任意性的互补,情... 跨文化语符翻译因其跨文化、跨媒介、跨学科的特点,可被视为跨文化语符传播的一部分,更好地顺应了"文化转折"和"图像转折"的时代特点和学科发展需求。跨文化语符文本具有语言和图像的互补,理据性和任意性的互补,情节与情结的互补以及模糊性和可塑性并存的特点。本文以中国文化网Photo栏目为例,对跨文化语符文本的特点进行分析,得出此类新型文本在传播新信息、产生新认知以及建构新文化方面蕴藏的潜力。中国文化的跨文化传播可以此为突破口,立足自身语符文化底蕴,抓住图像转折时代的有利契机,为构建公平、合理、多元的国际传播新秩序贡献力量。 展开更多
关键词 文化传播 文本 中国文化
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Interpretation of advertisement discourse
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作者 田芬 《Sino-US English Teaching》 2008年第7期50-52,共3页
Being of semiotics, advertisement discourse provides people not only with delighting colors, outlines and constructions but enlightening sounds. As a result, it is more of a realization of social culture than of econo... Being of semiotics, advertisement discourse provides people not only with delighting colors, outlines and constructions but enlightening sounds. As a result, it is more of a realization of social culture than of economics. This paper, from the point of semiotics, discusses advertisement discourse under the social cultural background, together taking some Chinese advertisements for instances. 展开更多
关键词 advertisement discourse CULTURE SYMBOL
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The Image and Text Relationship in TANG Yin's Scroll of Poetry and Painting
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作者 YE La-mei 《Journal of Literature and Art Studies》 2011年第1期48-64,共17页
This paper seeks to examine the image and text relationship in TANG Yin's scroll of poetry and painting from three aspects: The first aspect focuses upon the schema type of its image and text relationship in physica... This paper seeks to examine the image and text relationship in TANG Yin's scroll of poetry and painting from three aspects: The first aspect focuses upon the schema type of its image and text relationship in physical form; the second aspect, explores the text's/poetry's functions of anchorage and relay while appreciating those images/paintings; the third aspect, traces the semiosis process of image, exploring how image and text as cultural products in the epistemological world mediates with the phenomenological world 展开更多
关键词 image and text relationship TANG Yin's scroll of poetry and painting the semiosis process
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民族符号学的可能性与必要性 被引量:3
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作者 赵毅衡 《中外文化与文论》 CSSCI 2015年第1期78-79,共2页
呈献在读者诸君面前的一组文章,被编者冠上了"民族符号学"的总题目。实际上读者可以看出,它们与民族文化研究文章并没有非常大的不同,没有故作深奥的玄妙理论,也没有让人望而生畏的艰难术语。它们与所有的民族研究一样,关心... 呈献在读者诸君面前的一组文章,被编者冠上了"民族符号学"的总题目。实际上读者可以看出,它们与民族文化研究文章并没有非常大的不同,没有故作深奥的玄妙理论,也没有让人望而生畏的艰难术语。它们与所有的民族研究一样,关心材料是否扎实可靠,关心对民族习俗的理解是否符合该民族的思考方式。没有达到这样一个学术标准是不行的,哪怕贴上再多的符号学标签也不行。 展开更多
关键词 民族文化研究 学术标准 民族习俗 民族研究 号学研究 号表 西比奥克 巴黎学派 人以群分 文化符
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Unknown Signs and Symbols on Egyptian Prehistoric Naqada Stone Palettes
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作者 Valdis Seglins 《Journal of Earth Science and Engineering》 2014年第2期94-100,共7页
Although stone palettes from the Naqada culture are well known, research has been focused mostly on those palettes which are richly decorated. However, streaks and fragments of individual signs are also often found on... Although stone palettes from the Naqada culture are well known, research has been focused mostly on those palettes which are richly decorated. However, streaks and fragments of individual signs are also often found on simple palettes of various shapes. This study shows that the majority of these palettes have quite a number of marks and sign fragments that have been made by different techniques and over a long period of time. This particularly applies to rhomboidal palettes, for most of which there are no ground to infer that they have been used for ritual purposes or for mixing beauty care compositions. It is more likely that they denote an early form of the visual symbol in later periods represented by the head of Ptah's staff. 展开更多
关键词 Prehistoric Egypt stone palettes invisible signs and symbols Ptah's staff.
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Embodied Cognition From the Perspective of Vygotsky’s Socio-cultural Theory
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作者 Xuejiao Zhang Huili Wang Dan Guo 《Journal of Philosophy Study》 2018年第8期362-367,共6页
Embodied cognition is an approach to cognition that departs from traditional Descartes’ mind-body dualism for its emphasis on bodily interactions with the environment. The paper firstly describes three distinctive fe... Embodied cognition is an approach to cognition that departs from traditional Descartes’ mind-body dualism for its emphasis on bodily interactions with the environment. The paper firstly describes three distinctive features of embodied cognition. Furthermore, from the perspective of philosophical methodology, the paper outlines Vygotsky’s socio-cultural theory and his contributions to the development of cognitive science. Three basic themes of Vygotsky’s writings are specifically described: genetic forces as a foundation of the study of mind, social origin of higher mental functioning, and mediation of sign systems in inter-mental and intra-mental functioning. Against the background of Vygotsky’s sociocultural theory, we further discuss the interface between embodied cognition and Vygotsky’s socio-cultural theory. It is claimed that bodily states and body-environment interactions are closely connected to sense-making. Embodied cognition should emphasize on the unity of body, mind, and cultural environment. Finally, the paper concludes with the influence of sociocultural theory on the study of embodied cognition. 展开更多
关键词 embodied cognition VYGOTSKY socio-cultural theory
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Traditional Architecture as the Medium of Public Ethical Value
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作者 Chengxia Xiong 《Sociology Study》 2017年第3期168-178,共11页
Traditional Chinese architecture in the narrative of a system has existed more than 3,000 years. As the core values of the enlightenment function of social ethics, traditional architecture externalizes symbol of "st... Traditional Chinese architecture in the narrative of a system has existed more than 3,000 years. As the core values of the enlightenment function of social ethics, traditional architecture externalizes symbol of "state" sensual ethical echo. So metaphorical rules in architecture can combine with the normal life. Traditional architectural form as famous communication home Marshall McLuhan's "human extension", leads the order and the rules in the form of elevation. The spread of universal ethics, traditional architectural symmetry axis ceremony, and the adornment of the mythical thinking component, are traditional Chinese ethics of society to describe the core of creation through three points sequence structure constraint. The wisdom of metaphor in these ideas is the life gene of Chinese culture. In the construction of the contemporary social upheaval spreading vision, recognition of traditional architecture ethics through righteousness obviously has been recasting social ethics of "treatment". 展开更多
关键词 Building the image ethical symbol media narrative form the semantic space system
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SPECIAL ISSUE: CULTURAL PHILOSOPHICAL STUDIES IN CHINA:Some theoretical characteristics of the philosophy of culture
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作者 Chen Shulin 《Social Sciences in China》 2008年第4期163-173,共11页
Establishing a philosophical theory or a paradigm of philosophical understanding should be premised on its possession of a relatively well-defined research subject, relatively original research methodology, and relati... Establishing a philosophical theory or a paradigm of philosophical understanding should be premised on its possession of a relatively well-defined research subject, relatively original research methodology, and relatively outstanding theoretical objectives. In this regard, philosophy of culture aims at a general understanding of man through cultural symbols which in themselves are not the end of the research. Using the research methodology of historical science, philosophy of culture attempts to understand man as a non-continuous and heterogeneous being. The theoretical objective of philosophy of culture is the criticism and reconstruction of cultural patterns with cultural symbols at their core. 展开更多
关键词 philosophy of culture cultural symbolic forms methodology of historical science cultural patterns
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